davies bevan (16 Ergebnisse)

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Brand New. 152 pages. 10.00x8.40x0.79 inches. In Stock.

Paperback. Zustand: Good. . Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Hardcover. Zustand: Good. Signed 1st edition. With dust jacket. SIGNED COPY. Photograph available on request.

Paperback. Zustand: Brand New. 200 pages. Welsh language. 8.39x5.55x0.83 inches. In Stock.

Zustand: New. KlappentextrnrnWho are the fifteen best players ever to have represented the Lions? Was Willie John McBride better than Martin Johnson? Was Barry John better than Johnny Wilkinson? Was anyone better than Gareth Edwards? As incisive and decisive .

Zustand: Very Good. Bevan, Sara (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Good. Signed. First Edition. Personalised signing. First edition. With dust jacket. SIGNED COPY. Photograph available on request.

191 pp.; 28 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph presenting an overview of contemporary printmaking by Paul Coldwell. Artists include Norman Ackroyd, Banksy, Georg Baselitz, Christiane Baumgartner, Tony Bevan, Marko Blazo, Cécile Boucher, Louise Bourgeois, Siân Bowen, Jacques Callot, Patricia Caulfield, Vija Celmins, Stephen Chambers, Hwajin Chang, Sang-Gon Chung, Chuck Close, Prunella Clough, Bernard Cohen, Willie Cole, Susan Collins, Tony Cragg, Michael Craig-Martin, Árpád Daradics, John Davies, Richard Deacon, Anne Desmet, Trenton Doyle Hancock, Albrecht Dürer, Robin Duttson, Faile Collective, Henri Fantin-Latour, Helen Frederick, Lucian Freud, Hamish Fulton, Alberto Giacometti, Francisco Goya, Anthony Gross, Wenda Gu, Richard Hamilton, Valgerdur Hauksdóttir, Dan Hays, Tim Head, Charlotte Hodes, Howard Hodgkin, Katsushika Hokusai, Andrzej Jackowski, Kennardphillipps, William Kentridge, Anselm Kiefer, Thomas Kilpper, Seung Yeon Kim, Ernst Ludwig Kirchner, Barbara Kruger, Christopher Le Brun, Fang Lijun, Christoph Loos, Marilène Oliver, Julian Opie, Mick Moon, Giorgio Morandi, Anna Maria Pacheco, Eduardo Paolozzi, Simon Patterson, Grayson Perry, Pablo Picasso, Giovanni Battista Piranesi, Sigmar Polke, Kathy Prendergast, Robert Rauschenberg, Odilon Redon, Paula Rego, Rembrandt van Rijn, Dieter Rot [Dieter Roth], Michael Rothenstein, Bartolomeu Dos Santos, Sean Scully, Hercules Seghers, Nana Shiomi, Regina Silveira, Kiki Smith, Devorah Sperber, Emma Stibbon, Antoni Tàpies, Masami Teraoka, Joe Tilson, Barthélémy Toguo, Henri de Toulouse-Lautrec, Kitagawa Utamaro, John Utting, Édouard Vuillard, Kara Walker, Andy Warhol, Rachel Whiteread, Terry Winters, Bill Woodrow, Richard Woods, and Katsutoshi Yuasi. Includes a glossary and bibliography. Very Good / Fine. Light rubbing of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket and silk cloth-covered slipcase with tipped-in duotone plate. 48 pp., with 32 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "Bevan Davies's meticulously printed photographs suggest an appreciation of this form of residential architecture with respect both to the facades on which their identities hinge and to the built spaces between those facades. Preferring to photograph during early morning hours on weekends, Davies positioned the film plane of his 8x10-inch camera parallel to the buildings' fronts, to capture the nuanced play of shadows. The resulting images lend depth to structural and decorative elements that are simultaneously utilitarian and aesthetic. Born in 1941 and educated at the University of Chicago during the 1960s, Bevan Davies hit his intellectual and artistic stride in the 1970s, dovetailing perfectly with the uniquely fertile grounds that Los Angeles was becoming during that decade. The immediate impact of the work Davies produced at this time is reflected in the list of solo and group exhibitions in which his photographs were shown, including such venues as Sonnabend Gallery, New York; International Museum of Photography at George Eastman House, Rochester; The Museum of Fine Arts, Houston; and Palais de Beaux Arts, Brussels. Photographs by Bevan Davies are included in the permanent collections of many important collections, including The Getty Museum, Los Angeles; The Art Institute of Chicago; The Metropolitan Museum, New York; and The Museum of Fine Arts, Houston." From "Ed Ruscha and Some Los Angeles Apartments" by Virginia Heckert: "Los Angeles 1976 is an exquisitely-produced collection of Bevan Davies's photographs of residential Los Angeles architecture, a subject perfectly suited to his working methods at that time." From the publisher (about the NZ Library Series): "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artist's books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased." The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies--such as this item--will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set. ($150 per book compared to $250 per book.) Set 1 highlights work by some of the most creative and influential photographic artists active in Los Angeles during the 1970s; re-presents the long-overdue "wayward piece of the puzzle"-- John Schott's entire "Route 66 Motels" portfolio -- to the available literature relating to the groundbreaking New Topographics exhibition shown in 1975 at the George Eastman House in Rochester; offers new insight into Daido Moriyama's working methodology; and provides an ideal forum for the first international publication on the work of superstar contemporary artist Idris Khan." Signed by Author.

