dorothy fields lyrics (16 Ergebnisse)

Hardcover. Zustand: Very Good. "A Cow, a Plough, and a Frau" is a song by composers Dorothy Fields and Morton Gould from the 1950 Broadway musical Arms and the Girl! 6 pages. Clean sharp bright unmarked. ". the character singing the song is a Hessian who is beginning to see that he?s fighting on the wrong side ? it would be better to be a young immigrant in a new country than a soldier-for-hire working for a troubled and troubling British Empire in a foreign land. He muses on it all, from the point-of-view of a European farmer in the late 1700s. He expresses himself with an ever-clarifying point of view, gaining confidence as he goes, and that makes this a very classical and theatrical ?I Want? song. He is charming. The song is charming. " Jack Viertel.

Soft cover. Zustand: Fair. Foxing on covers and inside. Name of former owner on cover.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine dj. Book Club Edition. [a touch of wear to base of spine, one-time owner's address label on front endpaper; jacket slightly browned along spine, minor wear to extremities]. (B&W photographs) One of the great musicals of the 1960's, adapted from Federico Fellini's film "Nights of Cabiria." A triumph for choreographer Bob Fosse on the stage, less so in his 1969 screen adaptation (which substituted Shirley MacLaine for Gwen Verdon).

Zustand: Very Good. Vintage piano sheet music in colour paper covers with photograph of George Raft and Alice Faye to the front cover. 11'' x 8½''. Contains 4 printed pages of score for the piano and voice with words. Without any tears and in Very Good clean condition. Member of the P.B.F.A. SHEET MUSIC.

Zustand: Very Good. Vintage piano sheet music in colour illustrated paper covers with photograph of Marion Harris to the front cover. 12'' x 9¾''. Contains 6 pages including the covers. Scored for the pianoforte and voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Wraps. Zustand: Good. 12 pages, plus covers. Illustrations (some color inside). This production was staged and directed by Richard Barstow. A rare item of Phyllis McGuire stage and musical career. Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (18601926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (18471926). Songs that became hits include "There's No Business Like Show Business", "Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun", "They Say It's Wonderful", and "Anything You Can Do (I Can Do Better)". The principal performers were:Phyllis McGuire, Walter Farrell, Lulu Bates, Ned Wertimer, Edgar Daniels, Robert Bernard, Cherry Davis, Gene Foote, and Daniel Keyes. This program includes The History of the Show. With narratives on the producers, director, choreographer, musical director, and production designer, there is a synopsis of the show. The last page and inside the back cover are photographs of the General Manager, Lighting Director, and a large ensemble cast. This production toured: Valley Forge Music Fair, Devon, Pa; Camden County Music Fair, Haddonfield, NJ; Westbury Music Fair, Westbury, L.I.; Storrowton Music Fair, West Springfield, Mass.; and Painters Mill Music Fair, Owings Mills, Md. Ms. McGuire, with her older sisters Christine and Dorothy, shot to success overnight after winning the televised "Arthur Godfrey Talent Scouts" contest in 1952. Over the next 15 years, they were one of the nation's most popular vocal groups, singing on the television variety shows of Ed Sullivan, Milton Berle, Andy Williams and Red Skelton, on nightclub circuits across the country and on records that sold millions. The sisters epitomized a 1950s sensibility that held up a standard of unreal perfection, wearing identical coifs, dresses and smiles, moving with synchronized precision and blending voices in wholesome songs for simpler times. Their music, like that of Perry Como, Patti Page and other stars who appealed to white, middle-class audiences, contrasted starkly with the rock 'n' roll craze that was taking the world by storm in the mid-to-late '50s. In 1965, as the trio's popularity began to fade, The McGuire Sisters retired from public appearances in 1968, Christine and Dorothy to raise families, Phyllis to continue as a soloist. She appeared regularly in Las Vegas, where she lived for the rest of her life in a mansion with a swan moat and a replica of the Eiffel Tower rising through the roof. In 1985, the sisters reunited for a comeback and performed for almost two decades at casinos and clubs in Las Vegas, Atlantic City and elsewhere. They sang their own hits, 1950s pop hits and Broadway show tunes, and Phyllis did impersonations of Peggy Lee, Judy Garland, Pearl Bailey and Ethel Merman. Presumed First Edition, First printing thus [presumably for a Summer Stock tour].

