David mel paul (10 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

Softcover. Zustand: Fine. First edition. Blue wrappers. Octavo. cxxxiv, 477-634pp. Fine. Essays by Mairi Macinnes, Wilfred H. Stone, Mel Livatino, Anwar F. Accawi. Poetry by Richard Gillman, Wesley McNair, Paul Grant, Daniel Hoffman, David Livewell, Jayanta Mahapatra, Michael Mott, F.D. Reeve, Christopher Camuto. The State of Letters by Robert Benson, Walter Sullivan, Robert Lacy, J.T. Barbarese. Arts and Letters by (Orwell Once More) Stephen Miller, John Gatta, and (In Memory of Anthony Hecht) David Mason. …

Hardcover. Very good condition n dust jacket. 359pp. ISBN-10 0300094418. ISBN-13: 9780300094411.

Kartoniert / Broschiert. Zustand: New. Helps you revise the narrow view of August Strindberg as merely a misogynist and the gloomiest of Scandinavian writers. This book is about a dying man, once an explorer but now a museum curator, who reviews his tumultuous life aloud as he drifts in and out .

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…

95 pp.; 20.5 x 29 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; May 1975 issue featuring collaborative contributions. Essays "For Thomas Hobbes - I," by Terry Atkinson, Michael Baldwin, Joseph Kosuth, Lynn Lemaster, Philip Pilkington; "A Review of Styles," by David Rushton and Paul Wood; "'To Begin With, While I am Clearly a Marxist Sympathizer.,'" by Sandra Harrison; "Pedagogical Sketchbook (AL)," by Charles Harrison; "Brainstorming - New York," by Ian Burn and Mel Ramsden; "Art and Language," by Terry Atkinson, Michael Baldwin, Harold Hurrell, Lynn Lemaster; "Community Work," by Terry Atkinson, Lynn Lemaster, Philip Pilkington; "Rambling: To Partial Correspondents," by Michael Baldwin, Ian Burn, Joseph Kosuth, David Rushton; "Vulgar and Popular Opinions," by Philip Pilkington; "Little Grey Rabbit Goes to the Sea," by Michael Baldwin, Philip Pilkington; "Overview: The Paradox of the Heap of Stones," by PHILIP Pilkington; "Slogan Adaptation," by Charles Harrison, Harold Hurrell; "'Mr. Lin Yutang Refers to 'Fair Play'.?'" by Michael Baldwin, Sarah Charlesworth, Charles Harrison, Harold Hurrell, Lynn Lemaster; "Strategy is Political: Dear M.," by Ian Burn, Andrew Menard, Mel Ramsden; "My Amazed Admiration (.of the Subtle Complexity Reached by Western Capitalism)," by Sandra Harrison";Utopian Prayers and Infantile Marxism," by Charles Harrison, Sandra Harrison, Philip Pilkington, David Rushton, Mel Ramsden, Paul Wood; "Accidental Synopsis," by Michael Baldwin, Harold Hurrell "On the Embarassing Dangers of Banishing 12-Tone Music," by Charles Harrison, Sandra Harrison. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 76. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Good. Covers show considerable wear including stains, scuffing and .5 cm nicks on spine. Contents clean and unmarked.…

Zustand: Near Fine. 345x509mm. 16pp. Printed blue and black on white glossy stock. Folded once. Cover displays John Clare's 'Noon' poem and Carlos Cruz-Diez's 'Study of Interferences' 1965 above information related to the exhibition 'A Decade of Physichromies' at Signals, which ran from 23 September to 23 October 1965. Writings from Barnett Newman, John Dunbar, James Fox. Numerous illustrations and texts on Cruz-Diez's work including those from Manuel Quintana Castillo, Werner Heisenberg, Alberto Junyent, Rene Droudille, Frank Elgar, Frank Popper 'The Physichromies of Carlos Cruz-Diez'. Includes poems by Nicholas Snowden Willey, George Crabbe and Mel Clay & Ira Cohen. Detailed biography of Criz-Diez, Photostrip of Cruz Diez 1964-1965 runs throughout the publication. Illustration by Mira Schendel 'Drawing on Rice-paper', 1965 together with text by Medalla on the artist who exhibited at Signals. Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America. Through their exhibitions, events and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Condition: minor creasing to folds, no tears, overall NF. Large item, extra postage required. Mira Schendel (illustrator).…