david christopher miles (17 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: as new. Oxford & New York : Oxford University Press , 1988. Orig. cloth binding. xi,288 pp. 25 cm. (Oxford medical publications). Condition : as new copy. ISBN 9780192616524. Keywords : ,

Vintage press kit for the epic 1970 film. The third collaboration between director Lean and screenwriter Bolt, following "Lawrence of Arabia" (1962) and "Doctor Zhivago" (1965). Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Press kit "introducing" director David Lean, containing a biography, an additional anecdote related to filming, a detailed production guide, press clippings, and six black and white reference photographs of the subject, along with a caption sheet. Housed in a tri-fold studio folder specific to the subject. Folder Very Good plus. Press material Near Fine or better. Photographs Fine.

Soft cover. Zustand: Very Good. stapled format, 64 pages. the wraps are a bit shelf rubbed. internally clean. well bound. very good copy.[S.K]. Our orders are shipped using tracked courier delivery services.

Zustand: New.

Zustand: New. &Uumlber den Autorhris Miles is a professional coach and the founder of the Develop A Player online sports development ecosystem. Originally from South Wales in the UK, Chris has traveled the world as a professional management consultan.

Zustand: New. &Uumlber den AutorChris Miles is a professional coach and the founder of the Develop A Player online sports development ecosystem. Originally from South Wales in the UK, Chris has traveled the world as a professional management consulta.

Taschenbuch. Zustand: Neu. Neuware - The purpose of this book is to provide developing coaches with the information needed to become excellent in the sport of Rugby Union.

Taschenbuch. Zustand: Neu. Neuware - The purpose of this book is to provide the player, family, coach and player's support network with the information needed for positional excellence in the position of Loose-head Prop (No. 1) in rugby union. The objectives of this book are:1. To provide the reader with an understanding of the natural physical and mental development of young players.2. To provide an appreciation of the statistics of modern rugby union and use that information to guide the player's development.3. To provide a blueprint for the elite conditioning needed to help young players achieve results in the modern game of rugby union.4. To provide an insight into what selectors and coaches are looking for at the representative level.5. To provide FREE access to a professional player development portal where the player can record and grow their own player profile.6. To achieve excellence in the key aspects of a competitive team sport.