Zustand: Very Good. Piano sheet music in plain white paper covers with black lettering. 11'' x 8½'' with 4 pages of score and lyrics. In Very Good clean condition and without any use or tears. Front cover states 'The Radio release date for this number is 2nd November 1936.' Member of the P.B.F.A. SHEET MUSIC.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+ dj. 1st Edition (see note). [a very nice copy, tight and clean with just a touch of wear at the spine ends; jacket a little rubbed on the front panel, very light wear to extremities, tiny closed tear at upper left of front panel]. (B&W photographs) One of the great musicals of the 1960s, adapted from Federico Fellini's film "Nights of Cabiria." It was a triumph for choreographer Bob Fosse on the stage, but a little less so in his 1969 screen adaptation (which substituted Shirley MacLaine for Gwen Verdon). [NOTE: Although there is no "first printing" or "first edition" statement in this copy of the book, I believe it to be such, and to therefore constitute an exception to the usual Random House practice for their published plays. The printed price ($3.95) is present on the front jacket flap, along with the printing code 10/66 at the bottom corner of the flap. In addition, this was part of a collection in which nearly all the published plays were review copies, with publisher's slips to document the fact; although there is no slip present in this copy, I believe it to also be a review copy. If someone can show me evidence of a copy that states "first printing," however, I will happily stand corrected.].

Four vintage scripts for multiple stagings of the off-Broadway play. Two scripts dated 1970 and noted as First Draft and Revised, and two scripts undated, one circa 1970 and one circa 1984. Copies belonging to playwright Jerome Coopersmith, with his occasional annotations in manuscript ink and pencil to two scripts. Laid in with the Revised Draft are three manuscript leaves in Coopersmith's hand, noting editorial thoughts and revisions to dialogue. The play was first staged at Massachusetts State College in 1967, then in a musical version at Hunter College in 1974, and finally, in 1984, at the National Portrait Gallery in Washington DC, in conjunction with the Eleanor Roosevelt Centennial. A dramatization of the early life of Eleanor Roosevelt, focusing on her romance and eventual marriage to Franklin and her attempts to balance motherhood with political involvement and a career. Coopersmith's first venture into writing for the stage, following a successful career writing for television. First Draft: Green untitled Studio Duplicating Service wrappers. Title page present, noted as copy No. 11C in manuscript ink, dated September 1970, noted as First Draft, with credits for Coopersmith, composer Cy Coleman, and lyricist Dorothy Fields. 89 leaves, with last page of text numbered 2-6-28. Mimeograph duplication, rectos only. Pages Near Fine, wrappers Very Good plus, bound with two gold screw brads. Final Draft: Mustard titled Studio Duplicating Service wrappers. Title page present, noted as Revised and dated December 1970, with credit for Coopersmith. 80 leaves, with last page of text numbered 2-6-27. Mimeograph duplication, rectos only. Pages Near Fine, wrappers Very Good plus, bound with two gold screw brads. Undated, circa 1970: Green titled Studio Duplicating Service wrappers. Title page present, undated, with credit for Coopersmith. 89 leaves, with last page of text numbered 2-8-38. Mimeograph duplication, rectos only. Pages Near Fine, wrappers Very Good plus, bound with two gold screw brads. Undated, circa 1984: Blue wrappers with a title label crediting Coopersmith. Title page present, with a credit for Coopersmith, and a return address at the bottom right corner noting Coopersmith's name and a Rockville Centre address. 89 leaves, with last page of text numbered 2-6-37. Xerographic duplication, rectos only. Pages Near Fine, wrappers Near Fine, bound with three gold screw brads.

Vintage borderless double weight color reference photograph from the 1969 film, showing Sammy Davis Jr. surrounded by groovy dancers. French agency stamps on the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance, but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 8 x 10 inches. About Near Fine.

Vintage borderless reference photograph from the 1969 film, showing Sammy Davis Jr. and Shirley MacLaine dancing joyfully. French agency stamps on the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance, but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 7 x 9.5 inches. Near Fine.

Vintage reference photograph of director Bob Fosse showing actress Shirley MacLaine how to execute a leap on the set of the 1969 film. With manuscript ink and pencil annotations to the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance, but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 8 x 10 inches. Near Fine.