demand thomas (150 Ergebnisse)

Zustand: as new. Wie neu/Like new.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft Cover. Zustand: Fine. This is a fine softcover copy as new still unopened in the publisher's shrinkwrap. Essay by Lars Lerup. This catalog was prepared to accompany an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations. 12" high X 10" wide. This book will be securely packed and shipped with tracking.

Softcover. Zustand: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.

First Edition. First edition. Hardcover. Text in English and German. Illustrated throughout with color images. An about fair copy with wear to the spine ends, some soiling and fading to the rear board. No dust jacket as issued.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

104 pp.; 20.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 25, 2006 - January 28, 2007. Contributions by Dieter Dath, Christian Demand, Joachim Valentin, Udo Kittelmann. "he Berlin-based conceptual artist Thomas Demand, born in 1964 in Munich, makes hypnotically 'off' large-scale photographs of painstakingly rendered construction-paper models of architectural spaces and natural environments that he fabricates in his studio. In this small, tight board book printed on thick matte paper, Demand documents his most recent project: a series of five photographs that respond to the 'degenerate' mid-century painter Max Beckmann's recently discovered lithograph series, Apocalypse. In Demand's interpretation, the horrifying incident is not Biblical instead he recreates, with incredibly creepy precision, the environment of a provincial German pub where a recent child abuse and murder scandal took place. The 52 reproductions in Klause reveal cinematically suspenseful details of this project." -- publisher's statement. Very Good, 4 x 20.5 cm. band of discoloration to verso cover, otherwise fine.

Zustand: New. Picture Shown is For Illustration Purposes Only : CONDITION : NEW.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. Exhibition catalog for a show that ran November 24, 2000 through February 11, 2001. Text in French with contributions by Francesco Bonami, Regis Durand, and Francois Quintin. Includes numerous color images of which several are gatefolds. A very near fine copy in a very near fine dust jacket.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Zustand: VERY GOOD. Pages are clean, unmarked, and tight; very light shelf and corner wear on cover.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First Edition. First edition. Softcover. Photography/art magazine. Features portfolios of images by Wang Oinsong, Rodney Graham, Rebecca Belmore, Robert Polidori (from his Zones of Exclusion body of work), Carlos and Jason Sanchez, Thomas Demand, Hugo Glendinning and Tim Etchels, and Chris Curreri. A clean near fine copy in wrappers.

Hardcover. Zustand: As New. The Triple Folly presents the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat?s Ebeltoft campus. The basis of the building is three found paper objects ? a legal pad, a paper plate, and a soda jerk hat ? which Demand brought to Caruso St John with the simple question: ?Can you make this into architecture?? In response, the architects created a sculptural tripartite folly, a kind of inhabitable still life poised on the area?s rolling seaside hillocks, encompassing a meeting room, a kitchen, and a flexible living space which holds a textile work by the artist Rosemarie Trockel.0Inspired by Kvadrat?s role as a celebrated textile producer, Demand initially pursued the idea of the tent as an archetypal architectural structure with many iterations across contexts of leisure and shelter, simplicity and grandeur. Translating these concepts into his own artistic idiom of paper, he tasked Caruso St John with materialising this lightness of form, with a touch of his distinctive, duplicitous whimsy. The final building, completed in September 2022, achieves this through a harmonious sequence of steel and fibreglass structures which create their environments through the fall of light and shadow, textured opacity and welcoming transparency.

Hardcover. Zustand: As New. Originalverpackt. The Triple Folly presents the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat?s Ebeltoft campus. The basis of the building is three found paper objects ? a legal pad, a paper plate, and a soda jerk hat ? which Demand brought to Caruso St John with the simple question: ?Can you make this into architecture?? In response, the architects created a sculptural tripartite folly, a kind of inhabitable still life poised on the area?s rolling seaside hillocks, encompassing a meeting room, a kitchen, and a flexible living space which holds a textile work by the artist Rosemarie Trockel.0Inspired by Kvadrat?s role as a celebrated textile producer, Demand initially pursued the idea of the tent as an archetypal architectural structure with many iterations across contexts of leisure and shelter, simplicity and grandeur. Translating these concepts into his own artistic idiom of paper, he tasked Caruso St John with materialising this lightness of form, with a touch of his distinctive, duplicitous whimsy. The final building, completed in September 2022, achieves this through a harmonious sequence of steel and fibreglass structures which create their environments through the fall of light and shadow, textured opacity and welcoming transparency.

