Dicksee herbert (12 Ergebnisse)

gebundene Ausgabe. Zustand: Gut. 14th ed. 282 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Der Buchschnitt ist staubschmutzig. Der Bucheinband ist verschmutzt. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 490.…

Soft cover. Zustand: Good. Soft-cover in Good-plus condition, oblong thin 8vo, not paginated (6 leaves in like wrappers). No date (1891 based on OCLC). Chromolithographed heavy card wrappers with 2-hole original ribbon binding, all edges gilt, chromolithographed title page and 5 additional chromolithographs illustrating excepts of Longfellow's poems. Moderate wear, small piece of upper corner of front wrapper missing, wrappers a bit soiled, contents very good with some spotting. Bookseller accession no.: 23414.…

Zustand: New. In English.

Zustand: New. In English.

Hardback. Dark green cloth spine papercovered pictorial boards Extremities rubbed and scuffed corners bumped Front board cracked binding is fragile Prev owners neat ink inscription to front pastedown dated 1888 Pages a little browned with age but with delightful sepia illustrations. Percy Tarrant, J.H. Browne, A.W. Parsons, A.M. Clausen & Herbert Dicksee (illustrator). book. …

Zustand: Good. Title: Longfellow PicturesAuthor: Herbert Dicksee, Miss M Dicksee & J FinnemorePublisher: Ernest NisterPublication date/edition: Circa 1890Binding: Paperback bookletIllustrated: Colour illustrationsPages: 12 Description / Condition: Wear, discolouration, spotting and scuff marks to covers, creases to edges and corners. Browning/spotting to pages, shipped from the UK Please see pictures for further information.…

Zustand: New.

Zustand: New.

Soft cover. Zustand: Good. (12) pp., sewn (originally stapled or bound with a ribbon? ) in pictorial stiff paper wrappers. Light wear, foxing, good copy with chromo-lithographies of a.o. Hiawatha and the blacksmith. 16 x 21 cm.

Zustand: Fine. 24 x 19 cm. Tinted etching. Excellent condition.

Zustand: Very Good; on sheep skin. Signed by Herbert Dicksee.Dicksee was a prodigious etcher of dogs at the turn of the 20th century. Much of his original plates were destroyed after his death., Image Size : 637x478 (mm), 25.08x18.82 (Inches), Platemark Size : , Paper Size : 720x540 (mm), 28.35x21.26 (Inches), Black & White, Etching. …

Charcoal and gouache on buff paper 17 ¾ x 24 ¾ inches, visible; 28 ¼ x 35 inches framed This evocative work captures an intimate moment between two panthers, who recline, facing each other, by the foot of a tree. Suffused throughout the scene is a sense of intense emotional and psychic energy, which originates from the pair of animals and spread outward to their surroundings. One panther wears an expression of open yearning as it gazes at the other; both are nestled in relaxed poses, with loosely curled tails. The wild and rapid black charcoal marks that fill the composition, combined with a subtle overlay of white in select areas, give the work an impressionistic quality, and serve as rare traces of the artist's hand. They also add rich texture and dimensionality to the panthers' musculature and patterned coats. Herbert T. Dicksee, the English painter, etcher and mezzotint engraver, became known particularly for his portrayal of animal subjects, namely lions and dogs. His works were executed primarily from life, and he kept many pets for inspiration. Prints and etchings of his best-known paintings were widely distributed by publishers such as Klackner of London, and his work is popular today among collectors and animal enthusiasts. He came from a family of creatives. His father was the artist John Robert Dicksee (1817-1905). John's brother Thomas Francis (1819-1895), also a painter, was the father of Sir Frank Dicksee (1853-1928), president of the Royal Academy from 1924 until his death and Margaret Isabel Dicksee, also a painter. Herbert Thomas studied art at the Slade School, where he won medals for painting and drawing from life and also the Slade Scholarship. In 1885 he exhibited at the Royal Academy and was also elected to be a member of the Royal Society of Painter-Etchers and Engravers (R.E.). Additionally he was a drawing master at the City of London School and a Fellow of the Royal Society of Painters and Etchers and the London Zoo. GLORIOUS VIEW OF OF NEW YORK Lithograph with tint stone. "Ports de Mer d'AmériqueEtats-Unis" in top margin. "Drawn from nature by J. W. C. Williams" on lower left; "Lith. de Turgis à Paris" at lower right; Legend with landmarks, publisher name and address, and title printed in bottom margin. 15 x 21 inches visible; 25 ½ x 31 ½ inches framed. This glorious view is drawn from a work by J. W. C. Williams (American, 19th century), and looks towards lower Manhattan from the perspective of Brooklyn Heights. It foregrounds the pleasing turquoise and lapis water of the East river, which is populated by sailing ships as well as a few paddle steamers--an indication of New York's burgeoning stature as an industrial port city in the mid-19th century. This composition encompasses numerous famous landmarks that remain key sites of New York life today, including The Battery, South Ferry, Saint Paul's Church, Governor's Island, and Staten Island. The land of New York was discovered in 1524, and colonized by the Dutch in 1624, when it was named New Amsterdam and became a trading port of the Dutch West India Company. In 1664 this Dutch colony was surrendered to British forces and was renamed New York after James Duke of York (1633-1701), who had been granted the land by his brother King Charles II. Within fifteen years of this present view, New York would become one of the most important cities in the new nation. Today it is a vibrant and diverse beacon of culture, finance, and education for the world. Reference: John W. Reps, Views and Viewmakers of Urban America (Columbia: University of Missouri Press, 1984). Part III #2787, pg.426. Our goal is highly competitive prices and the best quality of pull, paper patine, and condition. Catalogued by Xueli Wang, Columbia University, BA; Courtauld Institute of Art, MA. You are warmly invited to visit our gallery at 1016 Madison Avenue in New York City to view this work whenever it might be convenient.…