hardcover. Zustand: Fine. NZ Library Set 1. With 32 duotone plates Limited edition of 350 numbered and signed copies. Elegant volume bound in full silk with a photograph applied to the front cover and the Artist's signature inserted into an eyelet to the back cover. Illustrated dust jacket and slip-case with a photo / Elegante volume rilegato in piena seta con una fotografia applicata al piatto anteriore e la firma dell'Artista inserita in un occhiello al piatto posteriore. Sovracoperta illustrata e custodia in seta con foto applicata. N. 252/350. 4to. pp. 48. . Ottimo (Fine). . Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). . Los Angeles, 1976 è una collezione squisitamente prodotta di fotografie di Bevan Davies sull'architettura residenziale di Los Angeles, un soggetto perfettamente adatto ai suoi metodi di lavoro dell'epoca. Nato nel 1941 e formatosi all'Università di Chicago negli anni Sessanta, Bevan Davies raggiunse il suo apice intellettuale e artistico negli anni Settanta, in perfetta sintonia con il terreno fertile che Los Angeles stava diventando in quel decennio. L'impatto immediato del lavoro prodotto da Davies in questo periodo si riflette nell'elenco delle mostre personali e collettive in cui le sue fotografie sono state esposte, comprese sedi come la Sonnabend Gallery di New York, l'International Museum of Photography alla George Eastman House di Rochester, il Museum of Fine Arts di Houston e il Palais de Beaux Arts di Bruxelles. Los Angeles, 1976 is an exquisitely-produced collection of Bevan Davies's photographs of Los Angeles residential architecture, a subject perfectly suited to his working methods at that time. Born in 1941 and educated at the University of Chicago during the 1960s, Bevan Davies hit his intellectual and artistic stride in the 1970s, dovetailing perfectly with the uniquely fertile grounds that Los Angeles was becoming during that decade. The immediate impact of the work Davies produced at this time is reflected in the list of solo and group exhibitions in which his photographs was shown, including such venues as Sonnabend Gallery, New York; International Museum of Photography at George Eastman House, Rochester; The Museum of Fine Arts, Houston; and Palais de Beaux Arts, Brussels. Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). Book.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase with tipped-in duotone plate. 48 pp., with 32 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: ""For New Yorkers, 1975 was a particularly bleak year of a tumultuous decade. The city was on the verge of insolvency, mired in a national recession and reeling from the flight of the middle class to the suburbs. Twenty percent of the public workforce was laid off while rates of crime and drug use soared. In these relentlessly frontal, clear-eyed pictures, indications of a grim reality are everywhere to be found in the form of sordid surfaces, improvised signage, cracked windows, and dissident scrawls. When the photographs in this book were first exhibited in 1976, their formal austerity and apparently neutral stance invited comparison with the contemporaneous work of Lewis Baltz, Bernd and Hilla Becher, and other photographers featured in the seminal "New Topographics" exhibition. Distance, however, has revealed their concerns and temperament to be more akin to those of Marville or Atget, both of whom had a special feeling for the life and death of buildings (and thus of place), or Walker Evans, whose pictures Lincoln Kirstein praised for their clear, hideous and beautiful detail, their open insanity and pitiful grandeur.'" NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. PRICING & EDITION NUMBER: The price of this set of six titles reflects a 40% discount compared to purchasing titles individually ($150 per title compared to $250 per title). DISCOUNT ON SET 3 SPECIAL EDITIONS: Customers who purchase this set of six titles also qualify for a $150 discount off the price of a special limited edition from Set 3 (with print) of one of the six titles from the set (you will receive a second copy of the slipcased book with the special limited edition). SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artists' books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased. Each book in the series is uniform in height, with a slipcased format of 15 x 12 inches. The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set." VOLUME ONE: Bevan Davis: New York. ISBN 978-1-59005-450-5. 