Taschenbuch. Zustand: Neu. Neuware - The purpose of this book is to provide the player, family, coach and player's support network with the information needed for positional excellence in the position of Hooker (No. 2) in rugby union. The objectives of this book are:1. To provide the reader with an understanding of the natural physical and mental development of young players.2. To provide an appreciation of the statistics of modern rugby union and use that information to guide the player's development.3. To provide a blueprint for the elite conditioning needed to help young players achieve results in the modern game of rugby union.4. To provide an insight into what selectors and coaches are looking for at the representative level.5. To provide FREE access to a professional player development portal where the player can record and grow their own player profile.6. To achieve excellence in the key aspects of a competitive team sport.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Daniel Birnbaum on Harald Szeemann," by Daniel Birnbaum; "Books: Mel Bochner on Donald Judd," by Mel Bochner; "Books: Pamela M. Lee on Andrea Fraser," by Pamela M. Lee; "Film: Keith Sanborn on Chris Marker," by Keith Sanborn; "Film: Daniel Birnbaum on 'The Ister,'" by Daniel Birnbaum; "Performance: Matt Saunders on Jonathan Meese's 'Mother Parsifal,'" by Matt Saunders; "Performance: Johanna Burton on Tracy + the Plastics," by Johanna Burton; "Slant: Joe Scanlan on Social Space and Relational Aesthetics," by Joe Scanlan; "On Site: Robert Lumley on the Fondazione Merz," by Robert Lumley; "Top Ten," by Josephine Meckseper; "Being There: Art and the Politics of Place," by Anne M. Wagner; "The Lay of the Land: An Experiment in Art and Community in Thailand," by Daniel Birnbaum; "Tristan da Cunha," by Tacita Dean; "Navigating the New Territory: Art, Avatars, and the Contemporary Mediascape," by David Joselit; "A Text About High Desert Test Sites," by Lisa Anne Auerbach and Andrea Zittel; "True Beauty: A Talk with the Center for Land Use Interpretation's Matthew Coolidge," by Jeffrey Kastner; "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," by Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator); "El Diario del Fin del Mundo: A Journey that Wasn't"; "1000 Words: Catherine Yass," by Mark Godfrey; "World Apart: The Films of Jia Zhangke," by J. Hoberman; "An Eye for an Ear: Art and Music in the Twentieth Century," by Harry Cooper; "Openings: Roberto Cuoghi," by Alison M. Gingeras. Reviews by Jeffrey Kastner, Johanna Burton, Robert Rosenblum, Lane Relyea, Michael Fried, Michael Wilson, Brian Sholis, Emily Hall, Donald Kuspit, Lisa Pasquariello, Elizabeth Schambelan, Martha Schwendener, Jan Avgikos, Barry Schwabsky, Domenick Ammirati, RoseLee Goldberg, James Yood, Patricia Briggs, Glen Helfand, Maria Porges, Bruce Hainley, Jan Tumlir, Christopher Miles, Jennifer Allen, Massimo Carboni, Marco Meneguzzo, Cathryn Drake, Jean-Max Colard, Miriam Rosen, Nina Möntmann, Noemi Smolik, Wolf Jahn, Sven Lütticken, Liutauras Psibilskis, Ronald Jones, Martin Herbert, Rachel Withers. Cover: Andrea Zittel.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Chrissie Iles on Jack Goldstein," by Chrissie Lles; "Slant: Rhonda Lieberman on Madonna," by Rhonda Lieberman; "Film: Geoffrey O'Brien on 'The Man Without a Past,'" by Geoffrey O'Brien; "Music: Matthew Higgs on Throbbing Gristle," by Matthew Higgs; "Top Ten," by Guy Richard Smit; "10-20-30-40: Jennifer Liese on Artforum, May 1973," by jennifer Liese; "Summer Exhibitions: 40 Shows Worldwide"; "US News: Carter Ratcliff on John Elderfield," by Carter Ratcliff; "Travel Brief: Exhibitions on the Road"; "From the Vault: Thomas Crow on 'The Age of Watteau, Chardin, and Fragonard,'" by Thomas Crow; "World Report: Steven Henry Madoff on the Venice Biennale," by Steven Henry; "Telling Tales: Philip Guston in Retrospect," by David Anfram; "A Thousand Words: Simon Starling," by Tom Vanderbilt; "Feast for the Eyes: The Art of Rivane Neuenschwander," by Daniel Birnbaum; "Portfolio: Stephen Shore," by Walead Beshty; "Louder Than Words: The Films of Johnnie To," by David Bordwell; "Openings: Urs Fischer," by Alison M. Gingeras. Reviews by Barry Schwabsky, Roberta Smith, Tim Griffin, Howard Singerman, Lane Relyea, Katy Siegel, Margaret Sundell, Gregory Williams, Frances Richard, David Frankel, Nico Israel, Nell McClister, Michael Wilson, Meghan Dailey, Donald Kuspit, Barry Schwabsky, Francine Koslow Miller, Miles Unger, Philip Auslander, Patricia Briggs, Glen Helfand, Christopher Miles, Alexandre Melo, Alessandra Pioselli, Francesca Pasini, Guitemie Maldonado, Sabine B. Vogel, Brigitte Huck, Noemi Smolik, Harald Fricke, Liutauras Psibilskis, Michael Archer, and Caoimhín Mac Giolla Léith. Cover: Philip Guston.