danieli fidel (15 Ergebnisse)

Zustand: Very Good. First Edition. Faint sticker-residue to front upper tip is all that mars this fine museum exhibit catalog from a show that displayed the works of 60+ painters. Introductory essays by Sandy Nelson and Fidel Danieli, and with captioned reproductions from A to Z, Kim Abeles to Peter Zecher. 24 pp. Glossy pictorial wraps on stiff card stock, and black-and-white reproductions.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Zustand: Very Good. First Edition. Faint sticker-residue to front upper tip is all that mars this fine museum exhibit catalog from a show that displayed the works of 60+ painters. Introductory essays by Sandy Nelson and Fidel Danieli, and with captioned reproductions from A to Z, Kim Abeles to Peter Zecher, Phyllis Davidson, Victor Henderson and others. 24 pp. Glossy pictorial wraps on stiff card stock, and black-and-white reproductions.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Zustand: Very good. Paperback. 24pp. Lightly rubbed and edgeworn, else very good.

Brief history on art in Los Angeles from app. 1950 on., English, Year1984, Illust. B/W41, Illust. Color, ISBN None, Library of Congress No. 8471390, Code 0571. Softbound, In Pristine Condition, Location of Exhibition: Design Center of Los Angeles, Cat. of exh. Pages 24, Size 11öx 8 1/2ö.

Illustrated Wrappers. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. J. Agazzi (illustrator). First Edition. 126 unmarked pages. Contributors include Laurence Goldstein, Lawrence Dietz, Burt Prelutsky, Harry Shearer, Digby Diehl, David Paletz, Norman Hartweg, Steven Zwicker, Lanny Sher, Chris Breyer, Fidel Danieli, Bruce Williams and K. S. Kynell. Covers clean and bright.

Paperback. Zustand: Good. Zustand des Schutzumschlags: Good. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery.

Zustand: Very Good. 26 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

58 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "Culture & Subsidy: A Report on the U.C.L.A. Arts Convention," by Keith Boyle; "Emil Nolde," by Alfred Werner; "Three San Francisco Artists," by James Monte; "Four Drawings," by John Hultberg; "Are We Getting Anywhere?" by Henry Miller; "Marcel Cavalla," by Rosalind G. Wholden "Review and Response," by Don Factor and Howard Warshaw. Reviews by Fidel A. Danieli, Irma E. Desenberg, Don Factor, Joan Hugo, Jorgen L. Hansen, George R. James, Doug McClellan, Constance Perkins, Shirley Y. Pettibone, Donald Totten, Harriette von Breton, Rosalind G. Wholden, H.J. Weeks, David Gebhard, Delores Yonker. Cover: Emil Nolde, "Dancer," 1913. Good. Rubbing of covers and bumping of corners. Wrinkling on bottom left corner of verso and 4 cm. dog ear on top left corner of verso. Contents clean and unmarked.

56 pp.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "An Exhibition of Boxes,"[at Dwan Gallery, Los Angeles] by Donald Factor; "William Turner's Last Four Paintings," by Jerrold Ziff; "The Morgenroth Collection of Medals and Plaquettes," by Alfred Moir; "Four Drawings," by Manuel Neri; "The Wright Ludington Collection," by Gerald Nordland "Five American Sculptors at Pasadena," by John Coplans. Reviews by Virginia Allen, Fidel A. Danieli, Mary Ewalt, Betje Howell, Gerald Nordland, Curt Oplinger, Constance Perkins, John Reuschel, Clair Wolf, and Harriette von Breton. Cover: James Rosenquist, "Toaster." Good. Rubbing of covers and bumping of corners. Contents clean and unmarked.

54 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "The Case Study Houses," by David Gebhard; "Pop Art, USA," by John Coplans; "Muse and Ego," by Maurice Cope; "Sculpture as Cliché," by Lawrence Alloway; "Barlach in America," by Alfred Warner; "An Interview with Roy Lichenstein," by John Coplans "Melanesian Art," by Elizabeth M. Polley. Reviews by Fidel A. Danieli, Constance Perkins, David Gebhard, Shirley Y. Pettibone, and H.J. Weeks. Cover: Sacred Figure from the Maprik Hills, Sepik River Region. Very Good. Light rubbing of covers and edgewear. Contents clean and unmarked.

91 pp.; 27 x 26.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue "The Los Angeles Scene Today," edited by Philip Leider. Essays "The Greenberg Exhibition at the County Museum," by John Coplans; "Architecture in Los Angeles," by David Gebhard; "Collecting in Los Angeles," by Gerald Nordland. Includes "The Museums"; "A Portfolio of Contemporary Los Angeles Art," with "Assemblage," by Don Factor, "Figurative," by Fidel A. Danieli, "Abstract Expressionism" by Henry T. Hopkins, "Sculpture" by Douglas McClellan, "Formal Art" by John Coplans, "The Cool School" by Philip Leider, "The Visitors" by Gerald Nordland and "A Guide to the Art Galleries of Los Angeles." Cover: Edward Kienholz, "The Birthday," 1964. Good. Light rubbing of covers. 3.5 cm dog ear on top left corner of verso. Cover detached from staples at spine. Contents clean and unmarked.

