design hugo (10 Ergebnisse)

PAPERBACK. mark tobey (illustrator). 1st edition. 40pp, staplebound octavo. includes poetry by David Wagoner, Monica Van Duyn, Maxine Kumin, Michael Hamburger etc. cover wear, tight binding, clean throughout, Very Good-.

PAPERBACK. mark tobey (illustrator). 1st edition. 40pp, octavo paperback. includes poetry by David Wagoner, Monica Van Duyn, Maxine Kumin, Michael Hamburger, etc. tight binding, clean throughout, clean wraps, Very Good+.

Zustand: Good. one of 300 copies Designed and Printed for his friends by S. Vance Cagley as a Christmas keepsake; original boards with cloth spine soiled and stained, general age toning, sound but good only; reprints Book 5, Chapter 2 from Hugo?s Notre Dame de Paris. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Zustand: Fine. 104 pp., pictorial stiff wrappers. Age toning and shelf wear, fine copy. Pictures and ills. in black/white and color. Hugo Claus, Cas Oorthuys and more. 23 x 16 cm.

Soft cover. Zustand: Fine. 128 pp., pictorial stiff wrappers. Age toning and shelf wear, fine copy. Pictures and ills. in black/white and color.Dick Elffers, Simon Carmiggelt and others. 23 x 16 cm.

Soft cover. Zustand: Good. 96 pp., pictorial stiff wrappers. Age toning and shelf wear, fine copy. Pictures and ills. in black/white and color. Remco Campert, Hendrik Chabot and more. 23 x 16 cm.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Fifth printing ; decorative, textured cloth in brown and white, with gold lettering, in gold and black dustjacket with tipped-in color plate ; laid-paper endpages ; 12 full-color plates, 109 half-tone plates ; slight foxing ; dustjacket shows edge w ear, front flap is creased ; green paper backing on dustjacket tight ; laminate on front of dustjacket starting, but still tight and shiny ; VG/G. Book.

Zustand: Gut. Zustand: Gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Collection of 38 issues of the landmark Weimar-era periodical highlighting fantasy, horror, and early science fiction stories. Text in German. One of the world's first fantasy periodicals, (alongside the Swedish "Hugin") "Der Orchideengarten" featured a mix of new German stories alongside translations of foreign literature (largely French), including works by Victor Hugo, Guy de Maupassant, Voltaire, Charles Dickens, Edgar Allan Poe, Joseph Capek, H.G. Wells, and many others. The magazine also made forays into the proto-science fiction genre, as seen in Vol. 2 No. 4, entitled "Phantastik der Technik." A true product of the Weimar era's cultural blossoming, the magazine also features stunning illustrations both with its two- and three-color cover art and its woodcut reproductions throughout: sinister yet elegant visions of anthropomorphic flowers, religious idols, Grim Reapers, and gory deaths. "Der Orchideengarten" featured the work of Gustave Dore, Otto Linnekogel, Karl Ritter, Alfred Kubim, Carl Rabus, Otto Nuckel, and many more. This archive contains the following largely sequential issues: Vol.1, Nos.1-18 (16 and 17 published as a combined issue); Vol.2, Nos.1-6, 8, 10-16, 18-24. 9 x 12 inches, saddle stapled. Very Good to Near Fine condition. In a custom quarter leather clamshell box.

Original illustrated poster, offset printed in black and red on white stock, measuring 43.5cm x 56cm (17" x 22"). Light wear and a few tiny tears to extremities, shallow losses to right corners, with a faint diagonal crease to upper left corner; unbacked, Very Good. "With the Liberty Bell and subtitle "Made in USA" in parentheses, this poster telegraphs the struggle for public legitimacy sought by the Communist Party, U.S.A. at the end of the 1950s. The organizing committee was forced to host this hallmark radical memorial in New York's Washington Square instead of the preferred Union Square because they were denied a permit, and were also refused use of loudspeakers because they might interfere with classes at nearby New York University. Though beautifully hand-lettered and illustrated by lifelong activist illustrator Hugo Gellert, the simple two-color poster nonetheless remains locked in a design aesthetic little changed from the W.P.A. posters of the 1930s" (Cushing, Lincoln. "Political Graphics of the long 1960s." Essay published in New World Coming: The Sixties and the Shaping of Global Consciousness, 2009). 82980.