Devon moore (8 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Fine. No Jacket. 1st Edition. 1st ed., 1st printing ; 79 pages : color illustrations; 26 cm 7.87 x 9.96 inches OCLC 1610468090 ISBN 9783954768219, 3954768216 ; brown boards ; no dustjacket ; Natia Lemay works across painting and sculpture to consider how atmospheric inheritances shape our relationships to bodies, objects, space and place. Moving between interior and geographical sites, her work attends to the conditions that gather around us and the ways they alter how we perceive, occupy and move through space. Light becomes a form of orientation within the work, revealing what is present, what has been, and what might still be there. Black is both material and atmosphere within Lemay's paintings. Built through an evolving collection of more than forty chromatic blacks in oil and acrylic, the surfaces shift between matte and gloss, opacity and luminosity, texture, glazes and washes. Colour is largely held within the skin of the figures, while black constructs the spaces around them. Rather than functioning as darkness or void, black becomes active and mutable, absorbing and reflecting light while allowing forms to emerge, recede and change according to the viewer's position. ; Xavier Daniels paints against erasure. His work stands as a counterpoint to the persistent misrepresentations and silences surrounding the male experience, reclaiming spaces where tenderness, vulnerability, and full humanity are often denied. His process merges the discipline of traditional realism with the freedom of abstraction. Working in oil and acrylic, meticulous figuration fuses with gestural brushwork, complex textures, and carefully weighted fields of color. Figures emerge from swirls of earthen tones, soft pastels, and neutral grays, punctuated by bursts of royal purple or other saturated hues that act as symbols of inner dignity and resilience. His compositions often place the figure within expanses of negative space, using absence as a visual echo, an allusion to what has been overlooked, unspoken, or lost. Daniels draws from his own life, from relationships forged in brotherhood, and from the communities that raised and sustained him. His paintings are not imagined ideals. They are lived realities that resist the reductive roles society assigns, those of athlete, absentee, or criminal, roles that limit both perception and possibility. ; Devon Pryce is an artist currently based in Toronto. He completed his BFA in Drawing and Painting from OCAD University. Devon's work incorporates painting, digital concepts, and cinematic themes. His work explores issues of anxiety, the mundane and displacement. ; Kimberli Grant isCurator of Modern & Contemporary at Brookly Museum. ; FINE. Book.…

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…