Hardcover. Zustand: Good+. Zustand des Schutzumschlags: No Dust Jacket. 405 pages; Good overall condition, especially for the age. General wear to cover edges. Scratches and discoloration to spine. No major blemishes. Pages are clean. No writing. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.
Verlag: Simon and Schuster, New York, 1941
Anbieter: Visible Voice Books, Cleveland, OH, USA
Zustand: Very Good. No Jacket. Simon and Schuster New York 1941 4to. 405 pages. blue paper boards with red cloth spine. binding tight.
Verlag: Simon & Schuster, 1941
Anbieter: Books Do Furnish A Room, Durham, NC, USA
Hardcover. Zustand: Good. Lucille Corcos (illustrator). Slipcased hardcover. Former owner's gift inscription, otherwise unmarked. Print on spine faded. Slipcase has severe edgewear and silverfish damage. Binding square & firm.
Zustand: Good. Good condition. No Dust Jacket (musicals, songs, musical revues) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Verlag: Simon & Schuster, 1941
Anbieter: My Dead Aunt's Books, Hyattsville, MD, USA
hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Slip case poor. 405 p., clean and unmarked within on strong paper mildly age-toned; former owner's bookplate on front pastedown; many whimsical ill., with full-color-plate frontis. for each operetta; binding firm and boards have minimal wear--one tiny white spot on front panel; slip case has one faint pink stain on label and has slight sunning on edges; corners abraded and lower edges poorly repaired with clear tape.
Verlag: Simon and Schuster, New York, 1941
Anbieter: Main Street Fine Books & Mss, ABAA, Galena, IL, USA
Erstausgabe
Hardcover. 4to. Burgundy cloth spine and blue paper over boards, slipcase with paper label. 405pp. Color illustrations. Very good/good plus. Spine very slightly soiled and spine lettering slightly rubbed; slipcase archivally mended, but overall sound and attractive. First edition of this large collection of the popular duo's songs.
Verlag: Simon and Schuster, New York, 1941
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USA
Erstausgabe
Hardcover. Corcos, Lucille (illustrator). 405, [1] p. Includes illustrations. Musical scores. Some illustrations in color. This is a large, heavy book for if shipped internationally extra shipping fee will be requested. Joseph Deems Taylor (December 22, 1885 - July 3, 1966) was an American music critic, composer, and promoter of classical music. Nat Benchley, co-editor of The Lost Algonquin Roundtable, referred to him as "the dean of American music." In 1919, Taylor gave a series of lectures on music history in Denver, Colorado. In 1921 Taylor secured a job as music critic for the New York World, a post he held when approached by the Metropolitan Opera to suggest a composer to write a new opera. He put forth his own name, and was accepted, the result being The King's Henchman, with the libretto by Edna St. Vincent Millay. Peter Ibbetson followed in 1929. The Philadelphia Opera Company performed the world premiere of his third opera Ramuntcho. Taylor also worked extensively in broadcasting, and as intermission commentator for the New York Philharmonic. He appeared in Walt Disney's 1940 film Fantasia as the film's Master of Ceremonies. Taylor's work as a broadcaster, critic, and commentator ultimately overshadowed his work as a composer. Taylor was the third president of ASCAP, and held the post for six years. The ASCAP Deems Taylor Awards were established in 1967 to honor his memory. Arrangements by Dr. Albert Sirmay. The piano arrangements contained in this volumes were completely new, and derived exclusively from the original piano scores, published in London, during the composer's lifetime. In addition, Dr. Sirmay listened to the D'Oyly Carte Opera Company recordings, considered the most dependable custodian of the Gilbert-Sullivan tradition. For every operetta, there is a drawing by Miss Corcos. The one hundred and two songs were drawn from the two hundred odd songs and choruses of the Gilbert and Sullivan repertory and are in the opinion of the editor, the cream of the collection. Fair. No dust jacket. Front and rear boards weak and have been strengthened with glue. Cover has wear and soiling. Spine torn at top. Edges rubbed and worn. Presumed first edition/first printing thus.