dieulefils (9 Ergebnisse)

Hardcover. Zustand: Wie neu. Ohne Schutzumschlag. 1. Auflage. Introduction by Louis Finot. Facsimile edition. Dreisprachig Englisch, Französisch und Deutsch, viele Schwarzweißabbildungen aus der Zeit von Kambodscha um 1909, Leineneinband, schönes Exemplar, 150 Seiten.

Zustand: Used: Like New. Cartonné, comme neuf.

Zustand: très bon. Album in-folio oblong, reliure d'éditeur demi-basane à coins havane, titre doré sur le premier plat, 10 pp. de préface et table en 3 langues et 76 planches tirées en héliogravure, montées sur onglets et séparées par des serpentes légendées en trois langues français, anglais, allemand, comprenant 183 reproductions de photographies légendées en 4 langues : français, anglais, allemand et chinois. Cet album avait été conçu en vue de l'exposition universelle de Bruxelles 1910 lors de laquelle il obtiendra une médaille d'or. Superbe témoignage de l'Indochine du début du 20e siècle. Il fait suite à deux albums pour lesquels il avait reçu précedemment des médailles d'or lors d'expositions : "Ruines d'Angkor" "Cochinchine Saïgon et ses environs". ( Des photographes en Indochine, Marval 2001, p. 220) Attention : Ouvrage particulièrement lourd Cet ouvrage est disponible à la librairie. Merci de me contacter avant de vous déplacer 06 51 13 88 91. This book is available at the antiquarian bookstore. reliure éditeur demi-chagrin à coins, plats percaline, dos lisse, tête dorée, titre doré sur le premier plat.

Oblong folio. Size: 38.5 x 28.5 cm. Pp. (xii) comprising dedication, title, preface, table of contents followed by extra title with portrait of the emperor Duy-Tân. With 75 heliogravure plates, several with multiple images. Each plate interleaved with a leaf of descriptive tissue. Parallel text in French, English and German. Publisher's calf binding, with faux (or genuine?) snakeskin on covers , lettered in gilt, silk endpapers. The plates themselves are subtitled in the three languages and in Chinese. A wonderful copy of this interesting album devoted to Annam and Tonkin) (Vietnam). The plates with numerous photographs depict views, people, ceremonies, pagodas, and official buildings. The illustrations from Hué include several of the tombs of kings, and others of pagodas, musicians, palace eunuchs, etc. Many photos are taken in Hanoi and show residential quarters, both of natives and foreigners, different types of Delta women, Mandarin families, river sampans as well as several important sites. From the region around Hanoi there are photos from Ha Long Bay, Haiphong, Nam Dinh, Bác Ninh Province and Tuyên Quang. At the end about fifteen plates are devoted to Cao Bàng province, the mountainous region in the north-eastern part of the country and home to many ethnic hill tribes. Includes many images of these hill tribes. Pierre Dieulefils was a French photographer who ran a studio in Hanoi 1885-1925.

Rayon : Civilisation Editeur : P. Dieulefils Date de parution : 1916 Description : In-12 à l'italienne, 22 pages suivies de 72 planches photos, relié entoilé, dos manquant, à reprendre en reliure, occasion, couverture défraîchie. IMPORTANT : Pour les envois internationaux, merci de vous renseigner avant de passer commande. Les envois se font uniquement en point relais MONDIAL RELAY ou INPOST pour les pays suivants : Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. ATTENTION : Les expéditions nationales de plus de 2 kilos et les expéditions internationales de plus de 1 kilo se voient appliquer un supplément de port. Envois quotidiens du mardi au samedi. Les livres sont envoyés sous enveloppe bulles. Les frais de ports comprennent les frais d'affranchissements et d'emballage. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 63320.

