De wolf daniel (17 Ergebnisse)
- Softcover
Anbieter: medimops, Berlin, Deutschlandmedimops
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EUR 6,68
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Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: American Folklore Society, Richmond, Virginia, 1960
- Softcover
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 22,45
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Softcover. Zustand: Near Fine. First edition. Red wrappers. 95-188pp. Spine lightly tanned and cocked, corners bumped, near fine. Articles, notes and queries, and book reviews by Leonard W. Moss, Stephen C. Cappannari, Merle L. Simmons, Robert Stevenson, Morris E. Opler, Macedward Leach, Ed Cray, Tristram P. Coffin, Americo Pare…des, S.J. Sackett, Walter E. Boyer, Leonard Roberts, Howard Mumford Jones, Daniel G. Hoffman, Bela Gunda, Morton Y. Jacobs, Claude M. Simpson, Norman Cazden, Morton H. Levine, Arthur Freeman, Richard M. Dorson, Wolf Leslau, Gertrude P. Kurath, Marshall W. Stearns, Charles O. Frake, David Bidney, Bacil F. Kirtley, Carmen Cook de Leonard, and J. David Sapir.
- Softcover
Anbieter: Mooney's bookstore, Den Helder, NiederlandeMooney's bookstore
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EUR 25,48
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Zustand: Very good.
Verlag: Judson Studio, New York, 1959
- Softcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 40,41
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Softcover. Zustand: Very Good. First edition. 88pp. Illustrated. Pictorial wrappers. Owner name, wrappers rubbed with moderate foxing and slight edgewear, about very good. Contributions by Max Jacob, Curtis Zahn, De Hirsch Margules, Diane Wakoski, Herbert Shore, Leonard Melfi, Claes Oldenburg and more.
Verlag: The Hudson Review, New York, 1957
- Softcover
- Erstausgabe
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EUR 40,41
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Softcover. Zustand: Very Good. First edition. Brown and white wrappers. 329-480pp. Wrappers lightly age-toned, very good or better. Contributions by William Carlos Williams' *The Farmers' Daughter*, Northrop Frye's *The Realistic Oriole: A Study of Wallace Stevens, Louis Simpson, Daniel G. Hoffman, Lysander Kemp, James Wright, J…ohn Fandel, Leonard Wolf, A.R. Ammons, James Dickey, Marius Bewley, Robert Martin Adams' *Henrik Ibsen: The Fifty-First Anniversary*, John Holloway, William S. Poster, Kenneth B. Sawyer, Roy Harvey Pearce, Louis Simpson, Benjamin De Mott, and Gerald Weales.
L' (a) Jouissance
Petras; Martin/Nasio; Juan David/ Wauters de Besterfeld/Voisin; Isabelle/De Wolf; Michel/Aron ; Raymond/Bonetti; Daniel
Sprache: Französisch
Verlag: Le questionnement psychanalytique, 1987
- Softcover
Anbieter: Librairie l'Aspidistra, Mesvin, BE, BelgienLibrairie l'Aspidistra
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EUR 35,00
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Couverture souple. Zustand: Très bon.
