Daniel coupland (17 Ergebnisse)

Paperback. Zustand: Good. A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine. Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the power to narrate, as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation. HEAVEN LOKS LIKE US>is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending. Classical Academic Press (illustrator).…

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Classical Academic Press (illustrator).

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Classical Academic Press (illustrator).

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Classical Academic Press (illustrator).

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Classical Academic Press (illustrator).

Paperback. Zustand: Good. Classical Academic Press (illustrator).

Zustand: Good.

Paperback. Zustand: Brand New. 1.0 edition. 256 pages. 10.91x8.50x0.71 inches. In Stock. Classical Academic Press (illustrator).

Paperback. Zustand: Brand New. 256 pages. 11.00x8.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. teacher edition. 272 pages. 11.25x8.50x1.25 inches. In Stock.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 324 Seiten/pages - The book "Ego Update: A History of the Selfie" offers an interdisciplinary approach to the selfie phenomenon, exploring its dimensions, relevance, and perspectives. It is a selfie-reader and exhibition catalog that accompanies the exhibition "Ego Update. The Future of Digital Identity" at the NRW-Forum Düsseldorf. The exhibition investigates the influence of digital media on the fundamental human question of "Who am I?" and features a variety of international and national positions that address the selfie as a unique visual genre and a medium for artists to engage with their time and culture.…