domon ken (25 Ergebnisse)

First Edition. First edition. Softcover. The highlight of this issue is an article on the classic book: Hiroshima-Nagasaki Document 1961" with images by Ken Domon and Shomei Tomatsu. Also includes an article on the book "The Amazon" by Emil Schulthess. A very good copy in stapled wrappers from the libary of the Visual Studies Workshop who obtained it from George Eastman House/Beaumont Newhall with their respective stamps. Otherwise a very nice copy with an interesting provenance.

Cloth. Zustand: Good. Zustand des Schutzumschlags: Good. 72 pages. Hardcover. Texts in Japanese. Illustrated. Bound in black paper covered boards and wrapped in both an illustrated paper dustjacket and a printed paper belly band. Withdrawn from an institutional library whose name remains stamped on the title page, and call numbers neatly penciled on the next. There is a label affixed to the foot of the spine of the dustjacket, as well as the rear pastedown, with some mild shelfwear to the edges of the dustjacket and a small closed tear at the crown of the spine of the jacket. Else, the binding remains tight, the boards sharp, and the interior clean and free of any further markings.

Trade Paperback. Zustand: Very Good - Cash. Minor rubbing and edge wear to cover, with light reader wear to pages. Still great condition. Spine has light creasing. Corners are just slightly rubbed Stock photos may not look exactly like the book.

Hardcover. Zustand: Near Fine. No Jacket. B/W Photographs Throughout (illustrator). 1st Edition. 100 Pp. Blue Cloth, Gilt, Red Endpapers, Front And Rear Tissue Guards. First Printing. Near Fine, No Marks, Gilt Bright.

Zustand des Schutzumschlags: dj. First Edition. First edition. Large hardcover. 554 pages. Features text by J. Edward Kidder Jr. Includes numerous black and white images by Tatsuzo Sato, Shihachi Fujimoto, Yoshio Watanabe, Ken Domon, Yasukichi Irie, and Yukio Futagawa. A clean and tight near fine copy in a near fine acetate dust jacket and in an about very good slipcase that has some edge wear and splitting. A very nicely printed and designed book. This is a heavy and oversized book and will require extra shipping.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Good. Illustrated by Yasukichi Irie, Ken Domon Shihachi Fujimoto & ManshichiSakamoto (illustrator). A Fine edition in price-clipped Good dust-jacket that has large chips missing and tears to the edges ; Photographs and history of the masterpieces of Japanese sculpture ; Photographs; Folio; 328 pages.

Hardcover. Folio, [62], [2], 554 pages. Very good+; Brown silk boards with gilt lettering; heavy clear plastic protective wrap. Protective wrap somewhat stretched with a few minor tears; Spine somewhat sunned with minor bumping to tail of spine; Text pages very lightly age-toned. SH consignment. 1360535. Special Collections.

Sehr gut Hardcover Sehr gut. Zustand: 0. Text Englisch. Klarsicht-Plastikumschlag, unverletzt. Goldgeprägter Gewebeeinband, Rückentitelei, TADELLOS. Exlibris auf vorderem innerem Buchdeckel. Widmung von 1993 auf Vorsatzblatt. 554 Seiten, zahlreiche Fototafeln (zum Teil in Farbe) und Heliogravüren, eine monumentale Ausgabe, damals nur in Japan und Fernost erhältlich. +++ Text in English. A monumental silk-bound monograph with its intact, transparent plastic jacket, gilded title on front-board, handwritten dedication on end-paper, 554 pages with full page photo-plates, some in colour (with tissue-guards), MINT CONDITION. +++ 26,5 x 35 cm, 3,5 kg. +++ Stichwörter/keywords: Fotoband Bildband Japan Japonica Buddhismus buddhism Shinto Shintoism Architektur Tempeln Nippon Gewicht in Gramm: 3500.