Weitere BilderEarth First! The Radical Environmental Journal. Beltane Edition. May 1, 1988. Vol. VIII, No. V. [Volume 8, Number 5]
Foreman, Dave (Editor & Publisher). [Earth First!] Articles by: Edward Abbey (book review), Dan Dagget, Jamie Sayen, Zapus Sylvester, Roger Sansterre, Somerset, Jeff Poniewaz, Mark Gaffney, Michael Edward Gouse, Alan R. Drengson, Christoph Manes, Fridjon Stephansson, Cecelia Ostrow, Mitch Friedman, Dave Foreman, Leon Czolgosz, Ed Grumbine, et al. Artwork and photography by: C. Allan Morgan, Pentkowski, Joe Cempa, Helen Wilson, John Zaelit, Jim Stiles, Brush Wolf, Lone Wolf Circles, Thomas L. Fleischner, Dave Foreman, et al. Poems by: Doc Dachtler, Laura Ramnarace, Dee Sadauskas, Ruth Gow, Gregory McNamee, Judy Radspinner, Mary de La Valette, Michael Perkins, Misha Cadaxa, Stephen Meadows, and Daniel Remington
Verlag: Earth First! / Dave Foreman, Tucson, AZ, 1988
- Softcover
- Erstausgabe
Anbieter: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, USAKen Sanders Rare Books, ABAA
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EUR 44,90
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Magazine. Zustand: Very Good. 40pp. Newsprint [43cm x 27.5cm / 17" x 11"]. Ten bifolia (sheets folded vertically once to form forty pages). Lightly and sporadically age-toned, a bit more so around edges and folds. Some very light and sporadic staining, creasing, toning. Earth First! is a group of radical environmentalists that f…ormed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice. No compromise in the defense of Mother Earth!" (Dave Foreman, Editor). Rear cover half-page illustration by Brush Wolf is untitled and depicts two howling wolves standing atop an upside down bulldozer. Cover articles: "El Tigre: Doesn't Live Here Anymore" by Dan Dagget and "Undeveloped Lands In New England For Sale, Cheap" by Jamie Sayen. Other articles include "Connecticut River of Salmon Return" by Zapus Sylvester, "Quebec Ski Area Slides Over Local and Environmental Concerns" by Roger Sansterre, "Idaho Wilderness Gets the Axe!" by Somerset, "Deep Ecology and the New Civil Rights Movement" by Mike Roselle, "Conservation Biology and the Greater North Cascades Ecosystem" by Mitch Friedman, "The Neanderthal Gene" by Dave Foreman, and "Of Corporate Scum and Dirty Fingernails" by Jamie Sayen, amongst others. The "Nerthus" supplement insert on pages 19-22 focuses on the theme of paganism. Edward Abbey's book review of Richard Kazis and Richard L. Grossman's "Fear At Work: Job Blackmail, Labor, and the Environment" appears on page 25. The "Armed With Vision" poetry page is on page 35. "Earth First! Trinkets & Snake Oil" on page 36. Many illustrations throughout. Advertisements at the rear.
- Softcover
Anbieter: Mooney's bookstore, Den Helder, NiederlandeMooney's bookstore
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EUR 39,33
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Zustand: Very good.
Verlag: Recherches en psychanalyse 2004-1, L'esprit du temps, 2004. Un volume in-8°, broché., 2004
Anbieter: Librairie Dhouailly, Paris, FrankreichLibrairie Dhouailly
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[17653].
Gerry Schum
Gerry Schum, Edy de Wilde, Dorine Mignot, Ursula Wevers, Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio
Verlag: Stedelijk Museum Amsterdam, Netherlands, 1979
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 67,35
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80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 198…0 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Anbieter: Rob Kok Old Books & Prints, Loosdrecht, NH, NiederlandeRob Kok Old Books & Prints
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Amstelveen, Cobra Museum & Zwolle, Waanders, 2023. 127 blz. Gekl.ills. Slappe kaft. Als nieuw. [170547].
Weitere Bilder- Softcover
Anbieter: Le Livre à Venir, Chantelle, FrankreichLe Livre à Venir
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Bruxelles: Centre Interdisciplinaire d'Études Philosophiques de l'Université de Mons. Directeur: Moïse Engelson. Un volume broché (15,7x22,5 cm), 180 pages. Bon état. Moïse Engelson et Claire Lejeune ont créé les Cahiers Internationaux de symbolisme à Genève en 1962 avec parmi les membres fondateurs, notamment Gaston Bachelard,…Mircea Eliade, Georges Poulet et Paul Ric?ur. Au sommaire des numéros, l'étude du symbole dans ses relations avec les sciences exactes, les sciences humaines, la tradition, l'art et les religions. Livres.
Verlag: PSYCHOANALYSE, 1. Revue de l'école belge de psychanalyse, mars 1984. In-4, broché., 1984
Anbieter: Librairie Dhouailly, Paris, FrankreichLibrairie Dhouailly
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[7777].
