david young cameron (26 Ergebnisse)

4to. 127, 80 S. Mit zahlreichen Abbildungen. Orig.-Kartoniert mit Orig.-Pergaminumschlag. Gutes Exemplar.

First Edition. Previous owner's signature. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Series: Highways and byways series. Physical description: xv, 439 p. : illustrations, maps ; 20 cm. Notes: Includes index. Subject: Highlands (Scotland) Description and travel. 3 Kg.

1st pocket edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: xix, 428 pages: ill., fold. col. map; 18 cm. Subjects: Highlands (Scotland) Description and travel. Scotland views. Scottish pictorial works. Pocket edition books. Genre: Illustrated. 1 Kg.

SOFTCOVER. Zustand: As New. 1st Edition. 4to in colour printed stiff card covers, 20pp, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Good. 4to. Original gilt stamped black cloth. (viii), 43, [1], frontispiece facsimile etching, 8 documentary plates and 95 numbered plates of etchings, some issued with descriptive tissue guards.

First Edition. Poor copy with wear, tear and dust-dulling as with age. Text remains clear and without blemish. Physical description; xxx p., 60 p. of plates : ill ; 28 cm. Subjects; Cameron, David Young Sir (1865-1945). Cameron, David Young Sir (1865-1945) Catalogues raisonnés. Etchings (Scottish). Etchings Scotland. Etching, Scottish Catalogs. Genres; Catalogue. Illustrated. 3 Kg.

Grey hardback cloth cover. Zustand: Very Good. First Edition. VG : in very good condition without dust jacket. Cover rubbed and slightly soiled. 330mm x 170mm (13" x 7"). 80pp + plates. 5 hand-pressed etchings.

David Young Cameron (1865-1945) Sir , schottischer Maler und RadiererVisitenkarte (blanko,16°, Kirkhill Juni 1937) in Tinte eigenhändig signiert m.Empfehlung, Ort,D.Yours very truly D.Y. Cameron, Dem Eaglais, Kippen, Scottland, 17.8.1937.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 4to. pp xlvii 333. Original publisher's blue leather spine over brown cloth boards, lettered gilt at spine. Limited edition of 200 copies, this being no. 183. Signed by the publisher on the dedication page. Without the print which was issued separately. It was not a part of this book. Very good in very good dust jacket. Decent copy. Signedes.

No Binding. Zustand: Very Good. Etching, 146 x 100mm (image 122 x 88mm), initialled in the plate. Slightly dusty at one edge, traces of glue on verso. W D S" elaborately intertwined over (on a scroll) "CATALANI". Catalani was apparently Councillor at the Italian Embassy, Washington.

Cloth. Zustand: Very Good. New and enlarged edition. 8vo. Original green ribbed moiré silk, spine lettered in gilt. AEG. Spine and edges darkened, as often seen, pushing to spine ends, extremities rubbed, faint white marks to upper board. James J. MacLehose's striking ex libris, designed by Sir David Young Cameron, to ffep, POI to ffep ("Douglas Grant, 28 Feb: 1947"), remnants of tissue guard at frontis, very occasional faint foxing, crease to p.99, else clean and bright. Very good A pleasing copy of the second, enlarged edition of Christina Rossetti's book of nursery rhymes, illustrated by Arthur Hughes and engraved by the Brothers Dalziel, from the library of the Glaswegian bookseller and publisher James J. MacLehose, featuring his striking ex libris by fellow Scot, the artist and etcher Sir David Young Cameron. Rossetti's collection was first published in 1872; she just lived to see this new edition, dying the following year, 1894. The MacLehose firm was associated with the University of Glasgow, as its printers and publishers, for over one hundred years and was known for its "typographically elegant work". From the second generation, James J. MacLehose eventually took over both businesses run by his father James MacLehose (1811-1885) and uncle Robert MacLehouse (fl. 1872-1910), in collaboration with his brother, Robert. Known for his townscapes (as here) and landscapes, Sir David Young Cameron RA (18651945) was a Scottish painter and etcher connected with the Etching Revival.

First Edition. Near fine copy in the original gilt-blocked cloth over bevelled boards. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 43 pages; Description: vii, 43 p. Incl. Plates. Front. , 95 pl. 30 cm. Part of the plates are accompanied by guard sheets with descriptive letterpress. 16 photo-engr. And 84 process illus. Plates. Limited. 4 Kg.

Hard Cover. Zustand: Near Fine. Illustrated by David Young Cameron (illustrator). 1st Edition. First Printing. Publisher's full black cloth, gilt lettering on spine, gilt lettering, borders and medallion, gilt, on cover; bevelled boards. vii (including tissue-protected frontispiece), 43 (including 5 plates), 95 tissue-protected plates, pp. The frontispiece and 16 of the 95 etchings reproduced after the text portion are tissue-protected photogravure plates engraved and printed by A. Alexander & Sons. Printed on fine stock. . Corners, head and heel mildly worn, shadows of insertions on a few pages, none affecting any illustrations, all of which are sharp, bright, and clean; otherwise unmarked, tight, square, and clean. This is a large and heavy book - additional shipping charges may apply. NEAR FINE. Etchings. 4to 11" - 13" tall.

Hardcover. Zustand: Good. First Edition. Hardback. 8vo. pp 182; 168; 141; 223, [87] plates. Bound in blue buckram, lettered gilt at the spines and top edge gilt. Published between 1889-1912. Including 23 original etchings by David Young Cameron, many of them photographs. The Regality Club was established in October 1885 to preserve a record of old Glasgow Buildings and of old Glasgow Relics. Contributors include: David Murray, William Young, John Oswold Mitchell, Colin Dunlop Donald, John Honeyman, James Muir. Slight foxing to preliminaries with some moderate fading and discolouration to buckram (both on spines and covers), overall otherwise sound, near very good with very clean text and plates.