Hardcover Sehr gut. Zustand: 0. Text Englisch. Gestalteter Schutzumschlag, Rückentitelei, Randläsren. Goldgeprägter Gewebeeinband, Rückentitelei, TADELLOS. Widmung mit diversen Unterschriften auf Vorsatzblatt. Montiertes Frontispiz. XXI, 328 Seiten, zahlreiche wunderbare Fototafeln in Sepia, eine monumentale Ausgabe in sehr gutem Zustand. +++ Text in English. A monumental and profusely illustrated cloth-bound monograph with its original dustjacket, the latter with wear-marks. Dedication signed by many donors on end-paper. Frontispiece, XXI, 328 pages with manyfold photoplates in sepia, very good condition. +++ 26 x 33 cm, 3 kg. +++ Stichwörter/keywords: Fotoband Japan Japonica Buddhismus buddhism Shinto Plastik Bildhauerei Nippon Gewicht in Gramm: 3000.

Zustand des Schutzumschlags: dj. First English Language Edition. Quarto. Beige cloth hardcover; dustjacket; 103pp. Tight, clean, and unmarked copy, Near Fine. In the original dustwrapper, crisp and clean with a few small nicks at extremities; Very Good+. The English text by Roy Andrew Miller is adapted from the original text of the Japanese edition by Momoo Kitagawa. No date of publication given; Domon's Foreword is dated 1954.

Encuadernación de tapa blanda. Zustand: Muy bueno. 1ª Edición. This exhibition catalog brings together the monochrome works of Ihei Kimura and Ken Domon, two of the fathers of modern photography, while also highlighting the differences in their styles and showcasing their respective appeals.

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Numerous photographic plates, Japanese and English Text. Dust jacket with original wraparound band both in Fine condition, just a light bit of general wear including some very faint sunning to spine and band, as well as a small (1cm) closed tear to bottom edge at back, otherwise unmarked with no loss, damage or further notable wear; embossed orange cloth boards with black Japanese and English lettering unmarked and sturdy with sharp corners and no damage or wear; binding tight and secure; pages and plates bright, glossy and crisp with no damage or notable wear; 1978 Japanese Newspaper clippings, including original review of book as well as publisher ephemera laid-in. A very nice copy with a collectible Dust Jacket and wraparound band. ; 10.5 x 8 x 1.0"; 164 pages.

60 original silver gelatine prints, measuring 18x26.5cm. Each photo has a glassine sheet affixed to it providing instructions (cropping etc.) for publication in Taiyo magazine. Together with a fine copy of Taiyo, THE SUN, monthly deluxe. 160pp. [Tokyo] Heibonsha, dated: Showa 41 [i.e.  Domon Ken (1909-1990) hardly needs to be introduced. He rose to fame in the 1950s shaping a style of photography that later became defined as 'Realism' which insisted that photography should be entirely un-staged. His unique style of snapshot photography focused on the social conditions of post-war Japanese society. The present set of images show the daily life of Masuda Kozo (1918-1991) a celebrity in the world of Japanese chess, called Shogi. He rose to the rank of 9th dan in 1958, an achievement which has not been repeated. To put it simply, he was stellar, the equivalent to Kasparov in Western chess. Kozo was also a bit of a character: He was a heavy drinker and could smoke 300 cigarettes per day. A commentator once observed that the genius of his play was matched by the way he arranged his cigarette buds in an ashtray to form a perfect flower. Kozo also seems to have been quite single-minded: He ran away from home aged 13 with the aim of becoming the best shogi player in Japan. After spending a some time as a cleaner and working in restaurants he finally got an apprenticeship with a Shogi master in Osaka. He reached the first dan in 1934. He was drafted into the army in 1939 and in 1944 was posted on one of the small islands in Micronesia which got cut off from food supplies by US forces. He barely managed to survive but when he returned to Japan at the end of the war he re-entered the world of Shogi with renewed vigour. His style was characterised by his ability to innovate, as well as his unconventionality. When Domon was asked to do a photo-reportage on him for publication in Taiyo magazine he used his classic style of black-and-white snapshots that seem to flow naturally out of the camera. He records him at home, chatting to neighbours, smoking on the veranda, cycling, as well as during Shogi and Go tournaments, all the while seeming to be unaware of the presence of the camera. The set includes two remarkable portrait of Domon Ken while at work during the photo-shoot.   .