[France 1997 Privately Published]. Stiff wrs, 256p., 142 bw. photos of postcards, biography of Dieulefils, a superb guide & reference, NEW -UNUSED, French text, 21 x 30 cm., photos. * RARE ! FIRST & ONLY LIMITED EDITION [OF 250 ONLY COPIES] * . *** **** *** . .THE MOST COMPREHENSIVE SINGLE MONOGRAPH ON THE PHOTOGRAPHIC . . . POSTCARDS PRODUCED BY DIEULEFILIS IN INDO-CHINA . . . FIRST & ONLY SMALL EDITION OF [250] COPIES ONLY . . * This meticulous work, was compiled by Thierry VINCENT. . This uniquely superb reference covers the photographs taken by the most celebrated French photographer working in Indo-China from around 1900-1910. . He photographs remain as some of the very best visual records of the life, people, customs, native peoples [Moi or Montagnardes] and other native residents of North and South Vietnam [Annam & Tonkin]. . Dieulefils took superb photographs, meticulously recording for posterity, the best images on old Vietnam: Tonkin, Cochin-chine, Annam, Laos, Cambodia & of Angkor during this period. . The work is also a major reference and copious list of the photo-illustrated postcards he produced, a catalogue d'raisonne and guide to his cards. . Collectors, dealers and others cite "Dieulefils Numbers" when referring to any of his 4800 numbered cards, some say he actually produced more than 5000 different cards in all. . Lovely photographs of some of this best work. There are only three reference books of any substance on the subject of Indo-Chine postcards, this being the most copious, valuable and useful. . *** RARITY: Since its Private Publication, in a very small edition, this reference book has always been RARE, SCARCE and impossible to find. . *** THE BEST ILLUSTRATED REFERENCE ON THE SUBJECT OF INDO-CHINA: . This work is clearly the single most useful reference on the subject. Dieulefils had his photographic studio in Hanoi and traveled widely throughout all of Indochine. . His composition skill at taking great photographs of the native people, magnificent sights, local temples and architecture, of the French and their influence in terms of architectural structures: bridges, harbors, municipal and government buildings, monuments, statues, military [French, Algerian and local Vietnamese soldiers "Tirailleurs"], opium smokers, women, ethnic and minorities or Montagnardes [aka. Moi]. . The heroic and patriotic role of the "pirates" or other "insurgents" who openly resisted and fought the French, often they poisoning their food and drinking water, in desperation. The tragic and brutal treatment after their capture and their severe punishment by the French. The resulting firing squad, beheading, Guillotine or long imprisonment for both men and women resistors are recorded for posterity. . *** PHOTOGRAPHS OF THE VIETNAMESE ROYALTY: KINGS, QUEENS, LAOS, AND THE CAMBODIANS RECORDED FOR POSTERITY: . Vietnamese royalty, the king, his capital in Hue, Mandarins, the rich, Mekong delta & rural country life, villages, junk life, celebrations: marriage, funerals, Tet [New Year], Cholon & other Chinatowns and the Chinese residents, of life in general, and most of all, documenting what Vietnamese, Cambodian and Laotian life was like during that period. Of Angkor and its magnificent sights. * Lists all known series done by Dieulefils throughout the area of Indochine & China as well as in Yunnan, Peking and other places in China. By and large a superbly written, and most useful resource & window to Indochine. . *** Color photos are posted to our website. . *** REFERENCE: . ENGELMANN, Francis. L'INDOCHINE A LA BELLE EPOQUE: Un Reve D'Aventure 1870-1914. . * We may have the above book in stock, please view our website . *.

[France 1997 Privately Published]. Stiff wrs, 256p., 142 bw. photos of postcards, biography of Dieulefils, a superb guide & reference, NEW, UNUSED, French text, 21 x 30 cm., photos. * RARE FIRST & ONLY LIMITED EDITION [OF 250 ONLY COPIES] * . *** **** *** . .THE MOST COMPREHENSIVE SINGLE MONOGRAPH ON THE PHOTOGRAPHIC . . . POSTCARDS PRODUCED BY DIEULEFILIS IN INDO-CHINA . . . FIRST & ONLY SMALL EDITION OF [250] COPIES ONLY . . * This meticulous work, was compiled by Thierry VINCENT. . This uniquely superb reference covers the photographs taken by the most celebrated French photographer working in Indo-China from around 1900-1910. . He photographs remain as some of the very best visual records of the life, people, customs, native peoples [Moi or Montagnardes] and other native residents of North and South Vietnam [Annam & Tonkin]. . Dieulefils took superb photographs, meticulously recording for posterity, the best images on old Vietnam: Tonkin, Cochin-chine, Annam, Laos, Cambodia & of Angkor during this period. . The work is also a major reference and copious list of the photo-illustrated postcards he produced, a catalogue d'raisonne and guide to his cards. . Collectors, dealers and others cite "Dieulefils Numbers" when referring to any of his 4800 numbered cards, some say he actually produced more than 5000 different cards in all. . Lovely photographs of some of this best work. There are only three reference books of any substance on the subject of Indo-Chine postcards, this being the most copious, valuable and useful. . *** RARITY: Since its Private Publication, in a very small edition, this reference book has always been RARE, SCARCE and impossible to find. . *** THE BEST ILLUSTRATED REFERENCE ON THE SUBJECT OF INDO-CHINA: . This work is clearly the single most useful reference on the subject. Dieulefils had his photographic studio in Hanoi and traveled widely throughout all of Indochine. . His composition skill at taking great photographs of the native people, magnificent sights, local temples and architecture, of the French and their influence in terms of architectural structures: bridges, harbors, municipal and government buildings, monuments, statues, military [French, Algerian and local Vietnamese soldiers "Tirailleurs"], opium smokers, women, ethnic and minorities or Montagnardes [aka. Moi]. . The heroic and patriotic role of the "pirates" or other "insurgents" who openly resisted and fought the French, often they poisoning their food and drinking water, in desperation. The tragic and brutal treatment after their capture and their severe punishment by the French. The resulting firing squad, beheading, Guillotine or long imprisonment for both men and women resistors are recorded for posterity. . *** PHOTOGRAPHS OF THE VIETNAMESE ROYALTY: KINGS, QUEENS, LAOS, AND THE CAMBODIANS RECORDED FOR POSTERITY: . Vietnamese royalty, the king, his capital in Hue, Mandarins, the rich, Mekong delta & rural country life, villages, junk life, celebrations: marriage, funerals, Tet [New Year], Cholon & other Chinatowns and the Chinese residents, of life in general, and most of all, documenting what Vietnamese, Cambodian and Laotian life was like during that period. Of Angkor and its magnificent sights. * Lists all known series done by Dieulefils throughout the area of Indochine & China as well as in Yunnan, Peking and other places in China. By and large a superbly written, and most useful resource & window to Indochine. . *** Color photos are posted to our website. . *** REFERENCE: . ENGELMANN, Francis. L'INDOCHINE A LA BELLE EPOQUE: Un Reve D'Aventure 1870-1914. . * We may have the above book in stock, please view our website . *.

