Ditsky john (30 Ergebnisse)

Zustand: Very Good. Signed Copy . Inscribed by author on title page.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First edition. 8vo. Wrappers [issued simultaneously with the hardbound edition]. 70 pp. Fine.

Paperback. Zustand: Brand New. revised edition. 128 pages. 7.25x5.25x0.25 inches. In Stock.

Softcover. Zustand: Near Fine. Single issue. Printed green wrappers. Contains pages 378-536pp. Lightly rubbed wrappers, near fine. Contributions by René Dubos, Daniel Bell, Kathleen Ellen Jennings, Paul A. Carter, Daniel Hoffman, Judson Jerome, Rose Styron, Edward T. Cone, Richard Shelton, Jonathan Lang, Charles R. Larson, Huntington Cairns, Richard Wilbur, Harvey Gross, John O'Brien, Charles Thomas Samuels, Duncan Kenworthy, and John Ditsky.…

Softcover. Zustand: Near Fine. First Edition. First edition, wrappered issue. Sunning at the spine, else near fine in wrappers.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Softcover. Zustand: Very Good. First Edition. Single issue. Printed green wrappers. Contains pages 378-536pp. Book bowed, very good. Contributions by René Dubos, Daniel Bell, Kathleen Ellen Jennings, Paul A. Carter, Daniel Hoffman, Judson Jerome, Rose Styron, Edward T. Cone, Richard Shelton, Jonathan Lang, Charles R. Larson, Huntington Cairns, Richard Wilbur, Harvey Gross, John O'Brien, Charles Thomas Samuels, Duncan Kenworthy, and John Ditsky. …

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Good tight copy in dust wrapper, light age spotting, minor marks.

Booklet. Zustand: Very good +. First Edition. 60 p. 21 cm. Card covers. A bit of wear to spine.

Softcover. Zustand: Very Good. Single issue. Printed green wrappers. Contains pages 378-536pp. Book bowed, tape offsetting on wrappers from envelope, very good being Poet Laureate Daniel Hoffman's copy with the original paper envelope addressed to him. Contributions by René Dubos, Daniel Bell, Kathleen Ellen Jennings, Paul A. Carter, Daniel Hoffman, Judson Jerome, Rose Styron, Edward T. Cone, Richard Shelton, Jonathan Lang, Charles R. Larson, Huntington Cairns, Richard Wilbur, Harvey Gross, John O'Brien, Charles Thomas Samuels, Duncan Kenworthy, and John Ditsky. …

Softcover. Zustand: Fine. First Edition. First edition. 110pp. Pictorial gray-blue wrappers. Fine. Including *The Counsellor* by John Updike, "Irving Malin, *Abrupt Mutilations* (Paul Bowles' Collected Stories 1939-1976).

Softcover. Zustand: Fine. First Edition. First edition. 114pp. Pictorial green wrappers. Fine. Including *Me at Mama's* by Holly Wright and *The Golf Course Owner* by John Updike, and poetry "Two Sorrowful Mysteries, One Joyous: Reparation, Resurrection, and Ascension" by Reynolds Price.

Ex-library, with usual stamps and labels. A little underlining/sidelining. Small patch of colour loss at lower front board. Used - Acceptable. Ex-lib hardback (no dust jacket).

Softcover. Zustand: Fine. First Edition. First edition. Two-page introduction by Joyce Carol Oates. Octavo. 60pp. Fine. Signed by John Ditsky on the title page. Signed.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

Hardback. Zustand: New. A fascinating survey of the changing fortunes of Steinbeck's critical reputation.This work by a prominent Steinbeck scholar begins with a study of the novelist's early celebrity in the 1930s and 1940s. Ditsky shows that by the late 1940s there was some falling off in Steinbeck's critical reputation, and yet that is also the period in which the 'first generation' of Steinbeck critics did their first work: seminal commentary by Peter Lisca, Warren French, and Joseph Fontenrose. These critics were unwilling to accept the fact that the proletarian writer of the 1930s was a thing of the past, and that formally he had become much more experimental. In the 1960s, a second generation of critics such as Robert DeMott, Louis Owens, Mimi Gladstein and others, led by the Steinbeck Society's Tetsumaro Hayashi, began to show what the later Steinbeck was about. As the anniversaries of publication of the classic early works approached in the 1970s, there was a quantitative peaking of book-length criticism, accompanied by a spate of conferences in various worldwide venues. A number of anthologies of journal-published articles were published, including one edited by Professor Ditsky. The last two decades have seen new voices emerge, many going beyond close readings to apply contemporary critical methods to a writer increasingly seen as postmodernist. John Ditsky teaches at the University of Windsor, Ontario, Canada. He has published more than 1300 poems and has written four critical works, three of them on Steinbeck.…

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. A fascinating survey of the changing fortunes of Steinbeck's critical reputation.This work by a prominent Steinbeck scholar begins with a study of the novelist's early celebrity in the 1930s and 1940s. Ditsky shows that by the late 1940s there was some falling off in Steinbeck's critical reputation, and yet that is also the period in which the 'first generation' of Steinbeck critics did their first work: seminal commentary by Peter Lisca, Warren French, and Joseph Fontenrose. These critics were unwilling to accept the fact that the proletarian writer of the 1930s was a thing of the past, and that formally he had become much more experimental. In the 1960s, a second generation of critics such as Robert DeMott, Louis Owens, Mimi Gladstein and others, led by the Steinbeck Society's Tetsumaro Hayashi, began to show what the later Steinbeck was about. As the anniversaries of publication of the classic early works approached in the 1970s, there was a quantitative peaking of book-length criticism, accompanied by a spate of conferences in various worldwide venues. A number of anthologies of journal-published articles were published, including one edited by Professor Ditsky. The last two decades have seen new voices emerge, many going beyond close readings to apply contemporary critical methods to a writer increasingly seen as postmodernist. John Ditsky teaches at the University of Windsor, Ontario, Canada. He has published more than 1300 poems and has written four critical works, three of them on Steinbeck.…

Gebundene Ausgabe. Zustand: Neu. This work by a prominent Steinbeck scholar begins with a study of the novelist's early celebrity in the 1930s and 1940s. Ditsky shows that by the late 1940s there was some falling off in Steinbeck's critical reputation, and yet that was also the period in which the 'first generation' of Steinbeck critics did their first work: seminal commentary by Peter Lisca, Warren French, and Joseph Fontenrose. These critics were unwilling to accept the fact that the proletarian writer of the 1930s was a thing of the past, and that formally he had become much more experimental. In the 1960s, a second generation of critics such as Robert DeMott, Louis Owens, Mimi Gladstein and others, led by the Steinbeck Society's Tetsumaro Hayashi, began to show, if hardly adoringly, what the later Steinbeck was about. As the anniversaries of publication of the classic early works approached in the 1970s, there was a quantitative peaking of book-length criticism, accompanied by a spate of conferences in various worldwide venues. A number of anthologies of journal-published articles were published, including one edited by Professor Ditsky. The last two decades have seen new voices emerge, many going beyond close readings to apply contemporary critical methods to a writer increasingly seen as postmodernist. Steinbeck continues to stay ahead of his critics, Ditsky argues, and his readership continues to grow. This book charts the changing perceptions of his appeal will become a staple in university library collections.Professor Ditsky teaches creative writing at the University of Windsor, Ontario, Canada, has published over 1300 poems, and has written four critical works, three of them on Steinbeck. Sprache: Englisch Gewicht in Gramm: 409.…

Hardcover. Zustand: Brand New. 170 pages. 9.25x6.25x0.75 inches. In Stock.