Douglas morison (7 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Stoke Poges Churches German: Stoken Poges Kirchen French: Eglises Stoke Poges Spanish: Iglesias de Stoke Poges High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Vintage studio still photograph from the 1943 film, seen here under the alternate title "Hitler's Hangman." With manuscript pencil annotations on the verso. A dramatization of the assassination of Reinhard Heydrich, a Nazi SS commander, by members of the Czech resistance, which resulted in the decimation of the village of Lidice by the Nazis as revenge. Set in Czechoslovakia. 10 x 8 inches. Near Fine.…

Vintage borderless satin-finish double weight reference photograph from the 1943 film, showing actors Patricia Morison, John Carradine, and Alan Curtis. Printed mimeo snipe affixed to the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A fictionalized account of the 1942 assassination of Nazi official Reinhard Heydrich and the ensuing Lidice massacre. Director Douglas Sirk's first American production after fleeing Nazi Germany and changing his name from Hans Detlef Sierck. 9.25 x 7.5 inches. Very Good plus, with light toning near the bottom portion of the photograph.…

A pleasant work containing twenty-five views of Haddon Hall as it existed in the mid-nineteenth century. Haddon Hall is now known as one of the great ducal mansions almost entirely preserved in its Tudor state, owing to it being passed into the hands of the Manners family, who favoured their home in Belvoir Castle, in the late sixteenth century. Douglas Morison (1814-1847) was an English painter who achieved some success and was invited to produce some sketches for Queen Victoria at Windsor Castle. He has signed the dedication to the Duke of Rutland, owner of the famous Tudor manor house. First edition, signed by the author; folio (53 x 37 cm); 25 tinted lithograph plates, lithographed title, lithographed dedication and plate list, subscriber list, touch of waterstaining to the outer margin only of the first half of the plates, title with a couple small marginal tears, very light scattered spotting; contemporary half red morocco, pebbled cloth boards, gilt flat spine, all edges gilt, a little rubbing to spine, upper joint starting to split at foot, otherwise a very good copy. Abbey (Scenery), 419.…

28 x 42 cm Lithographie mit Tonplatte auf Blatt 36 x 54 cm, am Rand vom Rollen einige Knitter, sonst nahezu sehr guter Zustand, 26, schw Mappe Sprache: en.

Quarto, pp., [78], plus 45 full-page lithographic plates, 7 half-page lithographic vignettes, and 1 plate on India paper. Contemporary crimson half morocco over marbled paper-covered boards; titled in gilt to spine; all edges marbled; marbled end-papers. Corners, joints, and edges rubbed; binding otherwise strong and square. Evidence of former bookplate to front paste-down; occasional light scattered foxing. A square copy. A collection of topographical sketches and views, each captioned with pages of commentary, with particularly extensive reference to sites portrayed in the works of Sir Walter Scott. Originally published in 20 parts from 1833 onwards, the illustrations were first published in book form in 1834 (we locate copies with dated and undated title-pages, which are of indeterminate priority). A rather lovely selection of scenes of Romantic-era Scotland.…

[1] + 23pp., foolscap 8vo. On 24 leaves attached in one corner by a metal stud. The title page carries the reference TM144D, and states that the producer was Cleverdon, and gives times of transmission, rehearsal and recording, with 'R.P. REF. NO.' and the details of the secretary who typed out the document. The piece was narrated by Barker, with the 'Speakers' are named as Burns, Carter, Crook, Crutchley, Meynell, Pollard, the Stones and Warde. This document, apparently unpublished, is the official transcript of an extremely entertaining and reavealing programme, filled with valuable reminiscences, of which the following gives a taster: '14. JANET STONE: (TAPE) | He used to talk about his extraordinary youth, his upbringing - that was fantastic. His mother must have been remarkable, becauses there he was, totally working class youth, with a father who, I think, physically resembled him, but he despised from the very bottom of his heart, who was a drunk, gin drunk. And the stories of how he used to come home dead drunk and how Morison put him to bed - the anguish of it all, and then finally how he had the gruelling business of going round to identify him in the Salvation Army home when he died. And how his mtoher kept this little shop, and how she held them together, kept them going. | 15. BARKER: | Morison also talked to Graham Pollard, the bibliographer, who shared his early political views. | 16. GRAHAM POLLARD: (TAPE) | He told me over many dinner tables, and over the first opening of oysters on every 1st of September at Whitstable, a great deal of the history of his life. Mrs. Morison, his mother, was a great adherent of Thomas Paine, and the young Morison was brought up very much in a dogmatic free thought atmosphere. After he left school, he went to work for the British and Foreign Bible Society as a clerk. In his spare time he, to use his own phrase, hung round the Jesuits in Farm Street, and they taught him Latin, and in due course he joined the Roman Church.'.…