Paperback. Zustand: Brand New. 300 pages. 10.25x8.25x0.75 inches. In Stock.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition (French). Hardcover. Paper-covered boards, with photographically illustrated dust jacket. Includes texts (in French) by Francesco Bonami, Régis Durand and François Quintin, and an exhibition history and bibliography. 112 pp. with 29 four-color plates (with four 2-page gatefolds). 11-1/4 x 9 inches. Published on the occasion of the 2000 exhibition Thomas Demand at the Fondation Cartier pour l'art contemporain, Paris. New in publisher's shrink-wrap. Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. From the publisher: "Behind Thomas Demand's impressive images, fragments of a hyper-realistic and familiar world, appears the singular echo of an 'other reality ,' from the archives, historic, political photos or more generally from media.".

First Edition. First edition. Softcover. This issue features the images of among other John Baldessari, Chuck Close, Thomas Demand, Rineke Dijkstra, Philip-Lorca Dicorcia, Jonathan Franzen, Sally Mann, Vik Muniz, and Wolfgang Tilmans. A clean very near fine copy in photo illustrated wrappers. A fresh copy.

2 vol. : 1 vol. 207 pp. ; 1 vol. 175 pp.; 2 vol. : 30.5 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj ?i?ek, and Alyson Baker. Artists include Franz Ackermann, Matthew Barney, Janet Cardiff, John Currin, Hanne Darboven, Thomas Demand, Mark Dion, Willie Doherty, Olafur Eliasson, Kendell Geers, Felix Gonzalez-Torres, Ann Hamilton, José Antonio Hernández-Diez, Pierre Huyghe, Alex Katz, William Kentridge, Bodys Isek Kingelez, Suchan Kinoshita, Martin Kippenberger, Kerry James Marshall, Takashi Murakami, Shirin Neshat, Ernesto Neto, Chris Ofili, Gabriel Orozco, Markéta Othová, Laura Owens, Edward Ruscha, Gregor Schneider, Ann-Sofi Sidén, Roman Signer, Sarah Sze, Sam Taylor-Wood, Nahum Tevet, Diana Thater, Luc Tuymans, Kara Walker, Jeff Wall, Jane & Louise Wilson and Chen Zhen. Includes biographies, bibliographies, contributor biographies, and a checklist of the exhibition. Fine. Due to large size and weight additional shipping charges may be required for international orders.

First Edition. First edition and first printing. Oblong hardcover. 143 pages. Published in conjunction an exhibition that ran June 6 through August 20, 2006. Features an essay by Beatriz Colomina and the text of a conversation between Alexander Kluge and Thomas Demand. Includes numerous color illustrations, a checklist, list of previous exhibitions, and a selected bibliography. A clean near fine copy in paper covered boards with a cloth spine. No dust jacket as issued.

287 pp.; 29.5 x 24.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 1 - July 29, 2001. Curated by Paul Schimmel. Essays by Yilmaz Dziewior, Midori Matsui, Lane Relyea, Katy Siegel, and Jon Thompson. Artists include Janine Antoni, Matthew Barney, Thomas Demand, Renée Green, Michael Joaquín Grey, Damien Hirst, Gary Hume, Toba Khedoori, Sharon Lockhart, Sarah Lucas, Steve McQueen, Takashi Murakami, Yoshitomo Nara, Chris Ofili, Laura Owens, Tsuyoshi Ozawa, Jorge Pardo, Manfred Pernice, Jason Rhoades, Yutaka Sone, Diana Thater, Rirkrit Tiravanija, Rachel Whiteread, and Jane and Louise Wilson. New, in publisher's shrink-wrap. Due to large size and weight additional shipping charges will be required for international orders.

Sprache: Deutsch 1. Auflage. 430 Seiten. Pappband mit OU. Altersentsprechend guter Zustand!

Hardcover. Zustand: Brand New. bilingual edition. 143 pages. 11.00x9.00x0.75 inches. In Stock.

Soft cover. Zustand: Very Good. Excellent used condition, unmarked text, uncreased spine, Ships from Berlin Bookshop Bxn.

Teils farbige Abbildungen.Tadelloser Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Kartoniert. 105 S. Kartoniert. Mit zahlr. farb. Abb. sehr gutes Exemplar.

Hardcover. Zustand: Brand New. 156 pages. 6.50x9.75x0.75 inches. In Stock.