Divola john (42 Ergebnisse)

First Edition. First edition. Softcover. Includes images Joe Deal, John Divola, Thomas Roma, Elad Lassry, Dru Donovan and others. A fine copy in wrappers.

First Edition. First edition. Softcover. Features a short text by Tim Davis. Includes images by Nathan Ian Anderson, Uta Barth, John Divola, Roe Etheridge, John Gossage, Jodie Vicenta Jacobson, Isaac Julien, Florian Maier-Aichen, and James Welling. A very near fine copy in wrappers.

First Edition. First edition. Softcover. 40 pages. Features an essay by Christopher Knight along the text of John Divola's interview of Fiskin. Includes numerous black and white illustrations, list of previous exhibitions, and list of public collections. A near fine copy in French style wrappers.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: as new. Wie neu/Like new.

Hardback. Zustand: New. Since 2015, John Divola has been making photographic projects in an abandoned air force housing complex in Victorville, California. By intervening in the buildings' disused interiors with spray paint then photographing the modified scenes, Divola creates work that sits at an intriguing juncture of photography, sculpture, and installation. The images in Terminus gaze down derelict hallways towards dark shapes which Divola has painted at their ends. Through layers of paint, dust, and plaster, they exert an unmistakable pull on the viewer, at once suggesting the deterministic forces of fate and the rupturing possibility of escape. Arranging and juxtaposing theses images within the book as a considered object, the artist leads the viewer on a stochastic and entrancing traverse through the abandoned compounds.Continuing the conceptual experimentation that has defined Divola's oeuvre, Terminus captures a tension between the observation of the specific and the insistence of the abstract. These are real places, shot in the available light of early morning, but altered by Divola's obscure hieroglyphs they are alive with suggestions of symbolism and fiction. Sharp details testify to the abandonment and demise of half-familiar scenes even as they transfigure them into stage-like arenas for ideation. Within the transitional spaces of these passageways, we are always travelling and never arriving, caught between the tidal currents of history and speculation.…

Zustand: Good. 4to. 40 pp. Soft, glossy white, yellow and black and white photographic wraps with French folds. Very good with marginal edgewear. Black and white plates, some fold-outs. Includes an interview between the artist Judy Fiskin and John Divola and an essay by Christopher Knight. Edited by William Bartman. Includes artist C.V. and additional bibliographic information. From the Collection of the Art Historian Peter Selz.…

Soft cover. Zustand: Fine. 1st Edition. Pictorial cover [7]+8-72p,pl.

hardcover. Zustand: Fine. Fotografie in bianco e nero di John Divola ("Terminus" è un'unica opera, non una serie di immagini correlate; tutte le immagini sono state stampate su carta 4x5 e provengono dall'ex base George Air Force a Victorville, California) . Cm 24x31,5. pp. 68. . Ottimo (Fine). . Prima edizione con firma autografa dell'Artista su talloncino di carta rilegato in quarta di copertina (Signed first edition with a slip signed by the artist and bound into the inside back cover). . Dal 2015, John Divola ha realizzato progetti fotografici in un complesso residenziale abbandonato dell'aeronautica militare a Victorville, in California. Intervenendo negli interni in disuso degli edifici con vernice spray e poi fotografando le scene modificate, Divola crea un lavoro che si trova in un intrigante frangente tra fotografia, scultura e installazione. Le immagini si muovono lungo corridoi abbandonati verso forme scure che Divola ha dipinto al termine degli stessi. Attraverso strati di pittura, polvere e intonaco esercitano un'inconfondibile attrazione sullo spettatore, suggerendo allo stesso tempo le forze deterministiche del destino e la rottura della possibilità di fuga. Disponendo e giustapponendo queste immagini all'interno del libro l'artista guida lo spettatore in una traversata stocastica ed estasiante attraverso i complessi abbandonati. Continuando la sperimentazione concettuale che ha definito l'opera di Divola, Terminus coglie una tensione tra l'osservazione dello specifico e l'insistenza dell'astratto. Sono luoghi reali, ripresi nella luce disponibile del primo mattino, ma alterati dagli oscuri geroglifici di Divola. Prima edizione con firma autografa dell'Artista su talloncino di carta rilegato in quarta di copertina (Signed first edition with a slip signed by the artist and bound into the inside back cover). …