Hardcover. Zustand: Near Fine. 1st Edition. Breathtaking photobook on the consequences of the nuclear bombing by the legendary Japanese photographers Shomei Tomatsu (1930-2012), Ken Domon (1909-1990), Juichi Nagano, Shogo Nagaoka, Torahiko Ogawa, Yoshito Matsushige, Yuichiro Sasaki. Edited by special committee: Bunichiro Sano, Hiroyasu Kumakura, Kesaji Ohi, Kyoshi Sakuma, Masanori Tsuchiya, Miyoshi Hiragaki, Nobuo Kusano, Toshio Hata. Special directors: Koen Shigemori, Shinichi Segui, Tomomi Ito. [English edition]. Text in English. 28x28cm. Unpaginated. One folding leaf with reproduction of the painting. Monochrome printing. Private ex-owner stamp on the title page. Hard cover, cloth binding with stain and bump on the corner. Publisher slipcase of violet cardboard, rubbed, with a loss to the corner. Comes with a very rare supplement. Near fine condition. Extra shipping charges may be applied due to weight and size of the item.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Domon, Ken (illustrator). 1st Edition. A powerful photo-book on the after-effects of the Hiroshima nuclear bombing, including images of survivors undergoing surgery, living in hospitals, and trying to regain some sense of normalcy in their lives. A book of harrowing black and white photographic illustrations by the famous photographer Domon Ken, signed and stamped by him. Includes original dust jacket, slipcase, and shipping box. The shipping box has browning at the corners and there are occasional stains to the slipcase. The dust jacket has minor chipping to the spine and there is minor foxing to the flyleaves. Text in Japanese. 34.6x25.7cm. 7 p. (foreword) + 126 p. (photographic illustrations) + 47 p. (text). Extra shipping charges may be applied due to size and weight of item. Signed by Author(s). Used book.

Softcover. Zustand: g to vg. First edition. Domon's work was defined by many as "Social Realism", although when asked he said his work was in fact "Socialist Realism". He considered the camera mearly a tool and that the mind of the photographer was where the art comes from. He shot the photos in these works with a Leica M3 with a Leica Summicron 50mm f/2 lense. - ???????? Chikuho no kodomotachi (The Children of Chikuho): Quarto (10 x 7 1/8"). 95, [1]pp. Original photo-illustrated wrappers and title page. Ken Domon's classic book documenting the bitter life of coalminers, is a classic example of the photo-realism that the Japanese photographer advocated. The images show the appalling conditions in the impoverished coal-mining region of Chikuho where sulphur gases constantly leak from a huge slagheap causing a variety of bronchial infections. Some sporadic foxing and age-toning to pages. Text in Japanese. Wrappers in overall very good, interior in good to very good condition. - ??????????????? Rumie-chan wa otosan ga shinda (Rumie's Father is Dead): Quarto (10 1/8 x 7 1/4"). 96pp. Original photo-illustrated wrappers and title page. Also published in 1960 "Rumie's Father is Dead" is the sequel to "The Children of Chikuho" by Ken Domon. It tells the story of Rumie and Sayuri, two sisters who were sent to an orphanage after their father - a coalminer in Chikuho - died from a bronchial infection caused by the poor working conditions. Slight creasing along spine. Moderate age-toning to pages. Text in Japanese. Wrappers in overall good+ to very good, interior in good+ to very good condition. * Photographer (???) Tsutomu Kitazawa (1936-2000) was Domon's trusted assistant on Chikuho no kodomotachi (The Children of Chikuho), as well as a number of Domon's other projects. Kitazwa who had studied under Domon, was consider among the leading lanscape phptpgraphers in Japan.

Encuadernación de tapa blanda. Zustand: Bueno. 1ª Edición. 'Ken Domon is widely regarded as Japan's leading photographer of the immediate post-war years: He worked in the classic photojournalistic mode, seeking to document Japanese life in the troubled aftermath of the war. During the 1950s, at a time when the rest of the Japanese economy was beginning to recover to prewar levels, the coal-mining areas of Chikuho and Kitakyushu, in the far south of Japan, suffered both from a population exodus and pit closures. Domon documented the effects of this drastic decline on the miners and their families in [these] two books. Both look at the plight of the district's children.

