darc jean (14 Ergebnisse)

Hardcover. Zustand: Very Good. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by the Priory Press, 1966. Octavo. Hardcover. Book is very good with light spotting on top page ends. Dust jacket is very good with light shelf and edge wear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

DVD. Zustand: Wie neu. DVD VT-51BI-9D9F Sprache: Deutsch Gewicht in Gramm: 500.

Vintage black-and-white reference still photograph from the Spanish release, circa 1970, of the 1969 French-Italian film. Notations in manuscript ink and pencil (in Spanish) on the recto and verso. Presumably a press photograph, with a cropping note on the recto (translated: "contrast a little background"). Jeff (Rouquier) is the mastermind who has planned a successful robbery, but fails to show up for share-out. His girlfriend Eva (Darc) is tortured by accomplices until she squeals, and begins search for Jeff, with the help of his confidant, Laurent (Delon). Director Herman and Alain Delon also collaborated on the 1968 crime adventure, "Farewell, Friend," also starring Charles Bronson. 7 x 9.5 inches. Very Good plus, with light creasing and foxing. Hardy, The Gangster Film US.

Taschenbuch. Zustand: Neu. Finances publiques | La Loi Organique relative aux Lois de Finances (LOLF) en République du Congo | Jean D'Arc Doniama Moukoko | Taschenbuch | Französisch | 2026 | Editions L'Harmattan | EAN 9782336479224 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Couverture rigide. Zustand: bon. RO70024120: 1966. In-4. Cartonnage d'éditeurs. Etat passable, Couv. défraîchie, Dos abîmé, Intérieur frais. 61 pages, dessins en couleurs. Dos cassé, livre en plusieurs morceaux. . . . Classification Dewey : 843.061-Albums BD.

Paperback. Zustand: Good. Paris, France: Editions MD, Maurice Devries, 1930. In French. Undated, ca. 1930s. Collection of nine very well reproduced and convincing-looking French historical document facimiles tipped onto pages with text explanation opposite. Vellum softcover with design in light blue, 12.5 inches tall. Covers age-toned and a little worn (also meant to look that old), ribbon that holds the pages in place absent (but easily replaced), pages age-toned mainly toward the outer edges, facimile documents in very good condition with one detached but present, name and address in pencil on title page, no other markings. Includes documents by: Jeann d'Arc, Henrie IV, Corneille, Jean Bart, Louis XVI, Marie-Antoinette, Robespierre, Napoleon. Soft Cover. Good. 4to - over 9¾" - 12" tall.

Couverture rigide. Zustand: bon. R320059271: NON DATE. In-4. Relié cuir dos-coins. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 50 pages augmentées de nombreuses illustrations en noir et blanc in et hors texte - Plats et contre-plats jaspés - Signet conservé - dos à 5 nerfs - Titre, filets et fleurons dorés - Dos coins cuir rouge - Epidermures. . . A l'italienne. Classification Dewey : 940-Histoire générale de l'Europe.

0. Sprache: Deutschu.

Zustand: EC. cartonnage de l'éditeur dos toile brun; in-4, 64 pp. Eo belge tome 2 dos toilé rouge 2 plat bleu avec la piles d'album usure sur la couverture et coin : album coter 500 vendu 250 : photos sur demande.

Couverture rigide. Collection du lierre | Paris 1948 | 25.50 x 32.50 cm | relié | Edition illustrée de 10 lithographies originales hors-texte en couleurs de Jean-Gabriel Domergue, un des 40 exemplaires numérotés sur vélin de Rives. Reliure en demi maroquin rouge à bandes, dos lisse, date dorée en queue, plats, gardes et contreplats de papier à effet moiré et doré, couvertures et dos conservés, tête dorée, reliure de l'époque signée Gauché. L' ouvrage est également orné de 26 illustrations dans le texte, en un ou deux tons, en têtes de chapitres, culs-de-lampe en rouge par Jean-Gabriel Domergue. Bel exemplaire comportant bien une suite des 18 illustrations in-texte. Mention manuscrite au stylo bille bleu sur la page de titre : exemplaire unique. En effet, sur deux lithographies hors-texte (dont le frontispice) et deux illustrations in-texte représentant des femmes habillées ou nues ont été ajoutés des morceaux de tulle en guise de robes. En outre, en fin de volume, de nombreuses coupures de presse relatives à la vie et au style de Jean-Gabriel Domergue ont été encollées sur les gardes. Envoi autographe signé de Pierre Harel-Darc, le nom du dédicataire ayant été proprement effacé enrichi d'un envoi autographe signé Jean-Gabriel Domergue agrémenté d'un dessin original représentant le visage d'une parisienne. | [ENGLISH DESCRIPTION FOLLOWS] Edition illustrated with 10 original color lithographs hors-texte by Jean-Gabriel Domergue, one of 40 numbered copies on Rives vellum. Half red morocco binding with bands, smooth spine, date gilt at tail, boards, endpapers and pastedowns of moiré and gilt effect paper, covers and spine preserved, top edge gilt, contemporary binding signed Gauché. The work is also ornamented with 26 illustrations in the text, in one or two tones, as chapter headpieces, tailpieces in red by Jean-Gabriel Domergue. Handsome copy containing the full suite of 18 in-text illustrations. Manuscript annotation in blue ballpoint pen on the title page: unique copy. Indeed, on two hors-texte lithographs (including the frontispiece) and two in-text illustrations representing women clothed or nude, pieces of tulle have been added as dresses. Furthermore, at the end of the volume, numerous press clippings relating to the life and style of Jean-Gabriel Domergue have been pasted onto the endpapers. Signed autograph inscription by Pierre Harel-Darc, the dedicatee's name having been properly erased enriched with a signed autograph inscription by Jean-Gabriel Domergue enhanced with an original drawing representing the face of a Parisian woman. *.

Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp, contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio, and a tri-fold of advertising materials. One of Godard's most misanthropic films, about a loveless, bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents, Near Fine. Criterion Collection 635. Godard, Histoire(s) du cinema. Rosenbaum 1000. Vogel, Film as a Subversive Art.

Two vintage borderless reference photographs showing a car accident sequence from the 1967 film, one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films, about a loveless, bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents, with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard, Histoire(s) du cinema. Vogel, Film as a Subversive Art.

Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film, with actors Jean Yanne, Jean-Pierre Leaud, and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5, 1968 showing, with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films, a loveless bourgeois couple, Corinne (Darc) and Roland (Yanne), fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending, nightmarish road trip to visit Corinne's parents, intent on securing an inheritance, resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling, else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard, Histoire(s) du cinema. Vogel, Film as a Subversive Art.

Très bon. VI., 415 p.41e édit. xv-561 p. 39e édit., 433 p, 24e édit. et 407 p., 19e édit. , notes bibliographiques, brochés, bon état. Pages non coupées. Complet. Une marque au crayon bleue sur le plat sup. du tome III. Jean Guiraud (1866-1953) est une des grandes figures du catholicisme français dans la première moitié du XXe siècle. Opposant résolu au mouvement de la franc-maçonnerie, rédacteur en chef de "La Croix" de 1917 à 1939 (A3).