loose_leaf. Zustand: Ottimo (Fine). Pieghevole della 899a Mostra della Galleria del Cavallino, Venezia, 1-29 ottobre 1981. Con due illustrazioni in bianco e nero e attività espositiva degli artisti: Rick Grafton (Oakland, 1952) e John Divola (Santa Monica, 1949). la mostra è stata realizzata in collaborazione con la Grapestake Gallery di San Francisco . 8vo. pp. 4. . Ottimo (Fine). . . . John Divola (nato nel 1949) è un artista visivo contemporaneo ed educatore americano che vive a Riverside, in California. Lavora nel campo della fotografia e si descrive come un artista che esplora il paesaggio cercando il limite tra l'astratto e lo specifico. È professore presso il dipartimento d'arte della University of California Riverside. Book.…

Paperback. Zustand: Brand New. French language. 9.40x9.40x0.70 inches. In Stock.

First edition. Small octavo (7-1/2" x 5-3/4"). (18)pp. Forest green boards lettered in white. Illustrated with 7 reproductions and 1 original photograph signed on the back by John Divola. Edition limited to 500 numbered copies "'Supermarket' by artist John Divola comprises a group of photographs of middle-aged women shopping for groceries in the early 1970s. The black-and-white photographs were made in the San Fernando Valley where Divola grew up. Made at the outset of Divola's career, these images are at once melancholy - an element that runs through most of his subsequent work - and by their nature, humorously touching. They also provide a glimpse into Divola's upcoming monograph, 'San Fernando Valley', which will be published by Nazraeli Press in 2014 as part of our forthcoming NZ Library series."--Publisher's website Nazraeli Press One Picture Book Series, Volume #81.…

First Edition. First edition. Hardcover. The 81st entry in the One Picture Book series. Number 77 from an edition of 500 copies. Includes 7 duotone plates along with a tipped in original photograph. A very fine copy in the publisher's original ziploc bag. No dust jacket as issued. Signed by Divola on the verso of the photograph. An as new copy. Signed.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original gelatin silver print tipped in the final page (image size 3 x 4-1/2 inches), signed verso in pencil by Divola. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by John Divola. 16 pp., with 7 duotone plates. 7-1/2 x 5-3/4 inches. New. The 81st publication in the Nazraeli Press One Picture Book series. From the publisher: "'Supermarket' by artist John Divola comprises a group of photographs of middle-aged women shopping for groceries in the early 1970s. The black-and-white photographs were made in the San Fernando Valley where Divola grew up. Made at the outset of Divola's career, these images are at once melancholy -- an element that runs through most of his subsequent work -- and by their nature, humorously touching. They also provide a glimpse into Divola's upcoming monograph, 'San Fernando Valley,' which will be published by Nazraeli Press in 2014 as part of our forthcoming NZ Library series. 'Supermarket' is limited to 500 numbered copies, and includes an original signed photograph by John Divola." Signed by Author. …

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original archival pigment print tipped in the final page (4-7/8 x 3-7/8 inches), signed and dated ("2005/07") on verso by Divola. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by John Divola. 16 pp., with 7 four-color plates. 7-1/2 x 5-3/4 inches. Out of print (sold out upon release). New. The 47th publication in the Nazraeli Press One Picture Book series. From the publisher: "The logic of "seven dogs" is based on two assumptions. First, if one makes a group of photographs in an environment based on the simple rule that a dog and man must be in each frame, a casual description of the surrounding environment will result. And second, if we accept that one year in a dog's life is the equivalent of seven for a human, a man might reasonably expect a life seven dogs long." Signed by Author.…

Hardback. Zustand: New. Since 2015, John Divola has been making photographic projects in an abandoned air force housing complex in Victorville, California. By intervening in the buildings' disused interiors with spray paint then photographing the modified scenes, Divola creates work that sits at an intriguing juncture of photography, sculpture, and installation. The images in Terminus gaze down derelict hallways towards dark shapes which Divola has painted at their ends. Through layers of paint, dust, and plaster, they exert an unmistakable pull on the viewer, at once suggesting the deterministic forces of fate and the rupturing possibility of escape. Arranging and juxtaposing theses images within the book as a considered object, the artist leads the viewer on a stochastic and entrancing traverse through the abandoned compounds.Continuing the conceptual experimentation that has defined Divola's oeuvre, Terminus captures a tension between the observation of the specific and the insistence of the abstract. These are real places, shot in the available light of early morning, but altered by Divola's obscure hieroglyphs they are alive with suggestions of symbolism and fiction. Sharp details testify to the abandonment and demise of half-familiar scenes even as they transfigure them into stage-like arenas for ideation. Within the transitional spaces of these passageways, we are always travelling and never arriving, caught between the tidal currents of history and speculation.…

