david deuchar (29 Ergebnisse)

Zustand: New. pp. 155.

Loose Leaf. Zustand: New. Reproduction. Original title: Three old women looking at a cat painting German: Drei alte Frauen schauen auf ein Katzengemälde French: Trois vieilles femmes regardant une peinture de chat Spanish: Tres ancianas mirando una pintura de gato High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1753). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Around the farm family German: Rund um den Bauernhof Familie French: Autour de la famille agricole Spanish: Alrededor de la familia de la granja High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1753). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Self-portrait with curly hair and white collar German: Selbstporträt mit lockigem Haar und weißem Kragen French: Autoportrait avec cheveux bouclés et col blanc Spanish: Autorretrato con cabello rizado y cuello blanco High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1753). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: New. In.

Loose Leaf. Zustand: New. Reproduction. Original title: Pipe-picking man in the chair German: Pipe-picking Mann im Stuhl French: L'homme qui pique la pipe dans la chaise Spanish: El hombre de pipa en la silla High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1755). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Beggars leaning on a stick German: Bettler lehnen sich an einen Stock French: Les mendiants se penchaient sur un bâton Spanish: Mendigos apoyados en un palo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1753). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Beggar and beggar, coming from behind a little hill German: Bettler und Bettler, kommend von hinter einem kleinen Hügel French: Le mendiant et le mendiant, venant de derrière une petite colline Spanish: Mendigo y mendigo, viniendo de detrás de una pequeña colina High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1753). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Self-portrait with beret and embroidered cloak German: Selbstportrait mit Berett und besticktem Mantel French: Autoportrait avec béret et manteau brodé Spanish: Autorretrato con boina y capa bordada High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1753). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: New. In.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - 'The Dances of Death: Through the Various Stages of Human Life wherein the Capriciousness of that Tyrant is Exhibited' presents a powerful and enduring allegory of mortality, meticulously rendered by John Holbein. This historical text explores the dance of death in art, offering a profound meditation on the inevitability of death across all walks of life. Holbein's work, a cornerstone of European art history, confronts the viewer with the ultimate fate that awaits everyone, regardless of status or virtue. The collection serves as a potent reminder of the ephemeral nature of existence, contemplating themes relevant to both art history and the eternal human fascination with the afterlife. Explore this timeless exploration of death, a classic artistic statement on the human condition, thoughtfully prepared for print republication.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - 'The Dances of Death: Through the Various Stages of Human Life wherein the Capriciousness of that Tyrant is Exhibited' presents a powerful and enduring allegory of mortality, meticulously rendered by John Holbein. This historical text explores the dance of death in art, offering a profound meditation on the inevitability of death across all walks of life. Holbein's work, a cornerstone of European art history, confronts the viewer with the ultimate fate that awaits everyone, regardless of status or virtue. The collection serves as a potent reminder of the ephemeral nature of existence, contemplating themes relevant to both art history and the eternal human fascination with the afterlife. Explore this timeless exploration of death, a classic artistic statement on the human condition, thoughtfully prepared for print republication.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

8°, 1 Titelbl., Kupferstich-Portrait W. Hollar, 70 S. (Life of Holbein; The dance of death; Descriptions of the cuts.; Dance of macaber 1 Kupferstich-Portrait of Hans Hollbein, 31 Kupfertaf. (alle Kupfern handkoloriert)., Privat-Lwd. m. Rückentitel, Exlibris a Vors., Blätter durchgängig etwas stock- u fingerfleckig, Die Bildunterschriften in den Kupfern in Latein, die erläuternden Texte engl./frz. - David Deuchar (1743 - 1808) kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar (1607-1677), den jener nach Holbein neu gestochen hatte. - Massmann 57. 1200 gr. Schlagworte: Totentanz, Illustr. Bücher - Originalgrafik.

8°, 1 Bl., 2 Kupfern (Portrait D. Deuchar; frz. Titelkupfer (von Mechels Kupferstich von 1780, aber mit Duchars Namen u. der Jahreszahl 1786) als Fronti. bzw. Taf. I, Titelbl. (Portrait H. Holbein), 2 S. (Preface), 1 Kupfer («Creatio Mundi»), 46 S. Text wechselnd mit 46 Kupfern. Zusätzlich: 1 Kupfer (Mortalium Nobilitas, 2-streifiger Kupferstich: Dolchscheiden-Totentanz., Ldr. d. Zeit gold.geprägt. m. Rückenschild., Blätter durchgängig fingerfleckig, Monogramm a. erstem Kupferstich a. Vs., Meist Abklatsch der Kupfern auf Textseite, ein Blatt am Steg minimal verstärkt. Die Kupfern manchmal etwas flach abgezogen. Ohne das Wappen des Todes. Die Bildunterschriften in den Kupfern in Latein, die erläuternden Texte engl./frz. - David Deuchar (1743 - 1808) kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar (1607-1677), den jener nach Holbein neu gestochen hatte. Die dekorative Rahmen um die Kupferstiche nach Abraham van Diepenbeck (1596-1675, - Massmann 57. - 1200 gr. Schlagworte: Totentanz, Illustr. Bücher - Originalgrafik.

