Sprache: Englisch
Verlag: New Museum of Contemporary Art New York, NY, 2013
ISBN 10: 0985448563 ISBN 13: 9780985448561
Anbieter: Specific Object / David Platzker, New York, NY, USA
183 pp.; 27.8 x 21.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 13 -May 26, 2013. Curated by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, and Margot Norton. Artists include Janine Antoni, Ida Applebroog, Art Club 2000, Lutz Bacher, Matthew Barney, Alex Bag, Sadie Benning, Lina Bertucci, Nayland Blake, Gregg Bordowitz, Bureau, Kathe Burkhart, Peter Cain, Larry Clark, Jessica Diamond, Patricia Cronin, John Currin, Devon Dikeou, Cheryl Donegan, Mary Beth Edelson, Nicole Eisenman, Andrea Fraser, Coco Fusco, Nan Goldin, Robert Gober, Félix González-Torres, Renée Green, Michael Joaquín Grey, Ann Hamilton, Peter Halley, David Hammons, Rachel Harrison, Todd Haynes, Mike Kelley, Byron Kim, Karen Kilimnik, Derek Jarman, Jutta Koether, Alix Lambert, Annie Leibovitz, Zoe Leonard, Sean Landers, Glenn Ligon, Sarah Lucas, Kerry James Marshall, Daniel Joseph Martinez, Marlene McCarty, Donald Moffett, Paul McCarthy, Suzanne McClelland, John Miller, Frank Moore, Christian Phillip Müller, Cady Noland, Gabriel Orozco, Kristin Oppenheim, Pepón Osorio Elizabeth, Peyton Jack Pierson, Steven Pippin, Charles Ray, Jason Rhoades, Julia Scher, Andres Serrano, Cindy Sherman, Gary Simmons, Lorna Simpson, Kiki Smith, Rudolf Stingel, Lily van der Stokker, Wolfgang Tillmans, Rirkrit Tiravanija, The Thing, Nari Ward, Gillian Wearing, Jack Whitten, Hannah Wilke, Sue Williams, and Andrea Zittel. New. As issued, in publisher-issued shrink-wrap. Due to large size and weight additional shipping charges will be required for international orders.
Verlag: Basilico Fine Arts New York, NY, 1997
Anbieter: Specific Object / David Platzker, New York, NY, USA
[12] pp.; 26.8 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Includes an essay by Robert Mahoney and a biography of the artist. Very Good / Good. Light overall soiling of covers and rubbing of spine with crimping of endpapers, contents otherwise clean and unmarked.
Sprache: Deutsch
Verlag: New York: Basilico Fine Arts w/o year [after 1997]., 1997
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Zustand: Gut. unpaginated [10 p.], 4 ill. Cover slightly rubbed, otherwise good and very clean. - From the text by Robert Mahoney: Scenes + Commercials: A Retrospective Development - The Movie represents another turning point in the always-at-a-turning-point career of Cheryl Donegan. While, on the surface, it would seem that Donegan has returned to painting after a five year stint in video (which made her name), in fact Donegan never entirely left painting. Both of the turning points thus far in her work have hinged on her response to painting. At present Donegan is looking back on her video years, in an attempt to get some perspective on where she is. Clues to what she is up to are found in three aspects of her latest project. Most importantly, in the video Scenes + Commercials played from a monitor placed at midgallery, Donegan is not represented - a first in her career. Second, Donegan seems more obsessed with what is classic in American painting: she made Scenes + Commercials by walking around the lightbox canopy of a gas station in Knoxville, Tennessee, at all hours, because it reminded her of a Barnett Newman. The same red and yellow zip runs through several paintings, thus taking on the aura of the black column in 2001: A Space Odyssey, each time signaling a new threshold in communication. And third, Donegan has expanded her repertoire of imprinted body markings (her body language) on canvas. These developments make up the new work, and by focusing on each trend separately perhaps we can get a glimpse into what Donegan is thinking about, in her retrospective development. Sprache: Deutsch Gewicht in Gramm: 550 Original brochure, 17,5*26,5 cm.
Verlag: Baumgartner Galleries, Washingon, 1992
Erstausgabe
Folder. Zustand: Fine. Stephan, Gary (illustrator). First Edition. Washington, D.C.: Baumgartner Galleries, 1992. First edition limited to 250 copies. Folio. Heavy paper folder covered with a translucent jacket. Exhibition catalog consisting of six color reproductions of works tipped in, plus 4 pp. of text in pamphlet form (also folio) recording a conversation between Kenneth Goldsmith and Cheryl Donegan about Gary Stephan's "Prepositions". Folder, jacket and all contents are in fine condition.