david larcher (8 Ergebnisse)

Mass Market Paperback. Zustand: Good. David Larcher (illustrator). First Edition. 1966 First Edition Penguin number 2533. Synopsis : Matthew Tresilan was one of the greatest English artists of the century. But near the end of his life something strange and disturbing had happpened to him .You could see it in his paintings. What was it? Interior clean, devoid of inscriptions, marks, tears or folds. All pages tight within binding. Covers lightly soiled and well worn nut still a robust and clean copy. UK shipping offer : any six Penguins combined to one postage of £3.50, postage will be reduced at checkout.

in-4, broché, Intervention de l'artiste sur la couverture du catalogue. Envoi sur la page de titre. Couverture présentant des salissures.

1st Ed. Slim 4to. 144pp. Profusely illus. throughout in b/w. Upper leading corner of several leaves sl. creased, very minor spotting to e.ps., lightly browned and spotted original cloth bumped to head of spine, sl. damp aroma, in lightly browned and chipped d/w. with some sl. crude repairs at head and tail of spine. US$52.

Zustand: very good +. Philip Steadman, Ann Shearer (Eds.) Patrick Eager, David Larcher, Image No. 12, Adrian Bridgewater, London, 1964. Magazine. 60pp. , printed colour and black and white. Edited by Philip Steadman who also edited the Architectural Form Magazine. This issue features articles on Gypsies by Ann Shearer, The Optics of Amsterdam with photographs by David Larcher, Three Steps to Heaven (concerning Eton college mission in Hackney Wick, where screaming Lord Sutch performed Jack the Ripper) and Phil Steadman's article on Heroes: Pop and Classical.

Soft cover. Zustand: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Paperback. Zustand: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).

Zustand: Gut. Larcher, David, und Philip O Stearns. Six Nymphets. (London. 1966). 125, [19] S. Mit 140 Duotone Tafeln. Gr.-4°. OKarton im OSchutzumschlag. Nur dieser mit kleinem Einriss und geringen Lichtrand oben an der Vorderseite. . Insgesamt schön und sauber erhalten.

Londres, Kings Road Publishing, 1966. Relié: 25.5 x 31 cm, 144 p. Édition originale avec 120 photographies reproduites en noir. Cartonnage gris, jaquette illustrée. En très bon état.