Darrell varga (24 Ergebnisse)

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 152.

Zustand: Wie neu. 320 S., Like new. Shrink wrapped. / Wie neu. In Folie verschweißt. Sprache: Englisch Gewicht in Gramm: 755 Hardcover(without dust jacket).

1st ed. 15 x 23 cm. 293 pages. Paperback. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

Zustand: New. In English.

Zustand: New. Varga illuminates how the film can be viewed through the lens of Harold Innis's theories of communication and culture, opening up the work of this great Canadian political economist to film studies. Series: Canadian Cinema. Num Pages: 152 pages, 15. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 190 x 134 x 11. Weight in Grams: 160. . 2012. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Very Good. Rain/Drizzle/Fog: Film and Television in Atlantic Canada (Cinemas Off-Centre): 2 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 1st edition. 320 pages. 8.75x6.00x1.00 inches. In Stock.

Zustand: New. pp. 408.

Paperback. Zustand: Brand New. 374 pages. 9.00x6.25x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. A critical history of filmmaking in Atlantic Canada from the early days of art cinema to the contemporary media industry. Num Pages: 384 pages. BIC Classification: APFA; APT; AS. Category: (G) General (US: Trade). Dimension: 5969 x 4039 x 23. Weight in Grams: 635. . 2015. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. Working on Screen thus expands the scholarly debates on the concept of national cinema and builds on the rich, formative efforts of Canadian cultural criticism that held dear the need for cultural autonomy. Editor(s): Khouri, Malek; Varga, Darrell. Num Pages: 320 pages. BIC Classification: 1KBC; APFA. Category: (P) Professional & Vocational. Dimension: 229 x 151 x 19. Weight in Grams: 465. . 2006. Paperback. . . . . Books ship from the US and Ireland.…

Kartoniert / Broschiert. Zustand: New. Varga illuminates how the film can be viewed through the lens of Harold Innis s theories of communication and culture, opening up the work of this great Canadian political economist to film studies.&Uumlber den AutorDarrell Varga is.

Zustand: New.

Taschenbuch. Zustand: Neu. John Walker's Passage | Darrell Varga | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2012 | University of Toronto Press | EAN 9781442614192 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Kartoniert / Broschiert. Zustand: New. Working on Screen thus expands the scholarly debates on the concept of national cinema and builds on the rich, formative efforts of Canadian cultural criticism that held dear the need for cultural autonomy.&Uumlber den AutorEdited b.

Zustand: New. A critical history of filmmaking in Atlantic Canada from the early days of art cinema to the contemporary media industry.KlappentextrnrnDarrell Varga is associate professor of film studies at NSCAD University.

Taschenbuch. Zustand: Neu. Neuware - As themes in film studies literature, work and the working class have long occupied a peripheral place in the evaluation of Canadian cinema, often set aside in the critical literature for the sake of a unifying narrative that assumes a division between Québécois and English Canada's film production, a social-realist documentary aesthetic, and what might be called a 'younger brother' relationship with the United States.In Working on Screen, contributors examine representations of socio-economic class across the spectrum of Canadian film, video, and television, covering a wide range of class-related topics and dealing with them as they intersect with history, political activism, globalization, feminism, queer rights, masculinity, regional marginalization, cinematic realism, and Canadian nationalism.Of concern in this collection are the daily lives and struggles of working people and the ways in which the representation of the experience of class in film fosters or marginalizes a progressive engagement with history, politics, and societies around the world. Working on Screen thus expands the scholarly debates on the concept of national cinema and builds on the rich, formative efforts of Canadian cultural criticism that held dear the need for cultural autonomy. Contributors: Bart Beaty Scott Forsyth Margot Francis David Frank Malek Khouri Joseph Kispal-Kovacs Andre Loiselle Brenda Longfellow Susan Lord John McCullough Rebecca Sullivan Peter Urquhart Darrell Varga Thomas Waugh.…

Taschenbuch. Zustand: Neu. Neuware - Atlantic Canada has a rich tradition of storytelling and creativity that has extended to critical and audience praise for films from the region's four provinces. Until now there has been no comprehensive history of this diverse body of work. In Shooting from the East, Darrell Varga traces the emergence of art cinema in the 1970s and '80s, and subsequent rise of a contemporary commercial feature film and television industry by way of representative examples of a great range of titles, including The Adventure of Faustus Bidgood, Life Classes, The Disappeared, and Trailer Park Boys. He provides analysis of documentary filmmaking to emphasize concerns such as the establishment of the regional National Film Board studio and the influence of broadcast policy, but also considers significant recurring themes including the environment, the body, race and First Nations, and the North. Through critical analyses of key films and interviews conducted with filmmakers from all corners of the region, Varga uncovers patterns of meaning across diverse productions and interrogates the concept of region in relation to prevailing notions of national cinema and transnational media culture. With a focus on short films and an extensive history and analysis of the filmmaking production co-operatives located in each province, Shooting from the East sheds light on the creative processes and local economic and cultural conditions for making images on the edge of the Atlantic.…