Deliss clementine (69 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation.Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations.CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg. 128 pp. Englisch.…

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book, Clémentine Deliss expands on how artists understand risk and contention both in their work and with regard to historical collections. Through a series of compelling conversations, questions are raised on how to work on colonial collections through the concept of the 'prototype' as generative of a multiplicity of non-exclusive interpretations. The book includes interviews with leading women artists spanning two generations-Ruth Buchanan, Otobong Nkanga, Collier Schorr, Joëlle Tuerlinckx, and Andrea Zittel-in which they discuss that moment of 'skin in the game,' when each of them took the decision to become an artist, to enter the Hades of an uncertain existence and the Heaven of aesthetic experiment. What was the prototype that defined their career and their life's trajectory, that like a revenant returns over the course of an artist's lifetime CLÉMENTINE DELISS (\*1960, London) is an independent curator whose practice crosses the borders of contemporary art, critical anthropology and curatorial experimentation. She is internationally recognized for her seminal work on the Post-Ethnographic, on African modernism, and for her interventionist practices in art. She is Honorary Global Humanities Professor of History of Art at the University of Cambridge, and Associate Curator at KW Institute for Contemporary Art in Berlin. 240 pp. Englisch.…

Zustand: New.

4to; original red boards, lettered in black on spine and upper cover; laminated pictorial dustwrapper; pp. 319, incl. index; profusely illustrated in colour and monochrome. Dustwrapper sunned on spine panel; occasional fox spot. Very good condition. "After too many years of neglect, contemporary African art is at last finding an international audience for its wide variety of productions - works that are frequently astonishing and always challenging. This highly illustrated catalogue, which accompanies a groundbreaking exhibition organised by the Whitechapel Art Gallery in London before an international tour, is a unique document, presenting the history of modern African art through the painting, sculpture and theatrical installations of over sixty artists. The seven sections of the exhibition - covering works from Nigeria, Senegal, Sudan, Ethiopia, South Africa, Kenya and Uganda - appear as stories told by the artists and co-curators of the exhibition: their testimonies present personally informed interpretations of the political and artistic movements that have significantly shaped Africa's art in the twentieth century.".…

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Una parte importante de los museos europeos ha forjado sus colecciones a partir de dinámicas coloniales y de saqueo. Nacidos para controlar cómo miramos y cómo nos relacionamos con el Otro, los museos etnográficos acumulan miles de artefactos arrancados de sus lugares de origen y de los que se ha preferido ignorar la identidad de sus creadores originales. ¿Dónde estamos ahora , ¿cómo continuar Sin duda, ha llegado el momento de volver a la casilla de salida, reconocer la historia y trabajar con ella.La historiadora cultural y comisaria Clémentine Deliss mezcla en este apasionado relato lo autobiográfico con rigurosas (y afiladas) tesis que cuestionan los discursos culturales hegemónicos. El museo metabólico narra la historia de lo que ocurre cuando se intenta transformar una de estas instituciones el Weltkulturen Museum de Fráncfort, del que Deliss fue directora para convertirlo en un organismo vivo donde pensadores y artistas contemporáneos puedan traducir, reinterpretar y aportar nuevos significados a todo aquello que atesora un museo. 126 pp. Spanisch.…

Zustand: Brand New. 192 pages. German language. 6.73x0.67x9.09 inches. In Stock.

Zustand: New. In English.

Zustand: New. Idioma/Language: Español. Una parte importante de los museos europeos ha forjado sus colecciones a partir de dinámicas coloniales y de saqueo. Nacidos para controlar cómo miramos y cómo nos relacionamos con el Otro, los museos etnográficos acumulan miles de artefactos arrancados de sus lugares de origen y de los que se ha preferido ignorar la identidad de sus creadores originales. ¿Dónde estamos ahora?, ¿cómo continuar? Sin duda, ha llegado el momento de volver a la casilla de salida, reconocer la historia y trabajar con ella. La historiadora cultural y comisaria Clémentine Deliss mezcla en este apasionado relato lo autobiográfico con rigurosas (y afiladas) tesis que cuestionan los discursos culturales hegemónicos. El museo metabólico narra la historia de lo que ocurre cuando se intenta transformar una de estas instituciones ?el Weltkulturen Museum de Fráncfort, del que Deliss fue directora? para convertirlo en un organismo vivo donde pensadores y artistas contemporáneos puedan traducir, reinterpretar y aportar nuevos significados a todo aquello que atesora un museo. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Zustand: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Brand New. 244 pages. 8.25x5.50x0.71 inches. In Stock.

Zustand: Gut. 245 81) S., 1 Bl. Softcover mit CD in sleeve on cover. -- "This issue of Metronome is the result of two situations reflected unter the chapter headings Magnet Speech and Le Batar, an preceded by introductory texts. Magnetic Speech was an investigation into the verbal that was conducted during the last eighteen months. It began at the Städelschule in Frankfurt, yet the majority of the research and production was developed with the support of Norwegian, Danish and Swedish art academies. Le Bâtard began in July 2000 on the invitation of Samon Takahashi, who organised the Elastica residencies at the Château de Bionnay in France. Both situations suggest different formulations of The Bastard as a process of `miscegenation`, a controversial concept, that there is not reduced to the politics of race, but is resignified in terms of linguistic alloys (Magnetic Speech) and social encounters (Le Bâtard). -- The languages in Metronome No. 7 include English, French, Dutch, German, Norwegian, Swedish, Danish, Icelandic, Arabic and Wolof with a layout that moves from one language to the next without divisions. Here, translation becomes the predisposition to incorporate semantic constraints and to assert them through the act of non-comprehension, multiplying loss on the same page, rather than diminishing it through a dominant code, e.g. Clémentine Deliss." -- Sprache: Englisch Gewicht in Gramm: 1550.…

First Edition. First edition. Softcover. 244 pages. Preface by Colin Cina. Includes numerous articles and illustrations. A clean very near fine copy in wrappers.

Soft cover. Zustand: Fine.

Zustand: As New. Very Good Condition - Pages are intact and not marred by notes or highlighting.

Zustand: New. Founded in 1904, Frankfurt's Weltkulturen Museum houses a remarkable collection of ethnographic artifacts from Asia, Africa, Oceania, and the Americas. This book raises questions about the relationship between the museum's educational and scientific aims and global trade. Num Pages: 320 pages, 87 colour plates, 78 halftones. BIC Classification: AGC. Category: (P) Professional & Vocational. Dimension: 230 x 169 x 24. Weight in Grams: 764. . 2014. Paperback. . . . . Books ship from the US and Ireland. …

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. edge wear on the jacket and book. general usage markings. all pages are intact and presentable. heavy, may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good+. Card covers are unmarked, edges and corners a little worn, small crease to rear upper right corner; binding is tight; pages are unmarked aside from previous owner's ink signature on half-title, black and white illustrations. ; 6.75 x 0.75 x 8.25 inches; 244 pages.

Zustand: New. In English.

Paperback. Zustand: Brand New. 320 pages. 9.00x6.00x1.00 inches. In Stock.

softcover. Zustand: Sehr gut. 102 p. Published on the occassion of the exhibition at Centro Galego de Arte Contemporanea. Text in Spanish, Portugese and English. ISBN: 9788445322901 Sprache: Englisch Gewicht in Gramm: 417.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 142 pages with 50 color & 80 bw. illustrations - Beginning with Joseph Beuys (1921-86) Eurasienstab action, performed with Henning Christiansen at Wide White Space Gallery in Antwerp in 1968, this book documents Beuys' reflections on Eurasia (the combined continental landmass of Europe and Asia).…

Zustand: NEW.