48 pp., with 20 duotone plates. From the publisher: "Bevan Daviesâs second monograph in the NZ Library Series, New York, 1975 is a powerful companion book to Los Angeles, 1976 (published in NZL Set 1). Both volumes present comprehensive important bodies of work that was influential, widely exhibited and collected at the time it was made; but not published in book form until now. New York, 1975 opens with an insightful essay by Joshua Chuang, The Miriam & Ira D. Wallach Associate Director for Art, Prints and Photographs, and The Robert B. Menschel Senior Curator of Photography at The New York Public Library Bevan Davies's work is included in many major public and private collections, including those of the J. Paul Getty Museum, Los Angeles; Art Institute of Chicago; Metropolitan Museum of Art, New York; Center for Creative Photography, Tucson; and Nelson Atkins Museum, Kansas City. " NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. VOLUME TWO: Katy Grannan: Hundreds of Sparrows: Volume 1. ISBN 978-1-59005-451-2. 48 pp., with 33 four-color plates. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume One (NZL Set 3), and Volume Two (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art." VOLUME THREE: Anthony Hernandez: Discarded. ISBN 978-1-59005-452-9. 68 pp., with 35 four-color plates. From the publisher: "The title of Anthony Hernandez's monograph takes its name from our collective penchant for discarding what we no longer find useful; in this case, unfinished houses and the land on which they sit, to the east and northeast of Los Angeles. The project arose from the 2008 recession, which hit California particularly hard, when homebuilders and owners faced loans and mortgages that were worth more than their properties. Comprising 35 photographs made in desert and high desert cities such as Riverside, Salton City, Lancaster and Palmdale, Discarded opens with an essay by John Rohrbach, Senior Curator of Photography at the Amon Carter Museum where the work was first exhibited in 2016. Of the photographs, Rohrbach writes: "Where through the 1970s and 1980s the 'New Topographics' generation led by Robert Adams and Lewis Baltz drew photographic attention to the expansion of suburbia across the open West, Anthony Hernandez now asks us to take account of the failures, the pulling back from over-exuberant expectation. Capitalism, of course, is built on optimism and growth, but just as central to its being is failure. We can't all be winners; bust inevitably follows boom. While some initiatives survive, others go under, abandoned to the banks and discarded to the scourges of time and happenstance. The subject offers pathos and an enticing undercurrent of violence. But where others generally embrace the romance of the struggle against the harsh climate, emphasizing isolation and self-sufficiency, Hernandez reminds us of the.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. PRICING & EDITION NUMBER: The price of this set of six titles reflects a 40% discount compared to purchasing titles individually ($150 per title compared to $250 per title). DISCOUNT ON SET 1 SPECIAL EDITIONS: Customers who purchase this set of six titles also qualify for a $150 discount off the price of a special limited edition from Set 1 (with print) of one of the six titles from the set (you will receive a second copy of the slipcased book with the special limited edition). Otherwise, special edition price is net to all; promotional discounts do not apply. SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artist's books. Printed on Japanese art paper using our exclusive "Daido black" inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased. Each book in the series is uniform in height, with a slipcased format of 15 x 12 inches. The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set. Set 1 highlights work by some of the most creative and influential photographic artists active in Los Angeles during the 1970s; re-presents the long-overdue "wayward piece of the puzzle"-- John Schott's entire "Route 66 Motels" portfolio -- to the available literature relating to the groundbreaking New Topographics exhibition shown in 1975 at the George Eastman House in Rochester; offers new insight into Daido Moriyama's working methodology; and provides an ideal forum for the first international publication on the work of superstar contemporary artist Idris Khan." Volume One: Bevan Davies: Los Angeles 1976. ISBN 978-1-59005-383-6. 