Genève, Editions du Tricorne, 1981. 25 x 24 cm. Paperback / Softcover with damaged transparant paper dustjacket.With illustrations in b/w. 81 + 127 pages. Text in French. NEAR FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Genève, Editions du Tricorne, 1981. 25 x 24 cm. Paperback / Softcover with slightly damaged transparant paper dustjacket.With illustrations in b/w. 81 + 127 pages. Text in French. NEAR FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Zustand: Good. 4to. Original vellum. Bookplate of Stanley M. Isaacs. [36]pp. and 60 tipped plates. One of 150 de luxe copies, signed by the artist. Very good, with some time staining.

Etching, on wove paper, from 'Artist's Engraver', signed in plate in upper left, time mark from earlier mount, a little foxing, The village is Le Grand Andely.

10. London, Halton and Truscott Smith, 1924, in-4°, frontispiece + 43 pp + 95 plates hors-texte ; of which 16 handprinted photo-engravings. Bound in dark blue publisher's cloth with gilt decoration and lettering on frontcover and spine, top edge gilt. Only a slight discolouring of the first fly leaf, otherwise an exceptionally fine spotless copy with a near mint decorated publisher's binding.

1 vols. 14 3/4 x 8 3/4. Zustand: Matted and framed. Cameron, Sir David Young. 1 vols. 14 3/4 x 8 3/4. Masterful etching of a gargoyle, possibly on a Venetian church. Cameron (1865-1945) was a Scottish artist and etcher who particularly excelled in his renderings of architectural motifs. A particularly intense and dramatic example of his work. Accompanied by two color photographs, taken in 1978 of a similar or possibly identical gargoyle, which may have been the original that Cameron depicted. Provenance: Thomas Gibson, London "The Little Devil of Florence," 1908, Rinder (Catalogue Raisonné), no. 197.

London, Halton and Truscott Smith, 1924, in-folio, 38 x 28,5 cm , vii pp + 43 pp + 95 plates of which 16 handprinted photo engravings each with a guard sheet with descriptive letterpress. Bound in publisher's half calf with gilt lettering and decoration of front cover and spine. Printed in 240 numbered copies. Ex-library copy with cancellation stamp on verso of title and some discrete small stamps at some pages. Leather of binding a bit rubbed and with an inventory number in white ink at tail of spine, cloth of binding with some fingermarks but on the whole still a very decent copy of the large-paper edition.

14. Glasgow, James Maclehose and Sons, 1912, in-4°, xlix pp + (3) nn pp + 259 pp + (3) nn pp, plates included in the page numbering (complete), bound in original half-vellum with gilt title on smooth spine, uncut pages, (binding a bit dustsoiled and with some light shelf wear, some foxing on the free endpapers (only there), still a fine copy. One of 200 numbered copies on hand made paper with the illustrations on japan paper and with an original etching as frontispiece, signed by Cameron ; '' The Lion and the Unicorn''.

Black & white bookplate. 125mm x 88mm . Laid-down to verso of front board of a book. ** "David Young Cameron (18651945) was one of Scotland's most prolific and influential artists. He was born in Glasgow, the son of a minister, and in the early 1880s he went to study at Glasgow School of Art. By 1885 he had gained a place at Edinburgh School of Art, where he was encouraged to take up etching because of the strength of his pen drawings. Although he also made many paintings, drawings and watercolors, it was as a printmaker that he initially received the most recognition. Cameron had a rare ability to capturehis subjects with remarkably few lines. During his career he produced over five hundred etching plates, with subjects ranging from atmospheric interiors to dramatic landscapes, as well as detailed studies of buildings and figures." - See National galleries of Scotland.

The Itchen near Winchester. Landscape with a lake.Made by after an anonymous artist.Medium: Drypoint etching on wove paper paper.Sheet size: 23.5 x 17.5 cm (9.25 x 6.89 inch). Image size: 15 x 8.8 cm. (5.91 x 3.46 inch).LANDSCAPE NEAR WINCHESTER | MODERN-MAPBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Sir David Young Cameron (1865-1945) painter and etcher (one of the leading practitioners of the Etching Revival). Born and in trained Glasgow, Kippen and Edinburgh; exhibited at the RA in 1886, began etching at 18, known for etched views of architecture and drypoints of mountain and moorland scenery. He etched a total of over 500 plates, 300 done before 1900, including book illustrations and ex-libris plates. Condition: very good, given age. Some remains of tape on rear from previous attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Very good condition. Signed etching in the lower margin and in the plate, by the master print maker, Scottish artist David Young Cameron. The dramatic landscape is likely in Scotland, depicting massive dark rock formations set in a broad valley. Perhaps the Firth of Lorne, as a distant rock formation resembles this famous estuary. Cameron was highly skilled at capturing stillness and mood, the atmosphere of a specific place. Cameron's (1865- 1945) subjects included landscapes and architectural studies, of which he produced a number of popular 'sets' ("The Clyde Set", "The North Holland Set" and "The North Italian Set"). He produced relatively small editions of his prints, highly sought after by collectors. In 1929 one such work sold for the record breaking sum of L640, equivalent to around £36,000 today. 14 x 9 1/2", paper 15 x 11". Slight even toning, with residue of masking tape at verso of top edge.

Zustand: Matted. Etching. Signed in pencil lower right. 132 x 200 mm. Rinder 275. Only State. Rnder Notes that only 5/6 plates were pulled Etching. Signed in pencil lower right. 132 x 200 mm.