[Hanoi/Saigon n.d. ca.1890~1950. Red faux leather photo post card album, ca. 17.5 x 25 x 10 cm., Japanese made, 173 hand- color tinted, b. w. & color photos, inserted in black slit paper pages, period used post cards. A SUPERB COLLECTION ! . *** **** *** . . . SUPERB PHOTOGRAPHS BY THE CELEBRATED PIERRE DIEULEFILIS . . . AND SEVERAL OTHER PHOTO STUDIOS COVERING ALL ASPECTS . . . OF VIETNAMESE, YUNNAN & CAMBODIAN LIFE & ALL SUBJECTS . * This superb collection of photo post-cards, some are hand-tinted, color printed, in black & white. Consists of 173 images covering all aspects of Vietnamese people, large coverage of Vietnamese & Annamese women, nudes, beauties, minorities, local people, places, scenery, occupations, rivers, bridges, rice culture, costume, Cambodians, palanquins carrying foreigners, municipal buildings, statues, botanical gardens, wild jungles, fruit & food, musicians, musical instruments, partisans, Frenchmen, coolies, market places, Chinese ghettos, nobles, Mandarins, rich women, bare-busted women, cathedrals, palaces, merchants, opium smoker, children, theater, cities: Hanoi, Saigon, Hue, Tourane, Langson, &c., Baie A'Long, temples, farming, water buffalo, rivers, boats, river life & floating markets, hotels, grand French-built buildings, marriage ceremonies, Muong minorities, Cap St. Jacques, rubber plantations, junks & river navigation and far too many to list. . The album contains a majority of early images, some are clearly by Dieulefilis, and other French photographer from Hanoi & Saigon, The last pages are of the 1950's blue images and finally some in full color. The major focus of the album are native Annamese & Tonkin areas, with special focus on women, their costume, culture, milieu and life style. . *** RARITY: The album contains numerous famous post-cards from the studio of Pierre DIEULEFILIS, several cited in his book, see reference below. . The album contains many other photos from several studios, including: Collection Poujade Ladeveze; Gravures Braun & Cle. Dornach; Edition Rene Teart Hanoi; Collection Wirth, Saigon; Reunis de Nancy; Collection R. Moreau Cle. Hanoi to mention just a few of many. . *** RARITY: A collection of this number and subject are exceptionally rare and seldom found. This was the collection of an unnamed Frenchman who was more than likely an administrator of Vietnam prior to 1954. . *** CONDITION: This is a Japanese-made album, sold by Maruzen. The hinges and corners are with the usual rubbing, but intact, with a couple of scratches or scuffs to the covers. The book contains a large number of pre-punched slots to hold post cards in either vertical or horizontal orientation. Faux red leather. . The cards are of various examples, some with messages on the versos, some mailed with cancelled stamps or stamps missing, some unused, all clean, no damage or defects. . Each card is loosely inserted in the album pages easily removed or inspected. This is by and large an excellent group of clear and above average condition examples. Some have French colonial stamps, cancellation postal marks and the like, others were unused without any stamps or marks some have penned addresses & messages. . *** Color photos are posted to our website. . *** REFERENCE: . [DIEULEFILS, PIERRE.] [Photographer]. PIERRE DIEULEFILS, PHOTOGRAPHE-EDITEUR DE CARTES POSTALES D'INDOCHINE. [With Photographic Postcards Of Tonkin, Annam, Cochin chine, Caboodle, Yunnan, Chine [Peking & Yunnan]. * ENGELMANN, Francis. L'INDOCHINE A LA BELLE EPOQUE: Un Reve D'Aventure 1870-1914. . Please inquire at our website as we may have copies of the above two titles in stock. . *.