233 pages with numerous photo plates in color as well as in black and white. - 233 Seiten mit zahlreichen farb. u. s/w Fototafeln. Case partly faded and somewhat rubbed (see photo); otherwise in very good condition. - Kassette teils verblichen und etwas berieben (siehe Foto); ansonsten sehr gut erhalten. ja Gewicht in Gramm: 5500 Fol. (43 x 31 cm), Original red cloth binding with gilt-stamped cover and spine title in original green cloth case (clamshell box) with gilt-stamped cover and spine title. - Roter Original-Leineneinband mit goldgeprägtem Deckel- und Rückentitel in grüner Original-Leinenkassette mit goldgeprägtem Deckel- und Rückentitel. Text in Japanese. - Text in japanischer Sprache.

First Edition. Quarto (35cm). Paper-covered, flexible boards; dustjacket; glassine protector, 32 plates in color and gravure, 16pp text. Text entirely in Japanese, with publisher's printed English-language summary laid-in. A very fine copy in crisp, unworn dustwrapper and publisher's unprinted glassine. One of the more desirable titles in the publisher's series "Buddhist Temples in Japan," illustrated with large-format color and gravure plates by the acclaimed photo-documentarian Ken Domon.

English Edition in one volume with completely revised text and commentaries. Quarto (34cm); oatmeal cloth-covered boards with titling stamped in gilt on spine; xvi,[1],2-328pp; black-and-white photographic (halftone) illustrations to frontispiece and throughout. Lacking dustwrapper. An interesting copy bearing editorial markings in an unknown hand, apparantly in preparation for the Second Edition, inscribed to Nathaniel Tarn (under his birth name, Michael Mendelson), the inscription signed Pete (possibly Peter Ackroyd, later owner and editor of Tuttle Publishing). Pencilled annotations appear throughout the text accordingly. Light shelf-wear with trace soil; Very Good. Organized by periods, including the Asuka Period, Nara Period, and Kamakura Period, with a foreword by Bernard Dorival, and photographs by Yasukichi Irie, Ken Domon, Shihachi Fujimoto, and Manshichi Sakamoto. [88094]. Signed.

Hardcover. 4to. Published by Ito Ham Eiyo Foods, Nishinomiya-city, Japan. No Date (c. 1978). 251 pgs. Illustrated. Slipcased in cloth slipcase with titles present to the boards. DJ has shelf-wear present to the DJ extremities (chip present to the crown of the spine). Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the FFEP. Text is clean and free of marks. Binding tight and solid. "The Beauty of Japan" by Ken Domon (often tied to Ito Ham) is a significant photography book commemorating the 50th anniversary of the Ito Ham Provisions Co. (a Japanese meat processing company) , showcasing Domon's iconic realist style capturing Japanese culture, from ancient temples and sculptures to everyday life and post-war realities, highlighting his unflinching eye and pursuit of Japan's enduring spirit despite his own physical challenges. ; 8vo 8" - 9" tall.

First and only edition. Numerous photographic plates. Japanese text. Original boards in plastic dust-jacket, and decorated slipcase (slightly stained, small dent to lower right corner), still a very good copy signed & stamped by the photographer on title. 160pp. Nagoya, Privately Printed, Usui Kaoru was born in Nagoya in 1916. He took up photography around 1933 as an amateur. From the 1930s to the 1950s Usui set up a series of amateur photography groups in Nagoya. One of these was Shu-dan 35, whose members included the young Tomatsu Shomei. Between 1950 and 1955 Usui won the annual Camera Magazine award three times, and his work was highly praised by Ken Domon. Usui's work encompassed a wide variety of styles and he was influenced by the realism of Domon Ken as well as the surrealism of Ueda Shoji, and possibly Yasui Nakaji. The present book is devided into two parts, namely the period of ARS Camera and the period of Photo Art, two publications to which he was a regular contributor. The black-and-white images are both unconventional and artificial in the best sense. C.f. Tokyo Metropolitan Museum of Photography: Nihon Shashinka Jiten - 328 Outstanding Japanese Photographers. Tankosha, 2000. P. 58. No copy in OCLC.