First Edition. First edition. Hardcovers. Printed in an edition of only 1000 copies. Features an essay by Jan Tumlir" Includes 30 four color images of the outskirts of Los Angeles. A clean near fine copy in cloth boards and in a near fine dust jacket with some slight bumping to the corners and some sunning to the right edge of the front panel. Signed by Divola on the title page. Uncommon signed. Signed.…

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket and silk cloth-covered slipcase debossed with title. 60 pp., with 46 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "San Fernando Valley is where John Divola was born and raised, and it served as both backdrop and subject for his earliest, serious photographic explorations, made during the early 1970s. This previously unpublished body of work shows 'the Valley' through the eyes of a young photographer who would soon become an internationally-recognized artist with the exhibition and publication of his much more conceptual 'Zuma' series. The black and white photographs in 'San Fernando Valley' comprise a series of subject groupings which, pulled together, show early manifestations of the deadpan humor and the ability to capture everyday scenes wrapped in loneliness, for which Divola is now well-known. The book is also, and not incidentally, a fascinating record of a quintessentially 1970s Los Angeles culture. John Divola's work is the subject of numerous books and catalogues. Widely exhibited and collected throughout the United States, Europe, Japan and Australia, Divola's photographs are included in the permanent collections of many public and private institutions, including those of The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Getty Museum, Los Angeles; and the San Francisco Museum of Modern Art." From the publisher (about the NZ Library Series): "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artist's books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased." The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies--such as this item--will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set. ($150 per book compared to $250 per book.) Set 1 highlights work by some of the most creative and influential photographic artists active in Los Angeles during the 1970s; re-presents the long-overdue "wayward piece of the puzzle"-- John Schott's entire "Route 66 Motels" portfolio -- to the available literature relating to the groundbreaking New Topographics exhibition shown in 1975 at the George Eastman House in Rochester; offers new insight into Daido Moriyama's working methodology; and provides an ideal forum for the first international publication on the work of superstar contemporary artist Idris Khan." Signed by Author.…

hardcover. Zustand: Fine. NZ Library Set 1. 46 duotone plates Limited edition of 350 numbered and signed copies. Elegant volume bound in full silk with a photograph applied to the front cover and the Artist's signature inserted into an eyelet to the back cover. Illustrated dust jacket and slip-case with a photo / Elegante volume rilegato in piena seta con una fotografia applicata al piatto anteriore e la firma dell'Artista inserita in un occhiello al piatto posteriore. Sovracoperta illustrata e custodia in seta con foto applicata. N. 252/350. 4to. pp. 60. . Ottimo (Fine). . Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). . La San Fernando Valley è dove John Divola è nato e cresciuto, ed è servita sia come sfondo che come soggetto per le sue prime, serie esplorazioni fotografiche, fatte durante i primi anni 1970. Questo corpo di lavoro inedito mostra "la Valle" attraverso gli occhi di un giovane fotografo che presto sarebbe diventato un artista riconosciuto a livello internazionale con l'esposizione e la pubblicazione della sua serie molto più concettuale "Zuma".Le fotografie in bianco e nero di "San Fernando Valley" comprendono una serie di raggruppamenti di soggetti che, messi insieme, mostrano le prime manifestazioni dell'umorismo impassibile e la capacità di catturare scene quotidiane avvolte nella solitudine, per le quali Divola è ora noto. Il libro è anche, e non a caso, un'affascinante testimonianza della cultura losangelina degli anni Settanta. San Fernando Valley is where John Divola was born and raised, and it served as both backdrop and subject for his earliest, serious photographic explorations, made during the early 1970s. This previously unpublished body of work shows ?the Valley? through the eyes of a young photographer who would soon become an internationally-recognized artist with the exhibition and publication of his much more conceptual ?Zuma? series.The black and white photographs in ?San Fernando Valley? comprise a series of subject groupings which, pulled together, show early manifestations of the deadpan humor and the ability to capture everyday scenes wrapped in loneliness, for which Divola is now well-known. The book is also, and not incidentally, a fascinating record of a quintessentially 1970s Los Angeles culture. Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). Book.…

