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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Democracy is not merely a political and legal system; it depends on social and economic commitments as well. Democracy is not only realized through elections; it requires civic participation through permanent dialogue. This volume addresses this central, yet often overlooked, issue in a series of essays by renowned scholars from Europe and the United States, reviving a concept that dates back to the foundation of the European Union: social dialogue as a fundamental part of the construction of the union. Having neglected the social dimensions of its institutions, the European Union is currently in deep crisis. European democracy is confronted with a radical new situation and new definitions of work and family, as well as of growth and economic achievement, must be embedded in European public policy. The contributors to this book identify social and civil dialogue as key institutional processes that will help overcome the current crisis. Civic participation can no longer be limited to representative institutions as we know them; a new combination of deliberation, bargaining and social experimentation is required. This book maps out the complexity of this vital issue and its implications for the future of the European democratic project. …

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Taschenbuch. Zustand: Neu. Renewing Democratic Deliberation in Europe | The Challenge of Social and Civil Dialogue | Jean De Munck (u. a.) | Taschenbuch | Travail et Société / Work and Society | Englisch | 2012 | Peter Lang | EAN 9789052018751 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu. …

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perfect. Zustand: Sehr gut. 442 Seiten; 9783593363455.2 Gewicht in Gramm: 1.

hardcover 210 pages, 15 b/w illustrations, 99 illustrations in colour. English, *new. ISBN 9783031636332. This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realit t und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carr , Walter Crane, James Ensor, Juan Gris, K the Kollwitz, Constantin Meunier,Mih ly Munk csy, Th ophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. 0 g.…