Deldonna anthony r (47 Ergebnisse)

Soft cover. Zustand: Near Fine. Softcover, 285 pgs. Near fine+.

Paperback. Zustand: Very Good. The Cambridge Companion to Eighteenth-Century Opera (Cambridge Companions to Music) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Zustand: Brand New. 75 pages. 5.98x0.27x9.02 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: As New. Unread book in perfect condition.

Softcover. Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung. Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic. …

Zustand: As New. Unread book in perfect condition.

hardcover. Zustand: Very Good. Top right corner bumped.

hardcover. Zustand: Fine.

Zustand: New. The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource. Editor(s): DelDonna, Dr. Anthony R.; Polzonetti, Pierpaolo. Series: Cambridge Companions to Music. Num Pages: 344 pages, 2 b/w illus. 15 tables 41 music examples. BIC Classification: AVGC9. Category: (G) General (US: Trade). Dimension: 245 x 175 x 16. Weight in Grams: 682. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland.…

Softcover. First Paperback Edition. Octavo, 318 pages. In Very Good minus condition. Brown spine with white text. Covers have bending to corners and mild edge wear. Textblock has owner inscription on front endpaper. Shelved ND-E. 1378408. FP New Rockville Stock.

Paperback. Zustand: Brand New. 1st edition. 368 pages. 9.69x6.85x0.79 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The most prestigious musical ensemble of early-modern Naples remained the Royal Chapel or Cappella Reale di Palazzo. Conceived to serve directly the ruling authority of the capital city - whether the viceroy (Spanish or Austrian) or monarchs (Carlo di Borbone then Ferdinando) - membership in this elite organization offered prestige, financial security, and access to the broader networks of music culture in Naples, attracting the best musicians within and beyond the physical confines of the capital. This Element introduces readers to the largely unknown history of the Neapolitan Cappella Reale in the second half of the eighteenth century. It is based on primary sources, reconstructing the entire personnel of the ensemble (1750-99), recovering previously unstudied contractual agreements, offering details about the musicians while also examining the original music of the principal musicians of the orchestra.…

Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.…

Zustand: New. &Uumlber den AutorAnthony R. DelDonna, Ph.D. is Professor of Musicology and Director of the Music Program at Georgetown University, Washington DC. His research focuses on stage drama, instrumental music, archival studies, and ballet in .

Taschenbuch. Zustand: Neu. Neuware - The music of early modern Naples and its renowned artistic traditions remain a fruitful area for scholars in eighteenth-century studies. Contemporary social, political, and artistic conditions had stimulated a significant growth of music, musicians and culture in the Kingdom of Naples from the beginning of the seventeenth century. Although eighteenth-century Neapolitan opera is well documented in scholarship, historians have paid much less attention to the simultaneous cultivation of instrumental genres. Yet the culture of instrumental music grew steadily and by its end became an exclusive area of focus for the royal court, a remarkable departure from past norms of patronage. By bridging this gap, Anthony R. DelDonna brings together diverse fields, including historical musicology, music theory, Neapolitan and European history. His book investigates the wide-ranging role of instrumental genres within late eighteenth-century Neapolitan culture and introduces readers to new material, including recently discovered instrumental works of Paisiello, Cimarosa and Pleyel.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. 75 pages. 9.02x5.98x0.50 inches. In Stock.

Zustand: New. Series: Ashgate Interdisciplinary Studies in Opera. BIC Classification: AVGC9. Category: (G) General (US: Trade). . . 2016. Paperback / so. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 340 pages. 9.21x6.14x0.71 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The most prestigious musical ensemble of early-modern Naples remained the Royal Chapel or Cappella Reale di Palazzo. Conceived to serve directly the ruling authority of the capital city - whether the viceroy (Spanish or Austrian) or monarchs (Carlo di Borbone then Ferdinando) - membership in this elite organization offered prestige, financial security, and access to the broader networks of music culture in Naples, attracting the best musicians within and beyond the physical confines of the capital. This Element introduces readers to the largely unknown history of the Neapolitan Cappella Reale in the second half of the eighteenth century. It is based on primary sources, reconstructing the entire personnel of the ensemble (1750-99), recovering previously unstudied contractual agreements, offering details about the musicians while also examining the original music of the principal musicians of the orchestra.…

Zustand: As New. Unread book in perfect condition.