[Hanoi 1890's-1900's, Dieulefilis Studio]. Black 3/4 cloth over green cloth covered boards, black ribbon ties, ca. 26.8 x 34.5 cm.,83 card mounted glossy photos, various sizes, bit faded as usual, poignant views. * RARE & OBSCURE EXAMPLE * . *** **** *** . . AN ORIGINAL LOOSE PORTFOLIO PHOTOGRAPH ALBUM . . . WITH 83 GLOSSY SILVER SULFIDE SEPIA-TONED IMAGES . . . ATTRIBUTED TO THE GREAT FRENCH PHOTOGRAPHER . . . PIERRE DIEULEFILS . * This is an exceptionally RARE & OBSCURE example consisting of 83 stiff board sheets, 25 x 32.5 cm., with silver sulfide sepia toned glossy images, one per sheet. Remarkably, this process helped to preserve and stop fading. Nevertheless most images are not greatly faded, but being over 100 + years old there is naturally some usual fading. . The majority of the images have a number in the negative either in the lower right or left corner. The images are in numeric order, some skips in the numbering, in all 83 images. . The size of the images are for the most part standardized 11.4 x 15 cm.; larger images are 16.7 x 11 cm. Each image is laid down on the board. There are no verso words or other marks. . All images are all clear, nicely & artistically composed by a professional [yet unnamed] French photographer, whom we believe to be Pierre Dieulefilis. Many of the images on his postcards are remarkably similar to these individual photos. . The numbering system does not give any clues to the photographer, but we do know that Dieulefils commonly put numbers in the lower corner for thousands of his photo postcards of Indochina during this period. The images are very strongly reminiscent of his work including the same kinds of poses of individuals as well as groups of ethnic minority peoples of Ton-King [=N. Vietnam i.e. Hanoi area]. . IMAGE FADING: Please note, our scanner is over skilled at taking photos of faded images and bringing them to more life and brightness. Please take photos with a 'grain of salt.' For example photo illus02.jpg is faded but appears much better in the photo than actual image. This is a common issue with other faded photos as well. . *** THE PHOTOGRAPHER: Pierre Marie Alexis DIEULEFILS [1862-1937]: . He was in Vietnam from circa 1885-1924, an eminent and renown photographer, working for the Ecole Francaise d'Extreme Orient around the turn of the 19th century. He documented Indochina life, scenery, people and customs throughout the French protectorate. His visual record is the most in-depth, fascinating primary record of life prior to the advent and entrance of Europeans to the area. . The "first look" at the lands and peoples before influenced by European foreigners. A bewildering look at the poignant images Dieulefils captured for all time. His record stands as one of the earliest and most keen insights to the customs, costumes of native Vietnamese and Montagnardes ever recorded. . THE PORT-FOLIO: While the port-folio is unsigned, it is clearly something produced while Dieulefils was stationed in Hanoi, and the work of his keen perspective on the Indochinese. Many of these similar images of people & scenes are found in the thousands of photographic postcards he left as an historic graphic record of his sojourn in the colony. . The similarities are clearly representative of his keen eye an composition. We therefore attribute this to his professionalism and sensitivities commonly found in other images with his name on them. . In 1888 he opened a photography shop in Hanoi, Dieulefils appears to be the first professional photographer of European origin to have establish himself in Tonkin. His activity was at once that of an operator of image making, traveling throughout the country taking pictures; that of a studio technician, ensuring the development of negatives and the printing of positive prints. . In 1889, at the Exposition Universelle in Paris, Dieulefils exhibited a significant selection of his photographs: the major cities of Tonkin, civic or religious buildings, ethnic type.