48 pp.; 27 x 26.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "Two California Houses: Irving Gill's Dodge House," by Yoram Kahana and "The Sterling Holloway House," by Paul S. Hoag; "Greek Art at Santa Barbara" by Mario A. Del Chiaro; "John McLaughlin, Hard Edge and American Painting" by John Coplans; "An Early Sketchbook of Egon Schiele," by Herschel B. Chipp; "If You Have Anything Lying Around.," by Felix Landau "Robert Mallary: An Interview," and "The Evolution of a Harold Paris Wall," by Joseph Pugliese. Reviews by Virginia Allen, Fidel A Danieli, Mary Ewalt, Jorgen Hansen, Arthur Millier, Curt Oplinger, John Reuschel, Barbara Smith, Harriette von Breton, Clair Wolfe, and Don Factor. Cover: John McLaughlin, "#12 - 1963," oil on canvas. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

39 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October 1974 issue of Journal. Edited by Fidel Danieli. Contents include : "Variations On a Minimal Aesthetic," by Michael Brod; "An Autobiography of the Artist," by Eleanor Antin; "Three Poems," by Mac McClain; "General Comments," by Josine Ianco-Starrels; "Matters of Concern," by Walter Gabrielson; "it rains like hell in Arizona in august," by Jerry Anderson; "Nine Senior Southern California Painters," by Fidel Danieli; "Channa Davis Horwitz: An Interview," by Ann McCoy; "1974 Anniversaries," by Fidel Danieli and "One Saturday in El Segunda," by Philip Steinmetz. Cover: the studio of Peter Krasnow by Fidel Danieli. Very Good. Light yellowing of covers with foxing along top edge of recto, surface tearing of spine, and yellowing soiling, scratching, and handling wear of verso. Light creasing from handling wear to pages with 5.8 cm. soiling to last page. Contents otherwise clean and unmarked.

4 vol. : vol. 1: [1] pp. (bio) ; vol. 2: [2] pp. (statement) ; vol. 3: 6 pp. (Artweek Article) vol. 4: 8 pp. (Artforum Article); 4 vol. : vol. 1: 28 x 21.6 cm. (bio) ; vol. 2: 28 x 21.6 cm. (statement) ; vol. 3: 28 x 21.6 cm. (Artweek Article) vol. 4: 28 x 21.6 cm. (Artforum Article); staple bound; black-and-white; edition size unknown; unsigned and unnumbered; mimeograph; Collection of four John McLaughlin documents including a typewritten biography of the artist [1960], a two-page typewritten artist's statement by McLaughlin (referenced in the biography) also from 1960, and two copies of the text of articles written on the work of McLaughlin: "John McLaughlin, Retrospective 1946 - 1975," by Fidel Danieli, Artweek, September 21, 1975 (mimeographed) and "John McLaughlin, Hard Edge and American Painting," by John Coplans, Artforum, Vol. II, No. 7, January 1964, p. 29 (typewritten). Good. BIO: Typewritten. Edgewear and bumping of corners and edges of biography with 6 mm. tear to right side edge. STATEMENT: Typewritten. Three removed staples along top edge with some tearing, paper clip binding with embossing, crease parallel to top edge of pages, yellowing of paper, and chipping of bottom right corner of page two. ARTWEEK ARTICLE: Mimeographed. Yellow staining across first page with bumping and dog-earring of corners and 3 mm. and 2 mm. tears to top edge and left side edge of first page, contents clean and unmarked. ARTFORUM ARTICLE: Typewritten. Removed paper clip with embossing on top left of pages, with edgewear, yellowing of pages with 1 mm. yellow stain on page one, and removed staple marks on top left corner of pages.

[46] pp.; 28 x 21.5 cm. (pages, page size varies slightly per contributor) ; 25.3 x 33 cm. (envelope); loose leaves; printed envelope; black-and-white & color; edition size 600; unsigned and unnumbered; photocopy / xeroxed Inaugural issue of "L.A. Artists' Publication," a five volume limited series periodical of artists' communications edited by Fidel Danieli. Contributors include Betye Saar, Eleanor Antin, Fidel Danieli, Stuart Kusher, Jim Edson, Bob Haas, Greg S. Card, Darryl J. Curran, Joe Messinger, Rick Herrold, Tom Marshall, Ann A. Morris, Caroline Cochrane, Walter Gabrielson, John White, and others. "This is the first issue of a communication exchange between southern california artists and their friends. The artists, having been invited to participate by me, provided the copy or artwork, paid for their own printing or supplied the printed material, and provided the publication with a mailing list of twenty-five people each with whom they wish to share their perceptions." -- from the introduction by Fidel Danieli. Very Good. Mailed copy with mailing marks and mailing wear on envelope and significant bumping and tearing of envelope. Contents in very good condition with only light bumping of page corners. contents otherwise clean and unmarked.