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Robert Rosenblum on Tom Wesselmann," by Robert Rosenblum; "Passages: Thomas Lawson on Gretchen Bender," by Thomas Lawson; "Books: Keith Sanborn on Guy Debord," by Keith Sanborn; "Film: James Quandt on 'Cinévardaphoto,'" by James Quandt; "On Site: Carol Armstrong on the Barnes Foundation," by Carol Armstrong; "Media: Christopher Bollen on Courtroom Drawings," by Christopher Bollen; "News: Steven Henry Madoff on the Walker Art Center," by Steven Henry Madoff; "Top Ten," by Kehinde Wiley; "Please Recycle: The Art of Kelley Walker," by Tim Griffin; "Russian Front: The Moscow Biennale," by John Kelsey; "1000 Words: Spencer Finch," by Daniel Birnbaum; "Artist Curates: Personal Affects," by T.J. Wilcox; "Vocational Education: An Interview with Lucrecia Martel," by Amy Taubin; "Openings: Hans Op de Beeck," by Martin Herbert. Reviews by Jack Bankowsky, Isabelle Graw, David Deitcher, Lynne Cooke, Barry Schwabsky, Michael Wilson, Jan Avgikos, Donald Kuspit, Martha Schwendener, Nell McClister, Johanna Burton, Elizabeth Schambelan, Frances Richard, Karen Rosenberg, Suzanne Hudson, Brian Sholis, Jeffrey Kastner, Jonathan Raymond, Tom Breidenbach, David Carrier, Michael Odom, Glen Helfand, Bruce Hainley, Jan Tumlir, Christopher Miles, Maxine Swann, Pablo Llorca, Filippo Romeo, Giorgio Verzotti, Marco Meneguzzo, Guitemie Maldonado, Sabine B. Vogel, Astrid Wege, Jennifer Allen, Michael Archer, Rachel Withers, David Spalding. Cover: Kelley Walker.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Mark Wigley on Philip Johnson," by Mark Wigley; "Film: Amy Taubin on Jonas Mekas," by Amy Taubin; "Film: Steven Shaviro on 'George Bataille's Story of the Eye and Ma mére,'" by Steven Shaviro; "On Site: Jeffrey Kastner on 'The Gates,'" by Jeffrey Kastner; "Slant: Tom Vanderbilt on Art and Competitive Consumption," by Tom Vanderbilt; "Slant: Mark Godfrey on the Artist as Curator," by Mark Godfrey; "Top Ten," by Tim Davis; "Summer 2005 Exhibitions: 50 Shows Worldwide"; "North American News: Nico Israel on 'InSite_05,'" by Nico Israel; "From the Vault: Margaret Carroll on Jacob van Ruisdael," by Margaret Carroll; "On the Road: Traveling Exhibitions"; "International News: Jeffrey Kastner on the 51st Venice Biennale," by Keffrey Kastner; "In Conversation: Daniel Buren and Olafur Eliasson"; "No Pictures, Please: The Art of Tino Sehgal," by Claire Bishop; "Tino Sehgal: An Interview," by Tim Griffin; "1000 Words: Rudolf Stingel," by Cay Sophie Rabinowitz; "American Gothic: Robert Gober's New Work," by Hal Foster; "Exquisite Corpus: The Films of Apichatpong Weerasethakul," by James Quandt; "Words to Live By: The Art of Mark Titchner," by Michael Wilson; "Openings: Seth Price," by Elizabeth Schambelan. Reviews by Michael Wilson, Jeffrey Kastner, Elizabeth Schambelan, David Rimanelli, T.J. Demos, Felicity Lunn, Bruce Hainley, Jan Avgikos, Frances Richard, Martha Schwendener, David Frankel, Johanna Burton, Nell McClister, Emily Hall, Suzanne Hudson, Donald Kuspit, John Kelsey, Brian Sholis, Francine Koslow Miller, James Yood, Maria Porges, Glen Helfand, Christopher Miles, Jan Tumlir, Rachel Kushner, Trevor Mahovsky, Alexandre Melo, Juan Vicente Aliaga, Cathryn Drake, Francesca Pasini, Claire Moulène, Hans Rudolf Reust, Christian Rattemeyer, Jennifer Allen, Marek Bartelik, Barry Schwabsky, Martin Herbert, David Bussel, Charles Green. Cover: Robert Gober.

Vintage oversize, double weight, borderless still photograph from the 1970 film, showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9.25 x 13.25 inches. Near Fine.

Vintage deluxe press kit for the epic 1970 film, including two oversize photos and six reference photographs. The third collaboration between director Lean and screenwriter Bolt, following "Lawrence of Arabia" (1962) and "Doctor Zhivago" (1965). Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. The press kit contains: Ten loose sheets of heavy weight paper, each folded to 11 x 14 inches, printing on rectos only. The first sheet with a press release regarding the film, the other nine with a description from Bolt's screenplay in English, French, Spanish, German, Italian, and Japanese on the outside and the corresponding full-color printed image from the film inside. Two 11 x 14 sheets of photographic paper, each containing two images, one of David Lean on the set, the second of the same scene from the film. With descriptions of the scenes printed on the verso of each photograph. Six 10 x 8 reference photographs, one showing Lean and crew filming on the coast of Ireland, the rest depicting scenes from the film. Each with captions printed on the verso. One biography of David Lean, three pages, printed on rectos only. 8.5 x 11 inches, bound with a single staple. All items housed in a studio clamshell box as issued. Clamshell box: About Near Fine with light fading and a few small bruises. Press materials Fine.