Hardcover. Zustand: Fine. First Edition. Hardback. Dust Jacket. 4to. pp [47]. 31cm by 29cm. Photobook. Original publisher's brown cloth, lettered blind on spine. Flat- signed on title page by Divola and illustrated in black and white throughout. Edition of 1,000 casebound copies. Features a brief text by Divola along with a visceral collection of 20 black and white images of dogs, often in motion chasing after Divola's car. "From 1995 to 1998 I worked on a series of photographs of isolated houses in the desert at the east-end of the Morongo Valley in Southern California. I'll admit that I was not above turning around and taking a second pass in front of a house with an enthusiastic dog.' Fine in fine dust jacket. Signedes.…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). PAYMENT: by check or wire transfer (please inquire about payment by credit card). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets. Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. THIS COMPLETE SET IS ONE OF THE ARTIST'S PROOF/AP SETS. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies and 36 artist's proofs (given to the 36 participating "Six by Six" artists). Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SET ONE (published in 2010): Volume One: Anthony Hernandez: East Baltimore. Includes a 14 x 11-inch archival pigmented inkjet print (image size: 10-1/8 x 10-inches). Photographs by Anthony Hernandez. Introduction by Judith Freeman. Unpaginated, with 16 four-color plates. ISBN: 9781590052945. Volume Two: Todd Hido: Motel Club. Includes a 14 x 11-inch Type-C print (image size: 10-1/4 x 10-1/2-inches). Photographs by Todd Hido. Essay by Geoff Dyer. Includes an index of models. Designed by Daya Karam and Gigi Obrecht, San Francisco. Unpaginated, with 20 four-color plates. ISBN: 9781590052952. Volume Three: Raymond Meeks: Amwell. Includes a 14 x 11-inch gelatin silver print (image size: 8-7/8 x 6-3/4-inches). Photographs by Raymond Meeks. Unpaginated, with 10 black-and-white plates and 10 four-color plates. ISBN: 9781590052969. Volume Four: Martin Parr: Machu Picchu. Includes an 11 x 14-inch archival pigmented inkjet print (image size: 8-5/8 x 13-inches). Photographs and text by Martin Parr. Unpaginated, with 23 four-color plates. ISBN: 9781590052976. Volume Five: Toshio Shibata: Expressway, 1986. Includes an 11 x 14-inch gelatin silver print (image size: 6-3/8 x 7-7/8-inches). Photographs and text by Toshio Shibata. Unpaginated, with 24 black-and-white plates. ISBN: 9781590052983. Volume Six: Mark Steinmetz: The Ancient Tigers of My Neighborhood. Includes a 14 x 11-inch gelatin silver print (image size: 11-7/8 x 9-inches). Photographs by Mark Steinmetz. Unpaginated, with 33 black-and-white plates. ISBN: 9781590052990. SET TWO (published in 2011): Volume One: Joe Deal: Karst and Pseudokarst. Includes two black-and-white archival pigmented inkjet prints (image size: 8-1/8 x 8-1/8 inches each) on one 22 x 14-inch folded sheet. Photographs by Joe Deal. Unpaginated (32 pp.), with 20 black-and-white plates. ISBN: 9781590053157. Volume Two: Tanya Marcuse: Wax Bodies. Includes a 14 x 11-inch archival pigmented inkjet print on rag paper (image size: 10-1/4 x 8-1/8 inches). P. Signed by Author(s).…

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100, Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs; 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street; 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle, Mirta Gómez, Four Sections of Time; 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes; 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki; 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Girl; 71) Steve Fitch: Motel Signs; 72) Liz Steketee: Dystopia; 73) Stephen Shore: Pet Pictures; 74) Martin Parr: Seven Cups of Tea; 75) Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann, A Grid-Portrait; 76) Leon Borensztein: Portraits ii; 77) Carol E. Richards: Birds Have Wings; 78) Melanie. Signed by Author(s).…

[42] pp.; 25.3 x 20.3 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 16 - February 26, 1978. Introduction by Melinda Wortz. Artists include Steven Cortright, John Divola, Benno Friedman, Steve Kahn, Barbara Kasten, Virgil Marcus Mirano, Stanley Mock, and Lynton Wells. Includes selected biographies. Very Good. Rubbing and scratching of covers and rubbing of cover edges. 7 mm. dog-ear to bottom right corner of publication and slight bending of top right corner of recto. Contents clean and unmarked.…

Zustand: Good. 18mo. Oblong. [10 pp]. Soft, stapled green pictorial wrappers. Very good. Mostly color plates. Catalog created on occasion of exhibit "Index in French" held at the California Museum of Photography University of California at Riverside from February 14 through April 11, 1993.