13 x 11 cm. (m. breitem Rand, dieser leicht stockfl.).

David Deuchar (illustrator). Genre portrait of a jovial man holding up a jug, wearing a cap and open shirt; humorous expression, etched with broad hatching.Made by David Deuchar after own design.Medium: Etching on thin oriental paper, laid down on support sheet paper.Sheet size: 5.2 x 5.5 cm (2.05 x 2.17 inch). Image size: 4.4 x 4.5 cm. (1.73 x 1.77 inch).DEUCHAR, DRINKING MAN, GENRE ETCHING, SCOTTISH PRINTMAKER, HUMOROUS ART, JUG, 18TH-CENTURY ETCHING, EDINBURGH PRINT | PCO-E30-02BACKGROUND INFORMATIONLater edition (ca. 1870) of A Collection of Etchings after the Most Eminent Masters, originally published 1803.Reference: British Museum: 1902,1011.6598.Biography engraver: David Deuchar (1743-1808) was a Scottish engraver and antiquarian. Known for his etchings after old masters and genre scenes, he was active in Edinburgh and published his own collection of prints in 1803. Condition: good, given age. Light overall toning; mounted to support paper; small margins; faint smudges and handling wear typical for age and reissue. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Small folio. 27 x 36cm. Original gilt morocco. worn; one bookblock loose. This was the working copy of the print dealer Pasquale Iannetti with post-its on many pages.Volume 1 has 151 etchings on india paper pasted on pages and 6 loose. Volume 2 has 208 etchings on india paper pasted on pages. Total of 365 etchings plus or minus.OCLC Number / Unique Identifier:1154034. A few plates carry a date alongside Deuchar's signature - in Volume I, of 1784, 1785, 1786, 1788 or 1802; in Volume II, of 1784, 1786, 1787 or 1788; in Volume III, of 1783, 1784 or 1786.The plates reproduce paintings and drawings showing genre scenes or portraits, most by 17th-century Dutch artists. Most plates are etchings. A few are aquatints (I:[77]; II:[86]; III: [19, 20, 31, 38, 41, 87, 123-32]). Deuchar was an amateur etcher, but his work influenced the younger Raeburn.

4 volumes quarto 10 1/2 x 9 inches- very handsomely leather bound in full period red morocco, spines gilt in compartments, boards with numerous gilt and blind stamped fillets, all edges gilt. Gilt stamped at the base of the spines 'India Proofs'. 370 engraved plates on India paper- including 4 engraved titles within rococo borders- all but the titles mounted on thicker period paper as issued. Nine pages with two engravings to the page and 5 pages with three images to the page, three folding engravings. This work is usually found in two or three volumes with numerous images per page- this 4 volume India Proof edition is scarce. Contains the scatological plate - often missing. Plate numbers in this work often vary slightly. The vast majority of the engravings are of peasant life. Some plates in volume four with some added mezzotint. Some slight rubbing to the gilt and marginal stains to the first four pages of volume four. A LOVELY COPY. David Deuchar 1743-1808 was a goldsmith, seal engraver and an amateur etcher. One of the engravings represents Deuchar's trade card.

11 x 8 cm. (äußerer Blattrd. etw. stockfl.).

No binding. Zustand: Fair. Etching (960 x 175 mm) pasted on a bigger sheet of paper (265 x 205 mm). Tear in the left corner as the part that is glued on the paper is loose from the print. In passepartout this would not be disturbing. Further some light smudges but charming rare view. People with hats and feathers, a praying vicar with a wig and a guard with a wig. Crowded interior of a church.[NL] Zeldzame en leuke afbeelding van een interieur van de kerk. Door de pruiken lijkt dit Engels te zijn. Veel mensen aanwezig, een man predikt vol vervoering vanaf de preekgestoelte. Gemaakt door Deuchar rond 1800. Leuke verbeelding van een predikant in een kerk.