La société à responsabilité limitée
Aydogdu, Roman; Cloquet, Laurent; Culot, Henri; De Wolf, Patrick; Dieux, Xavier; Fyon, Marc; Garabedian, Daniel; Lefèvre, Françoise; Maquet, Sophie; Mareschal, Olivier; Pokorny, Viktor; Pottier, Eric; Simonart, Valérie; Thonet, Renaud; Willermain, Didier
- Softcover
Anbieter: Gallix, Gif sur Yvette, FrankreichGallix
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EUR 123,00
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Zustand: Neuf.
Verlag: Nigel Greenwood Inc. Ltd. London, United Kingdom, 1972
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 583,70
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48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgi…ns, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.
Weitere Bilder[FRANCISCAN ICONOGRAPHY BY THE DÜRER CIRCLE - THE PREACHERS OF POVERTY AND SILVER MINING BY THE HABSBURGS AND THE FUGGERS] Die Legend des heyligen vatters Francisci [The Legend of Saint Francis]
Bonaventura [de Balneoregio; born Giovanni di Fidanza], author. - [Wolf Traut], artist. - [Agricola, born Daniel Meyer, presumed translator]
- Hardcover
- Erstausgabe
Anbieter: Penka Rare Books and Archives, ILAB, Berlin, DeutschlandPenka Rare Books and Archives, ILAB
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Nuremberg and Schwaz: Hieronymus Höltzel printed for Caspar Rosenthaler, 1512. Octavo (20 × 15.3 cm). Modern crushed morocco over five raised bands and with gold-embossed title to spine; [212] pp. with 57 woodcuts from 51 blocks by Wolf Traut. Front pastedown with exlibris of collector and cultural patron Renate König; front boa…rd very lighly rubbed; spine lightly faded; edges gilt by binder; leaves very carefully cleaned and with discrete, barely perceptible restorations in places; occasionally very faintly fox-stained; else very good. First edition of these woodcuts by Wolf Traut, a painter and graphic artist from the Dürer circle, and the first German-language print edition of the hagiography of St. Francis, which Bonaventure completed in 1262. He produced a more extensive version (Legenda maior) and a popular, shorter version (Legenda minor). Bonaventure - considered the "second founder" of the Franciscan order and canonized in 1482 by the Rovere Pope Sixtus IV (himself a Franciscan and the commissioner of the Sistine Chapel) - wrote the Vita at a time when the dispute over the ideal of poverty was increasingly coming to a head - a conflict that was fought not only within the order, but also in the European power struggles. The goal was to reconcile both factions, the Spirituales and the Conventuales - that is, the advocates of the strictest poverty and the adherents of a milder interpretation - through this biography. The life description was thus meant to present, pars pro toto, a successful reconciliation of both positions. Only a few years after its completion, in 1266, the General Chapter declared all previous Francis legends obsolete and ordered their destruction. From then on, together with the Rule of 1223, the Vita formed the Franciscan canon. But the work not only set standards in the handling of the material. The text was written in almost classical Latin and had a formative influence on later humanism. The manuscript was also translated into vernacular languages. In Germany, the manuscript of the Poor Clare Sibilla von Bondorf is regarded as a linguistic monument. (Cf. Joachim Schickel, Bonaventure, Legenda Sancti Francisci, in: KLL.) The translator of the present edition is unknown, but the literature mentions the Basel Franciscan Agricola, born as Daniel Meyer, as a potential candidate. He was the author of the Vita of the Swiss local saint Beatus, which appeared in 1511 both in Latin and in German; both editions were illustrated by the glass painter and graphic artist Urs Graf. Agricola is also thought to be the translator of the "Meditationes vitae Christi", written by a Tuscan Franciscan. This edition, printed in Nuremberg in 1514, was illustrated with woodcuts by Wolf Traut. The financial backer of this edition, as well as of the present one of the Vita of Francis, was a merchant originating from Nuremberg and a partner in a mining enterprise named Caspar Rosenthaler. He had lived in the Tyrolean mining metropolis of Schwaz since 1505, where, in addition to a smelting works, he also operated the city's first bookshop. At that time, Schwaz was the second-largest city after Vienna in the Habsburg Archduchy. Above all, an abundance of silver and copper formed the basis for the power and wealth of the Habsburg ruling house and the Augsburg patrician Fugger