Doucet clement (3 Ergebnisse)

3 Hefte. Folio. 7, 7, 7 S. In den illustrierten Orig.-Umschlägen. * Prächtige Vereinigung von drei der berühmten "verjazzten" Klassikern des belgischen Pianisten Clement Doucet (1895-1950). Doucet, der eine klassische Ausbildung am Conservatoire zu Brüssel genossen hatte und zeitweise auch Schüler von Liszt gewesen sein soll, wurde nach dem I. Weltkrieg als Nachfolger von Jean Wiener Hauspianist des berühmten -auch heute noch an allerdings anderer Stelle existierenden- Restaurants "Le Boeuf sur le Toit". Er freundete sich mit seinem Vorgänger an und bildete mit diesem in den Jahren 1924-1939 das berühmte Klavier-Duo. - Jedes Heft mit prächtiger Titel-Illustration des renommierten Graphikers Raymond Erny. Auf den Rückseiten der "Chopinata" und der "Hungaria" auch fabelhafte, ganzseitige illustrierte Werbeanzeigen für "Felix the Cat le fox-trot endiablé.". - In sehr gutem Zustand, ohne Eintragungen - das Wagner-Heft mit kleineren Gebrauchsspuren. - In dieser Zusammenstellung sehr selten.…

Soft cover. Zustand: Very Good. 1st Edition. 4° - (245x310mm) - Color lithograph by Paul Colin (1892-1985) French prolific master illustrator of Decorative Arts posters. Music score "Album Wiener Doucet" First edition. Original covers by Paul Colin. In Very good condition.

From the collection of Charlie Watts, a lively group of seven illustrated letters from Clément Doucet to Jean Wiéner's children, written during the duo's 1931 American tour. In a witty, cartoonish style, Doucet recounts their adventures as pioneers of "jazz à deux pianos", presenting sharp, affectionate vignettes of modern America filtered through a distinctly French musical sensibility. Trained in the conservatoire tradition yet rooted in Paris's avant-garde nightlife, Wiéner and Doucet forged an original Franco-American jazz idiom and moved easily between elite artistic circles, music-hall stages, and collaborations with major stars such as Josephine Baker and Maurice Chevalier. Their 1931 tour confirmed their standing abroad, and the letters capture the journey's colour and momentum. Each sheet features a vivid scene: an Akron reception hosted by "the Queen of Tyres"; a bustling Fifth Avenue; a packed Harlem Savoy dance floor; a comic hold-up on the streets of Chicago; a futuristic St. Louis cityscape; and Wiéner and Doucet encountering one-horse-town America in Warrensburg. The final drawing shows Wiéner, toga-like in a hotel bathtub, delivering a mock oration surrounded by giant banknotes, under the caption "I like America". Together with a Columbia Records promotional brochure and a Studio Harcourt publicity photograph, these letters offer an engaging, visually inventive record of two French jazzmen delighting in the energy of the country that inspired them. Jeffrey H. Jackson, Making Jazz French: Music and Modern Life in Interwar Paris, 2003; Denise Pilmer Taylor, La Musique Pour Tout Le Monde: Jean Wiéner and the Dawn of French Jazz, 1998. Seven letters from Doucet to Wiéner's children - Stephan and Maud - recounting the adventures of the renowned "jazz à deux pianos" on the road in America in a vivid, very stylish, cartoonish manner; all but one on headed hotel stationery, ink and pencil crayon with inked salutations, captions and subscriptions. Housed in a cloth box with chemsie made by The Chelsea Bindery. Promotional brochure: small octavo. Original pictorial light card self-wrappers, wire-stitched as issued. Design to front cover by Paul Colin; and publicity photographs. Letters a little toned, creases from old folds, but overall very good; brochure a little toned at the margins of the wrapperss, else very good. …