dean joan fitzpatrick (30 Ergebnisse)

Hardcover. Zustand: Very Good. X-Library book. Standard wear to cover and typical library markings. Includes dust jacket. 100% Money Back Guarantee!!!

Paperback. Zustand: Very Good. Between the premiere of Brian Friel's stage play "Dancing at Lughnasa" in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as Riverdance, Angela's Ashes and an international vogue for all things Irish. Set in 1936, "Dancing at Lughnasa", as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Twayne Publishing, 1990. Octavo. Hardcover. Book is very good. Dust jacket is very good.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: New. 2003. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Paperback. Zustand: Brand New. 98 pages. 7.25x5.25x0.50 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First edition. Octavo. xiv, 149pp. Fine in a lightly worn, near fine dust jacket. "The first full-length treatment of Hare's contributions as dramatist, filmmaker and director. discussing all of his publications." (from the dust jacket). Prints a chronology and selected bibliography. Issued as part of Twayne's English Authors Series.

Paperback. Zustand: Brand New. 1st edition. 261 pages. 8.75x5.75x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 168 pages. 7.80x5.07x0.59 inches. In Stock.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Brian Friel s play Dancing at Lughnasa and their cinematic counterparts.&Uumlber den.

Paperback. Zustand: Brand New. reprint edition. 335 pages. 8.75x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 344 pages. 9.50x6.50x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - \* Lucid and accessible style makes the series appealing to the general reader\* Liberally illustrated throughout with stills from the film under discussion.\* Collaboration between Cork University Press and the Film Institute of Ireland.Between the premiere of Brian Friel's stage play 'Dancing at Lughnasa' in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as 'Riverdance', 'Angela's Ashes' and an international vogue for all things Irish. Set in 1936, 'Dancing at Lughnasa', as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts.

Zustand: New. Series: Irish Studies. Num Pages: 344 pages. BIC Classification: 1DBR; ASZP. Category: (G) General (US: Trade). Dimension: 244 x 159 x 26. Weight in Grams: 738. . 2014. Hardcover. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls 'the re-theatricalization of theatre.' Pageants are intimately connected with power-they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that 'details the country's history, culture, and overall importance for the global community.' London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.

Taschenbuch. Zustand: Neu. Pageant | Joan Fitzpatrick Dean | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Bloomsbury Publishing PLC | EAN 9781350144514 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 177 pages. 8.00x5.00x0.55 inches. In Stock.

Buch. Zustand: Neu. Neuware - Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form.By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls 'the re-theatricalization of theatre.'Pageants are intimately connected with power-they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that 'details the country's history, culture, and overall importance for the global community.' London delivered just such a pageant in 2012.This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.

Buch. Zustand: Neu. Neuware - In the early twentieth century, publicly staged productions of significant historical, political, and religious events became increasingly popular - and increasingly grand - in Ireland. Dean explores the historical significance of these pageants, explaining how their popularity correlated to political or religious imperatives in twentieth century Ireland. She uncovers unpublished archival findings to present scripts, programmes, and articles covering these events.

Hardcover. Zustand: New.

Buch. Zustand: Neu. Neuware - When W.B. Yeats and Lady Gregory set out in 1897 to create an Irish theatre, they expressed their openness to dramatic experimentation. However, the Abbey Theatre that was their legacy increasingly came to resist non-traditional dramaturgy. Ranging over a period of more than a century, the essays in Beyond Realism focus on theatre that has challenged what came to be perceived as the dominance of realism in Irish drama. The contributors demonstrate that, in the first half of the twentieth century, playwrights such as George Fitzmaurice, Sean O'Casey, and Jack B. Yeats produced unconventional theatre that challenged the norm of realism; they show that Irish dramatists since the 1980s, including Thomas Kilroy, Vincent Woods, and Patricia Burke Brogan further broadened the range of theatrical methods. The concluding essays on contemporary works that use multiple techniques, technology, and site-specific locations suggest that non-realistic, highly theatrical approaches are no longer the exception in Irish drama.

Zustand: New. InhaltsverzeichnisList of IllustrationsSeries PrefaceIntroduction: Ritual and religious origins of pageantsChapter 1: Pageants in the Middle AgesChapter 2: Pageants and Power in the Twentieth CenturyChapter 3: Pageant.

Zustand: New.