Scene of a peasant family in a rustic interior. A woman examines a child's head, while a man reads a letter. Behind them is a hearth with chimney, cupboardbed, wheat sheafs and pot on the floor, hams hanging from the ceiling. Family group.Made by after an anonymous artist.Medium: Etching on oriental paper paper.Sheet size: 17.4 x 13.1 cm (6.85 x 5.16 inch). Image size: 17.2 x 12.9 cm. (6.77 x 5.08 inch).PEASANT-FAMILY-WOMAN-EXAMINES-CHILD-MAN-LETTER-HEARTH-CHIMNEY | PCO-C43-1BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: David Deuchar (1743-1808) worked as an engraver and etcher in Edinburgh. . Condition: good, given age. Light foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. David Deuchar (illustrator). etching on wove paper. Sheet size: 1,4 x 2,6 cm. (0,6 x 1 inch). Image size: 2,8 x 3,8 cm. (1,1 x 1,5 inch).From an edition of the complete works of Deuchar (A Collection of etchings after the most eminent Masters ., first published in 1803.)Made by 'David Deuchar' after own design. Made by 'David Deuchar''. David Deuchar (1743-1808) worked as an engraver and etcher in Edinburgh. Born in Haarlem in 1610, Condition: Good, given age. small margins, a little stain upper right corner, tiny spots lower right General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: PORTRAIT-FIGURES RBOS-A4-01.

Zustand: Good. David Deuchar (illustrator). etching on wove paper. Sheet size: 4 x 4,7 cm. (1,6 x 1,9 inch). Image size: 5 x 5,6 cm. (2 x 2,2 inch).From a later edition of the complete works of Deuchar (A Collection of etchings after the most eminent Masters ., first published in 1803.) This ed. which varies quite a bit from the earlier version, with less prints, but many more prints by Deuchar himself and others, we estimate was printed around 1870. The original work, was printed in a limited number for Deuchar's art friends. As such they are quite scarse. The date in our titles is the date the etchings were originally etched.Made by 'David Deuchar' after own design. Made by 'David Deuchar''. David Deuchar (1743-1808) worked as an engraver and etcher in Edinburgh. Born in Haarlem in 1610, Condition: Good, given age. small margins, a little brownish on the right General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: PORTRAIT - TWO MAN SMILING - CIRCULAR PRINT RBOS-A4-01.

Zustand: guter Zustand. Radierung, um 1803, auf Velin. 5,6:5,6 cm, auf die Plattenkante geschnitten, auf Untersatz montiert, dadurch etwas wellig. Deuchar war ein schottischer Kupferstecher und Stempelschneider. Er veröffentlichte 1803 in Edinburgh: A Collection of Etchings after. Rembrandt, Ostade, Corn. Bega" u.a. David Stewart Erskine studierte Jura und wurde 1766 Fellow der Society of Antiquaries, die führende britische Gelehrtengesellschaft für Denkmalpflege.

David Deuchar (illustrator). 17th century monk reading a Bible at a desk in his cell. A quill pen and ink and hourglass on the table, a human skull on the window sill, crucifixion scene on the wall.Made by David Deuchar after own design.Medium: Copperplate engraving on wove (vellin) paper.Sheet size: 19.3 x 23.2 cm (7.6 x 9.13 inch). Image size: 11.3 x 13.5 cm. (4.45 x 5.31 inch).MONK-READING-BIBLE-CELL-DESK-HOURGLASS | PCO-C44-36BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: David Deuchar (1743-1808) was a goldsmith, seal engraver, and an amateur etcher. Born in Angus, Scotland, he followed in his father Alexander's footsteps, who was originally a farmer but became a lapidary in Edinburgh. David Deuchar gained renown as a seal engraver and was one of the first to recognize the talent of the future portrait painter, Henry Raeburn. Condition: good, given age. Light foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Peasants in an inn making music. A woman and three men seated around a table. The woman singing from a book, one of the men standing next to her playing the fiddle (violin, viool), the other man seated across the table, drinking a beer from the high glass, and keeping the tempo with his right hand.After Adriaen van Ostade.From the set: A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools.  Etching on paper, with some margins; total: 150 x 166 mm; Hollstein 30.        .

Folio (38x28 cm.). Bound in two full navy morocco bindings, paneled in gilt and blind. Edges gilt. With two engraved titles bordered in a floral motif and 366 etchings on proof india paper trimmed and mounted on 188 leaves. On the second page Deuchar's trade card with his coat of arms and the text 'David Deuchar, seal engraver to his Royal Higness Geo. Prince of Wales. Edinburgh'.Very good copy, only top 3 cm. leather of spine missing. In handwriting on first free endpaper a dedication d.d. St. Leonards 20-10-1832 to Caroline Lucas Rennie from her husband. B1595 A.S. Marks, Burlington Magazine, (116) 1974 p.853.