First edition. Small octavo (7-1/2" x 5-3/4"). (20)pp. Grass green boards lettered in white. Illustrated with 7 color reproductions and one original color print, tipped-in at rear and signed & dated on verso by John Divola. Edition limited to 500 copies (this one labeled "AP" i.e., Artist's Proof). A fine, as new copy. "The logic of "seven dogs" is based on two assumptions. First, if one makes a group of photographs in an environment based on the simple rule that a dog and man must be in each frame, a casual description of the surrounding environment will result. And second, if we accept that one year in a dog's life is the equivalent of seven for a human, a man might reasonably expect a life seven dogs long."--Publisher's website Nazraeli Press "One Picture Book" Series, #45. …

Soft cover. Zustand: As New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. White laminated wrappers with title printed in black and silver on cover and spine, no dust jacket as issued. Photographs by Jo Ann Callis, Judy Dater, Robert Heinecken, Mark Johnstone, Grant Mudford, Jack Welpott, Henry Wessel, Jack Butler, Eileen Cowin, John Divola, Robbert Flick, Anthony Friedkin, Robert Glenn Ketchum, Richard Misrach, Catherine Wagner, Bally Brukoff, Jerry Burchfield, Morrie Camhi, Linda Connor, Robert Dawson, Patrick Nagatani & Andrée Tracey, Kenda North and Susan Rankaitis. Essay (in Japanese and English) by Mark Johnstone. Preface (in Japanese and English) by Min J. Shirota. Includes notes and brief biographical information on the artists. Designed by Hideyuki Taguchi. Unpaginated (136 pp.), with 102 four-color and black and white plates printed in Japan by Graphic Arts Kobori. 11 x 11 inches. Published on the occasion of a three-part exhibition at the Min Gallery, Tokyo, May 10 - June 10, June 13 -- July 8 and July 11 -- August 5, 1986. Out of print. Very scarce. As New (from the publisher's archive). The first in a series of beautifully designed and printed exhibition catalogues from the Gallery Min in Tokyo.…

Rilegato. Zustand: ottimo. prima edizione. Publisher: Skinnerboox, 2020 Hardcover, 24x20 cm, 80 Pages, First Edition Condition: Fine Language: English Edition of 800::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::Editore: Skinnerboox, 2020 Copertina rigida, 24x20 cm, 80 Pagine, Prima edizione Condizioni: Ottime Lingua: Inglese Edizione in 800 copie Subito dopo Zuma ho scattato alcune fotografie piuttosto semplici degli MGM Studios New York City abbandonati , a Culver City, Los Angeles. Questi scatti erano in bianco e nero. Poi ho deciso di provare qualcosa di completamente diverso e intorno al 1980 Ho iniziato un lavoro su cose che non si possono fotografare: gravità, magnetismo, in che modo l acqua drena, e le cose che vedo quando premo gli occhi con i palmi delle mani. Tutte queste immagini richiedevano la costruzione di una sorta di metafora visiva. [] Allo stesso tempo, stavo passando dal colore negativo che stavo usando per Zuma alla trasparenza del colore di grande formato. Mi ero reso conto che le prime stampe a colori C-type erano sbiadite e stavo cercando di utilizzare un nuovo materiale più stabile. Ho utilizzato il Cibachrome, che ho stampato da trasparenze. Era industriale e artificiale, con una profonda saturazione del colore e contrasto. Era un materiale molto imperfetto per le immagini convenzionali, ma con proprietà uniche che ho finito per abbracciare per le immagini Chroma. Dall intervista di David Campany. …

Limited First edition. Signe on verso of original tipped-in print AP/500. Original grass green paper-covered boards with white lettering on cover and spine.