Dobrenko a (13 Ergebnisse)

Paperback. Zustand: Brand New. 1st edition. 241 pages. 9.50x6.00x0.75 inches. In Stock.

13pp, 6 figs, Printed Card Cover, VGC.

Zustand: New. "Sots-art," the mock use of the Soviet ideological cliches of mass culture, originated in Soviet nonconformist art of the early 1970s. This text examines literary Sots-art on several levels. Editor(s): Balina, Marina; etc.; Condee, Nancy (University of Pittsburgh, USA); Dobrenko, Evgeny (Amerst College, USA). Series: Studies in Russian Literature and Theory. Num Pages: 336 pages, 31 illustrations. BIC Classification: 1DVUA; 2AGR; 3JJPL; DSBH; JFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 19. Weight in Grams: 380. . 1999. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: Used. pp. 263.

Zustand: Used. pp. 263.

Paperback. Zustand: Brand New. 315 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New. pp. xvii + 152.

Hardcover. Zustand: Brand New. 1st edition. 152 pages. 9.50x6.25x0.75 inches. In Stock.

Buch. Zustand: Neu. Late Stalinism - The Aesthetics of Politics | Evgeny Dobrenko (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2020 | Yale University Press | EAN 9780300198478 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Hardcover. Zustand: Brand New. 1st edition. 374 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New. pp. xxi + 386.

Hardcover. Zustand: Brand New. 1st edition. 512 pages. 9.00x6.25x1.00 inches. In Stock.

orig.wrappers Minor rubbing. An ink mark to bottom page-edge. VG. 23x15cm, vi,369 pp, PAPERBACK. "'Socialist Realism without Shores" offers an international perspective on the aesthetics of socialist realism - an aesthetic that, contrary to expectations, survived the death of its originators and the demise of its original domain. This expanded edition of a special issue of the "South Atlantic Quarterly" brings together scholars from various parts of the globe to discuss socialist realism as it appears across genres in art, architecture, film, and literature and across geographic divides - from the 'centre,' Russia, to various points at the 'periphery' - China, Germany, France, Poland, remote republics of the former USSR, and the United States. The contributors argue that socialist realism has never been a monolithic art form and demonstrate, among other things, that its literature could accommodate psychoanalytic criticism; that its art and architecture could affect the aesthetic dictates of Moscow that made ' Soviet' art paradoxically heterogeneous; and that its aesthetics could accommodate both high art and crafted kitsch. "Socialist Realism without Shores" also addresses the critical discourse provoked by socialist realism - Stalinist aesthetics, 'anthropological' readings; ideology critique and censorship; and the sublimely ironic approaches adapted from sots art, the Soviet version of postmodernism. Contributors include: Antoine Baudin, Svetlana Boym, Greg Castillo, Katerina Clark, Evgeny Dobrenko, Boris Groys, Hans Gunther, Julia Hell, Leonid Heller, Mikhail Iampolski, Thomas Lahusen, Regine Robin, Yuri Slezkine, Lily Wiatrowski Minor rubbing. An ink mark to bottom page-edge. VG.…