family. Rosenthaler had no small share in this with his smelting works. At the end of the fifteenth century, a smelting process was practiced in Schwaz that allowed more silver to be extracted from the mined ores. Rosenthaler was the decisive patron in the establishment of the Franciscans in Schwaz, whose monastery foundation in 1507 he supported as a donor, and in whose church he was buried in 1542. (Cf. Werner Williams-Krapp, Die volkssprachliche Literatur der reformorientierten Franziskaner und Klarissen, in: Die Literatur des 15. und frühen 16. Jahrhunderts: Part 1: Modelle literarischer Interessenbildung, Berlin 2020, pp. 363-404.) The vernacular translation, with its numerous woodcuts, thus stood in a direct connection with the foundation of the monastery in the rapidly growing Alpine town, which was expanding quickly due to mining and was also located near the central trade route between Augsburg and Venice. Even before the construction of the monastery, the Franciscans had taken on preaching and other pastoral duties in Schwaz. In order to advance the monastery foundation - desired by the mine operators - under canon law, particularly in relation to the bishop, Emperor Maximilian I personally intervened in 1507, demanding that the project "not be hindered nor obstructed", since, after all, the "highly valued gift of God in the mines" had led to "so many Christian people settling in the town of Schwaz". However, there were clear reservations, which even led to threats of interdict against anyone who participated in the construction of the new monastery. The representatives of Schwaz - among them Caspar Rosenthaler - responded by having the emperor's letter read aloud after mass in front of the open church doors, announcing their decision to continue work on the monastery despite the threats of interdict, as long as the emperor maintained his position. Caspar Rosenthaler, among others, was also involved in the financial administration of the construction work. Complex negotiations followed between the town's representatives, the episcopal authority, and the Benedictines in Schwaz, which ultimately led to approval. Moreover, Maximilian I placed the monastery under his special protection and also supported it financially. The monastery cloister was completed in 1509 and the church in 1515. (Pax Leitner, Die Anfänge des Franziskanerklosters Schwaz, in: Heimat-Blätter: Schwazer Kulturzeitschrift, no. 61, 2007, pp. 4-11.) Parallel to the printing of the present edition and the completion of the monastery, the bitter dispute over the interpretation of the vow of poverty - fought among the Franciscans for centuries - w.
Weitere BilderVerlag: Provinciaal Museum, Hasselt, 1981
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 911,90
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Zustand: Near Fine. Hardback book bound in textile wraps with gold foil text. 303x216mm. 60pp. Edition 143/500. Comes with loose leaf inventory. Contributors include: Robert Jacks, Woody van Amen, Carl Andre, Joseph Beuys, Marinus Boezem, Christian Boltanski, Daniel Buren, Michael Cardena (Miguel Angel Cardenas), Christo, Robin…Crozier, Guert van Dijk, Pieter Engels, Hans Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Mauricio Nannucci, Richard Nonas, Arnulf Rainer, Dieter Roth, Yves de Smet, Al Souza, Endre Tot, Timm Ulrichs, Ben Vautier and Wolf Vostell. Signed by Van Beveren (an initialled inside the front cover), van Amen, Beuys, Crozier, van Dijk, and Gubbels (Rot, Hamilton, Vautier signatures are printed).The Cardenas work includes a hand painted card and rubber stamp. Other works include rubber stamp elements, collage, tipped in photographs and postcard works, paintings, and metal sculptural works. Transparency before page 16. The colophon page reads 'During the preparation for my exhibition The Archives, the idea originated to publish an artist book instead of a catalogue. Thirty artists were invited to design one page, specially for this book. Some sent five-hundred works, others sent an idea which has been executed in every book. I do appreciate the participation of all the artists. They made this book a unique document and work of art. It is fixing an era that is subject to rapid changes. It is making the aura of a unique work of art relative; it is representing the character of my archives. The artists participating in this book have been important for the development of my archives during the latest ten years and they have been chosen because of the personal affinity to their work.' (text by Van Beveren). Condition: some surface wear to covers, overall: Near Fine.
