Doherty hannah (8 Ergebnisse)

Paperback. Zustand: Brand New. 142 pages. 11.00x8.50x0.36 inches. In Stock.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. 252 pp., illustrations. In English and Hebrew. Catalogue of exhibition shown at the Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, October 1997-January 1998. "Surroundings exhibit five contemporary British artists whose photographic practice is a starting point for their works" 0.0.…

Encuadernación de tapa blanda. Zustand: Muy bueno. Librería Aves Del Paraíso. Descripción del libro. Título: Surroundings Autor: Helen Chadwick, Hannah Collins, Willie Doherty, Steven Pippin, Catherine Yass Editorial: Tel Aviv Museum Of Art Lugar: Tel Aviv Año: 1997 Encuadernación: Rustica Páginas: 117+110 Estado General: Muy Bueno Traducción: Ninguna Medidas: 19,5x22cm Peso: 590grs Idioma: Inglés Detalles: Fotografías en b/n y colores. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS. …

Zustand: New. In English.

Zustand: New.

Zustand: New. &Uumlber den AutorHannah Doherty Hudson is Associate Professor of English at Suffolk University in Boston.InhaltsverzeichnisIntroduction: the Minerva Press era 1. Minerva s writers and reviewers 2. Godwin, .

Buch. Zustand: Neu. Neuware - Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.…