48 pp., with 32 duotone plates. From the publisher: "Bevan Davies's meticulously printed photographs suggest an appreciation of this form of residential architecture with respect both to the facades on which their identities hinge and to the built spaces between those facades. Preferring to photograph during early morning hours on weekends, Davies positioned the film plane of his 8x10-inch camera parallel to the buildings' fronts, to capture the nuanced play of shadows. The resulting images lend depth to structural and decorative elements that are simultaneously utilitarian and aesthetic." From "Ed Ruscha and Some Los Angeles Apartments" by Virginia Heckert: "Los Angeles 1976 is an exquisitely-produced collection of Bevan Davies's photographs of residential Los Angeles architecture, a subject perfectly suited to his working methods at that time. Born in 1941 and educated at the University of Chicago during the 1960s, Bevan Davies hit his intellectual and artistic stride in the 1970s, dovetailing perfectly with the uniquely fertile grounds that Los Angeles was becoming during that decade. The immediate impact of the work Davies produced at this time is reflected in the list of solo and group exhibitions in which his photographs were shown, including such venues as Sonnabend Gallery, New York; International Museum of Photography at George Eastman House, Rochester; The Museum of Fine Arts, Houston; and Palais de Beaux Arts, Brussels. Photographs by Bevan Davies are included in the permanent collections of many important collections, including The Getty Museum, Los Angeles; The Art Institute of Chicago; The Metropolitan Museum, New York; and The Museum of Fine Arts, Houston." Volume Two: John Divola: San Fernando Valley. ISBN 978-1-59005-384-3. 60 pp., with 46 duotone plates. From the publisher: "San Fernando Valley is where John Divola was born and raised, and it served as both backdrop and subject for his earliest, serious photographic explorations, made during the early 1970s. This previously unpublished body of work shows 'the Valley' through the eyes of a young photographer who would soon become an internationally-recognized artist with the exhibition and publication of his much more conceptual 'Zuma' series. The black and white photographs in 'San Fernando Valley' comprise a series of subject groupings which, pulled together, show early manifestations of the deadpan humor and the ability to capture everyday scenes wrapped in loneliness, for which Divola is now well-known. The book is also, and not incidentally, a fascinating record of a quintessentially 1970s Los Angeles culture. John Divola's work is the subject of numerous books and catalogues. Widely exhibited and collected throughout the United States, Europe, Japan and Australia, Divola's photographs are included in the permanent collections of many public and private institutions, including those of The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Getty Museum, Los Angeles; and the San Francisco Museum of Modern Art." Volume Three: Steve Kahn: The Hollywood Suites. ISBN 978-1-59005-385-0. 56 pp., with 51 duotone plates. From the publisher: "The images in Steve Kahn's enigmatic The Hollywood Suites were all made in run-down apartments between the years 1974 and 1976. Alternately provocative and haunting, they were the subject of solo exhibitions on the West Coast and in Europe during that decade and incl.

[2] pp.; 10.2 x 15.2 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard documenting an installation by Carl Andre "Stone Field Sculpture," 1977 in Hartford, CT. Photograph on recto by Bevan Davies. Very Good. Unmailed copy. Rubbing of card edges and overall soiling of verso. Two lines of publishers information printed in center of verso has been crossed out with black marker.