Davis julie nelson (38 Ergebnisse)

Paperback. Zustand: Good. Today we think of ukiyo-e - the pictures of the floating world - as masterpieces of Japanese art. Yet it is often said that ukiyo-e were little appreciated in their own time. Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship by contemporaries.…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. Illustrated paper covers; mild edge wear; 4to - over 9 3/4" to 12" tall; illustrated throughout; interior clean and unmarked; 56 pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 204 pages. 8.00x6.00x0.50 inches. In Stock.

Soft cover. Zustand: Fine. 135 pages : colour illustrations ; 26 cm. Exhibition held at Ikon Gallery, Birmingham, 22 Sept.-14 Nov. 2010.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st U.S. Edition. Honolulu: University of Hawai'i Press, (2007). First U.S. Edition. 10" x 8". 296pp, Index. Black cloth, spine letters gilt. Fine condition in fine dj. With 114 illustrations - 66 in color. Close study of selected print sets. ISBN 9780824831998 ; 10 x 8 inches; 296 pages.…

Zustand: New. In English.

Hardback. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. Dust jacket is lightly shelf-marked, upper panel and corners minimally bumped, unclipped; boards are clean with gilt titling and sharp corners; binding is tight; pages are unmarked. With full-colour illustrations, a very good copy. ; 7.5 X 1 X 9.75 inches; 256 pages.…

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. pp. 296.

Hardcover. Zustand: Brand New. 242 pages. 9.75x7.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 2nd exp rev edition. 312 pages. 9.75x7.50x0.75 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 269 pages : illustrations (some colour) ; 26 cm. Inscribed by Author(s).

Zustand: New. 2021. Second Edition, Revised and Expanded Edi. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 242 pages. 9.75x7.50x0.75 inches. In Stock.

Zustand: New. 242.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - Today we think of ukiyo-e-'the pictures of the floating world'-as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers-both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e's history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy.Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.…

Zustand: New. Today we think of ukiyo-e - the pictures of the floating world - as masterpieces of Japanese art. Yet it is often said that ukiyo-e were little appreciated in their own time. Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughl.

hardcover. Zustand: Good. Very Good Jacket. . Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Zustand: NEW.

Zustand: New. Num Pages: 360 pages, illustrations. BIC Classification: ACBP; AFH; AGB. Category: (G) General (US: Trade). Dimension: 235 x 191 x 23. Weight in Grams: 885. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - Japanese artist Kitagawa Utamaro (1753-1806) was one of the most influential artists working in the genre of ukiyo-e, 'pictures of the floating world,' in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. In 1804, at the height of his success, Utamaro published a set of prints related to a banned historical novel. The prints, titled Hideyoshi and his Five Concubines, depicted the military ruler Toyotomi Hideyoshi's wife and concubines, and consequently, he was accused of insulting Hideyoshi's dignity. Utamaro was sentenced to be handcuffed for fifty days and is thought to have been briefly imprisoned. According to some sources, the experience crushed him emotionally and ended his career as an artist. In this new expanded edition, Julie Nelson Davis draws on a wide range of period sources, makes a close study of selected print sets, and reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the commercial print market, she demonstrates how Utamaro's images participated in a larger spectacle of beauty in the city of Edo (present-day Tokyo).…

Zustand: New. A richly illustrated exploration of gender, identity, sexuality and celebrity in Edo-period Japan.&Uumlber den AutorJulie Nelson Davis is associate professor of East Asian art in the Department of the History of Art at the Un.