dorothy fields coleman (17 Ergebnisse)

paperback. Zustand: Good.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Largely good condition paperback, some wear and dust marks to covers, darkening to fore-edge. Large pen mark to front. Content clear. A nice reading copy.

Zustand: Good. Good condition. (sheet music, songbook, songs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Brand New. 00313375 edition. 74 pages. 11.75x9.00x0.25 inches. In Stock.

Paperback. Zustand: Brand New. 32 pages. 11.73x8.74x0.16 inches. In Stock.

soft cover paperback. Zustand: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED8vo; 70 pages; good soft cover paperback; slight fading to spine area; tanning pages; slight crease; tips bumped; clean pages; prompt shipping with tracking.

paperback, 4to, 8pp, vocal and piano score, film tie-in front cover featuring Shirley Maclaine, some browning, Good condition.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Very Good. 4pp sheet music booklet from the musical Sweet Charity. Performed by Juliet Prowse, with her photograph to cover. In overall very good useable condition with only minor signs of handling and storage. Scored for voice and piano with lyrics and guitar chords. From the estate of the late Johnny Dallas with his small JD Enterprises stamp to cover and p3. includes typed lyric sheet on the reverse of a period Johnny Dallas Show handbill.

Sheet music. Zustand: Brand New. 56 pages. 12.00x9.25x0.50 inches. In Stock.

Sheet Music. Zustand: Brand New. 232 pages. In Stock.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine dj. Book Club Edition. [a touch of wear to base of spine, one-time owner's address label on front endpaper; jacket slightly browned along spine, minor wear to extremities]. (B&W photographs) One of the great musicals of the 1960's, adapted from Federico Fellini's film "Nights of Cabiria." A triumph for choreographer Bob Fosse on the stage, less so in his 1969 screen adaptation (which substituted Shirley MacLaine for Gwen Verdon).

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+ dj. 1st Edition (see note). [a very nice copy, tight and clean with just a touch of wear at the spine ends; jacket a little rubbed on the front panel, very light wear to extremities, tiny closed tear at upper left of front panel]. (B&W photographs) One of the great musicals of the 1960s, adapted from Federico Fellini's film "Nights of Cabiria." It was a triumph for choreographer Bob Fosse on the stage, but a little less so in his 1969 screen adaptation (which substituted Shirley MacLaine for Gwen Verdon). [NOTE: Although there is no "first printing" or "first edition" statement in this copy of the book, I believe it to be such, and to therefore constitute an exception to the usual Random House practice for their published plays. The printed price ($3.95) is present on the front jacket flap, along with the printing code 10/66 at the bottom corner of the flap. In addition, this was part of a collection in which nearly all the published plays were review copies, with publisher's slips to document the fact; although there is no slip present in this copy, I believe it to also be a review copy. If someone can show me evidence of a copy that states "first printing," however, I will happily stand corrected.].

Four vintage scripts for multiple stagings of the off-Broadway play. Two scripts dated 1970 and noted as First Draft and Revised, and two scripts undated, one circa 1970 and one circa 1984. Copies belonging to playwright Jerome Coopersmith, with his occasional annotations in manuscript ink and pencil to two scripts. Laid in with the Revised Draft are three manuscript leaves in Coopersmith's hand, noting editorial thoughts and revisions to dialogue. The play was first staged at Massachusetts State College in 1967, then in a musical version at Hunter College in 1974, and finally, in 1984, at the National Portrait Gallery in Washington DC, in conjunction with the Eleanor Roosevelt Centennial. A dramatization of the early life of Eleanor Roosevelt, focusing on her romance and eventual marriage to Franklin and her attempts to balance motherhood with political involvement and a career. Coopersmith's first venture into writing for the stage, following a successful career writing for television. First Draft: Green untitled Studio Duplicating Service wrappers. Title page present, noted as copy No. 11C in manuscript ink, dated September 1970, noted as First Draft, with credits for Coopersmith, composer Cy Coleman, and lyricist Dorothy Fields. 89 leaves, with last page of text numbered 2-6-28. Mimeograph duplication, rectos only. Pages Near Fine, wrappers Very Good plus, bound with two gold screw brads. Final Draft: Mustard titled Studio Duplicating Service wrappers. Title page present, noted as Revised and dated December 1970, with credit for Coopersmith. 80 leaves, with last page of text numbered 2-6-27. Mimeograph duplication, rectos only. Pages Near Fine, wrappers Very Good plus, bound with two gold screw brads. Undated, circa 1970: Green titled Studio Duplicating Service wrappers. Title page present, undated, with credit for Coopersmith. 89 leaves, with last page of text numbered 2-8-38. Mimeograph duplication, rectos only. Pages Near Fine, wrappers Very Good plus, bound with two gold screw brads. Undated, circa 1984: Blue wrappers with a title label crediting Coopersmith. Title page present, with a credit for Coopersmith, and a return address at the bottom right corner noting Coopersmith's name and a Rockville Centre address. 89 leaves, with last page of text numbered 2-6-37. Xerographic duplication, rectos only. Pages Near Fine, wrappers Near Fine, bound with three gold screw brads.

Vintage borderless double weight color reference photograph from the 1969 film, showing Sammy Davis Jr. surrounded by groovy dancers. French agency stamps on the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance, but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 8 x 10 inches. About Near Fine.

Vintage borderless reference photograph from the 1969 film, showing Sammy Davis Jr. and Shirley MacLaine dancing joyfully. French agency stamps on the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance, but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 7 x 9.5 inches. Near Fine.

Vintage reference photograph of director Bob Fosse showing actress Shirley MacLaine how to execute a leap on the set of the 1969 film. With manuscript ink and pencil annotations to the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance, but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 8 x 10 inches. Near Fine.