Donegan cheryl (2 Ergebnisse)

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  • Verlag: Basilico Fine Arts New York, NY, 1997

    • Softcover

    Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Zustand: Gebraucht

    EUR 32,08

    EUR 7,56 Versand 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    In den Warenkorb

    [12] pp.; 26.8 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Includes an essay by Robert Mahoney and a biography of the artist. Very Good / Good. Light overall soiling of covers and rubbing of spine with crimping of endpapers, contents otherwise clean and unmarked.…

  • Sprache: Deutsch

    Verlag: New York: Basilico Fine Arts w/o year [after 1997]., 1997

    • Softcover

    Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, DeutschlandBorkert, Schwarz und Zerfaß GbR

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Verbandsmitglied: BOEVVDAGIAQILAB

    Zustand: Gebraucht - Gut

    EUR 10,00

    EUR 40,00 Versand 
    Versand von Deutschland nach USA

    Anzahl: 1 verfügbar

    In den Warenkorb

    Zustand: Gut. unpaginated [10 p.], 4 ill. Cover slightly rubbed, otherwise good and very clean. - From the text by Robert Mahoney: Scenes + Commercials: A Retrospective Development - The Movie represents another turning point in the always-at-a-turning-point career of Cheryl Donegan. While, on the surface, it would seem that Donegan has returned to painting after a five year stint in video (which made her name), in fact Donegan never entirely left painting. Both of the turning points thus far in her work have hinged on her response to painting. At present Donegan is looking back on her video years, in an attempt to get some perspective on where she is. Clues to what she is up to are found in three aspects of her latest project. Most importantly, in the video Scenes + Commercials played from a monitor placed at midgallery, Donegan is not represented - a first in her career. Second, Donegan seems more obsessed with what is classic in American painting: she made Scenes + Commercials by walking around the lightbox canopy of a gas station in Knoxville, Tennessee, at all hours, because it reminded her of a Barnett Newman. The same red and yellow zip runs through several paintings, thus taking on the aura of the black column in 2001: A Space Odyssey, each time signaling a new threshold in communication. And third, Donegan has expanded her repertoire of imprinted body markings (her body language) on canvas. These developments make up the new work, and by focusing on each trend separately perhaps we can get a glimpse into what Donegan is thinking about, in her retrospective development. Sprache: Deutsch Gewicht in Gramm: 550 Original brochure, 17,5*26,5 cm.…