David rodowick (27 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. 1. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback. "The Difficulty of Difference" offers a critical examination of how contemporary film theory has used Freud. It offers an intervention in the debate concerning sexual difference in spectators, and argues that readings that polarize the male and female response are too limited. The author raises the question of "difference" to acknowledge the complex sexual identities of each individual. He also puts forward an alternative reading of Freud, looking to Freud's theory of phantasy for a different textual theory. This book should be of interest to advanced students of film studies and feminist theory.…

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Zustand: Fine.

Soft cover. Zustand: Fine. 260726/5X5/5//.

Zustand: Good. Used, cover has light scratches, outer edges have minor scuffs, some pages have heavy underlining, book content is in good readable condition.

Zustand: New. Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his philosophy of difference. Series: Post-Contemporary Interventions / Latin America in Translation. Num Pages: 280 pages, 41 black and white photographs, 5 figures. BIC Classification: APFA; HPCF. Category: (P) Professional & Vocational. Dimension: 236 x 193 x 20. Weight in Grams: 468. . 1997. Paperback. . . . . Books ship from the US and Ireland.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 280 pages. 9.75x6.50x0.50 inches. In Stock.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0252015339.…

Zustand: New. In English.

Zustand: New. pp. 344.

Paperback. Zustand: Brand New. 344 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 296 pages. 9.00x5.50x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.…

Zustand: New. Gilles Deleuze is one of France s most celebrated twentieth-century philosophers. Placing Deleuze s two books on cinema - The Movement-Image and The Time-Image - in the context of French cultural theory of the 1960s and 1970s, the author examines the lo.

Taschenbuch. Zustand: Neu. Neuware - In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of "the figural" to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-FranÇois Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick-one of the foremost film theorists writing today-contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated.To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control. Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book.…

Zustand: New. This is a critical analysis of the development of film theory since 1968. It shows how debates concerning the literary principles of modernism - semiotics, structuralism, psychoanalysis, Marxism and feminism - have transformed our understanding of cinematic.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 296 | Sprache: Englisch | Produktart: Bücher | "Rodowick shows us that the labor of theory is vital and ongoing and that figural thinking is a crucial element for what remains of creative activity and micropolitics in a world where agency appears to be close to extinction."--Tom Conley, author of "The Graphic Unconscious in Early Modern French Writing".…

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. In English.

Gebunden. Zustand: New. Gilles Deleuze is one of France s most celebrated twentieth-century philosophers. This is a study of Deleuze s work on film and image, examining the logic of his theories and their relationship to his philosophy of difference. It is useful to Deleuze schola.

Hardcover. Zustand: Brand New. 258 pages. 9.75x6.50x1.25 inches. In Stock.

Buch. Zustand: Neu. Neuware - Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.…

Zustand: New. 1997. Hardcover. . . . . . Books ship from the US and Ireland.