First edition. Numerous photographic illustrations. Text in English. Together with the supplement of translattions into German, French, and Spanish. Folio, measuring 365x260cm. Original colour lithograph wrappers, staple-bound, staples broken and some pages loosened, overall still a very good copy. 78pp. 8(supplement)pp. Tokyo, Kokusai Hodo Kogei,  NIPPON was a quarterly magazine which was launched in October 1934 and ran to 41 issues until September 1944. The editor in chief was Natori Yonosuke (1910-1962), who had just returned from in Germany where he had studied and worked for a number of years and been deeply impressed by German aspects of modernity, be it the arts and crafts movement of design, Bauhaus in architecture, or the trend of 'Neue Sachlichkeit' in photography. He was employed by the Berliner Illustrirte Zeitung (owned by Ullstein) who sent him back to Japan to supply a photographic archive on life in Japan. Once there he was informed that they could not employ non-Aryan staff, but being wealthy himself he decided to found his own publishing house Nihon Kobo. Nippon was published in English, German, French and Spanish and thus aimed at a foreign readership. Initially it was financed by advertisers but soon Kokusai Bunka Shinkokai, who were affiliated to the Foreign ministry (gaimu-sho), provided financial backing. The aim was to improve Japan's standing internationally, following its withdrawal from the League of Nations in 1933. It was a tour-de-force in terms of style, format and layout, focussing on modern lifestyle, architecture, and design, portraying Japan as technically advanced country that was both attractive, modern and prosperous. Issues of the magazine are hard to find in good condition. Includes essays on Japanese classical dance, Relations between Japan and Indo-China, a photo-essay on 'Doctresses in Embryo', and an essay in memory of Rabindranath Tagore. .

Zustand: Very Good. First Edition. First edition. Publisher's off-white cloth stamped in black. Text in English. Very Good with light soiling to cloth, typical slight biopredation to black concentric circles on covers but less bad than many copies, sticker shadow to front board. Housed in slightly tidemarked slipcase, not the original cardboard slipcase. Lacking booklet. A powerful photographic examination of the effects of the atomic bombing of Hiroshima and Nagasaki, Japan by the United States in WWII-- the effects on the landscapes, structures, and human bodies, and even an evocation of the damage did to the mind. Features work by Shomei Tomatsu and Ken Domon. Cited in Parr & Badger's The Photobook.

Zustand: Wie neu. Nikkor Club, Tokyo, 1976. First edition, first printing. Wonderful children photobook. Photos by the famous Ken Domon, maker of one of the most important photobooks ever published in Japan like "Chikuho no Kodomotachi" (Martin Parr, The Photobook, vol 1, page 278), "Hiroshima" (Martin Parr, The Photobook, vol 1, page 274/275) or "Hiroshima-Nagasaki Document 1961 (Martin Parr, The Photobook, vol 1, page 278). Softcover with original dustjacket. Book only for the Nikkor Club members (was not officially sold). Nikon salon books-2. Condition: Spine of the dustjacket minimal sunned, otherwise excellent. No marks, no other flaws, no defects.***************Nikkor Club, Tokyo, 1976. Japanische Originalausgabe. Erstausgabe. Wunderschönes Kinderbuch. Die Fotos stammen vom berühmten Fotografen Ken Domon, dem Macher so legendärer Fotobücher wie "Chikuho no Kodomotachi" (Martin Parr, The Photobook, vol 1, Seite 278), "Hiroshima" (Martin Parr, The Photobook, vol 1, Seite 274/275) or "Hiroshima-Nagasaki Document 1961 (Martin Parr, The Photobook, vol 1, Seite 278). Softcover mit Original-Schutzumschlag in fantastischem Zustand! Das Buch wurd nie offiziell verkauft, nur an Nikkor-Klubmitglieder vergeben. Nikon salon books-2. Zustand: Lediglich der Buchrücken des Umschlags minimal verblichen, ansonsten in wunderschönem Zustand. Keine Besitzvermerke, keine Stockflecken, keine Risse. Tolles Exemplar! ja Gewicht in Gramm: 1600.