david labelle (7 Ergebnisse)

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Signed Copy . Inscribed by author on title page.

hardcover. Zustand: Very Good. VG+ Hardcover. No dust jacket. Clean copy. xvi + 440 pp.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 33,5 cm, 288 Seiten/pages with 229 black-white images - The title of this book and the exhibition it documents Sounds Like Silence is ambiguous. On the one hand, silence effectively »sounds« or as Cage put it, »There is no such thing as silence.« On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with provided it even exists? John Cage s 4 33 (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer s own variations, derivatives, and sequels of the »silent piece« in the years from 1962 to 1992.

96 pp.; 26.9 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D.J. Huppatz; "Shaun Kirby: Slow Crawl of Necessity," by Stephen O'Connell; "The Red Eye," art by Jeremy Blake, text by Theresa Duncan; American Psychos: The End of Art Cinema in the '90s," by Laurence A. Rickels; "Thomas Demand: Paper Chases," by Nancy Princenthal; "Doug Aitkin: Immoral Video," by David Hunt; "The Family Firm: Andreas Gursky & German Photography," by Norman Bryson Reviews by Alex Coles, Jan Tumlir, David Hunt, Mai-Thu Perret, Fabrice Stroun, Jeffrey Kastner, Stuart Koop, Charles LaBelle, Ryan Whyte, Michelle Grabner, Barry Schwabsky, Terry R. Myers, Julie Joyce, Peter Frank, Roger Sullivan, Stephen O'Connell, Blair French, Regine Basha, Charles Green, Juliana Engberg, Ihor Holubizky, Lars Bang Larsen, and Gavin Wade. Cover: Thomas Demand. Very Good. Dust soiling of covers with original pricing sticker on bottom left corner of recto. Rubbing and dust soiling of verso. Light edgewear with bumping of top left corner of verso. Contents clean and unmarked.

Zustand: very good. 28 cm, 463, wraps, figures, tables, appendices, references, some wear and soiling to covers, spine slightly faded Mass produced Dear Colleague letter from LaBelle laid in.

Brunoy puis Pontault-Combault. Directeurs de publication : Marie-Hélène Dhénin et Alain Frontier. Suite de 31 livraisons 21x29,5cm agrafés et collés sous couvertures imprimées et illustrées en deux tons, 38 pages, illustrées, notamment de photographies hors texte sur papier couché, par Marie-Hélène Dhénin. Numéros thématiques : n°22 : Jacques Demarcq, n°31 : Michèle Métail, n°33 : Parviz Khazraï, n°36 : Joël Hubaut, n°37 : Ben (Vautier), n°38 : Paul Nagy, n°39 : Poésie peule. Exemplaires en bon état . Bonne revue de poésie d'avant-garde qui compta 41 livraisons parues de 1979 à 1986. Livres.