dan dailey (33 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Allison MacNeil Dailey (illustrator). Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Allison MacNeil Dailey (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Allison MacNeil Dailey (illustrator). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Allison MacNeil Dailey (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Paperback. Binding sound, text clean, light shelfwear. 64 pages. Folio (oversize) exhibition catalogue, illustrated. Oversize book, may require additional charges for international or expedited shipping. Book.

Zustand: Fine. - Quarto [approximately 12 inches high by 9 inches wide], softcover bound in pictorial black wrappers. 63 & [1] pages. Full-page color illustrations and drawings reproduced in black & white. Near fine. Catalog for an exhibition organized by Eleni Cocordas and the Rosenwald-Wolf Gallery of the Philadelphia Colleges of Arts. The exhibition was presented in Philadelphia from February 27 to March 30, 1987, and subsequently at the Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington, DC.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran February 27 through March 30, 1987 and then traveled to Washington, D.C. for additional dates. Includes numerous color and black and white illustrations. A fine copy in wrappers.

Zustand: Gut. 4 S., 27 x 18 cm, Original-Filmprogramm. 4 ungez. Seiten. Faltspuren mittig längs und quer. Gutes, sauberes Exemplar, ungelocht. DIES IST EIN PROGRAMMHEFT UND KEINE DVD ODER VHS. THE ITEM IS A PLAYBILL NOT A DVD OR VHS. Originaltitel: It`s always fair Weather Sprache: Deutsch Gewicht in Gramm: 260.

Soft cover. Zustand: Very Good. No Jacket. 5th printing ; ix, 136 pages : illustrations ; 26 cm ; ISBN: 0930764129 (pbk.); 9780930764128 (pbk.); 0408004231 (pbk.); 9780408004237 (pbk.) LCCN: 78-27444 ; LC: TR263.M47; Dewey: 771.3/1; OCLC: 4515320 ; stiff paper wrappers ; clipped corner on front flyleaf ; Contents: The Minolta camera -- The Minolta lens -- Film and exposure -- Color -- SPecial techniques -- Lighting -- How to see like a camera -- Guide to Minolta equipment and accessories ; "Introduces and simplifies the procedures and techniques of taking 35mm photographs using drawings and examples to illustrate the principles of lighting, composition, color, and special attachments" ; crease on back cover, else VG. Book.

Two vintage studio still photographs from the 1953 film, showing actors Blanche Yurka and Dan Dailey. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. 8 x 10 inches. Near Fine.

Vintage reference photograph from the 1957 film, showing actors Dan Dailey, Edmund Lowe, Maureen O'Hara, May McAvoy, and Mae Marsh. With the stamp of Dell Publishing Company Library to the verso. Based on the life of naval aviator Frank "Spig" Wead, who became a Hollywood screenwriter following a spinal injury which left him paralyzed. Wead was best known for "Hell Divers" (1931), "Ceiling Zero" (1936), and "They Were Expendable" (1945). Set and shot on location on the Naval Air Station in Pensacola, Florida and the US Navy building in Washington DC. 10 x 8 inches. Very Good or better, with light soil to the recto and verso (see accompanying images).

Seven vintage full-color British front-of-house cards from the UK release of the 1957 US film. Based on Edward Chodorov's 1955 play, about a bored housewife who seeks therapy from an emotionally unstable psychiatrist. Tony Randall's film debut, the same year he'd star in "Will Success Spoil Rock Hunter," with Jayne Mansfield. 8 x 10 inches. Faint, short creases overall, else Near Fine.

Vintage reference photograph from the 1950 film, showing actors Evelyn Varden, Mae Marsh, Charles Halton, and Coleen Townsend. With mimeo snipes affixed to the border of the image, identifying each actor in the photograph, as issued. A small town boy enlists in the Air Force with the hopes of becoming a fighter pilot, but soon finds that his only aptitude is for marksmanship, and as a result he is assigned to a post as a shooting instructor at a base near his hometown. Set in West Virginia, France, Britain, and Germany, and shot on location in Thousand Oaks and Channel Islands, California. 10 x 8 inches. Very Good plus, with light edgewear and faint toning.

Five vintage full-color British front-of-house cards from the UK release of the 1956 US film. A star-studded but typical Hollywood biopic based on an original story by John O'Hara ("Ten North Frederick," 1955), about a successful 1920s musical writing team, DeSylva, Brown and Henderson. They score several hits on Broadway, but tensions between the three writers mount as two begin to feel neglected. 8 x 10 inches. Moderate rubbing to a couple of stills, and faint creases overall, else Near Fine. Hirschhorn, p. 356.

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Original-Broschur, 4°, 64 Seiten. Rückdeckel berieben, sonst guter Zustand.

4° 64 S. mit zahlr. Abb. Illustr. Orig. - Pappband. Rückenkanten leicht bestoßen. Gut erhalten.

Vintage press kit for the 1960 film. Full-color illustrated pocketed folder, containing one oversize matte-finish borderless reference photograph, showing actors Cantinflas and Janet Leigh. A ranch hand goes to California to rescue a white stallion (which he considers to be his family) from the hotshot Hollywood director who has purchased it. The second American film of Mexican comedian and actor Mario Fortino Alfonso Moreno Reyes, known simply as Cantinflas, in hopes of replicating the success of his US debut "Around the World in 80 Days" (1956). Shot in Mexico and Hollywood. Photograph Near Fine, folder Very Good plus, with faint foxing and soil to the folder.

Vintage reference photograph from the 1956 film, showing actors Jacques D'Amboise and Sheree North in a deep dancer's dip. With a mimeo snipe on the verso, along with manuscript pencil annotations regarding layout. Based on the careers of Broadway songwriting trio DeSylva, Brown, and Henderson, who rose to popularity in the early 20th century. Set in New York. 10 x 8 inches. Very Good plus overall.

63 pages on glossy paper, with many drawings and wholepage colour-illustrations. Illustrated publisher's black cloth; 4to.(ca. 31 x 23 cm). *** FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL, edited on the occasion of exhibitions at the Rosenwald-Wolf Gallery, Philadelphia, and the Renwick Gallery, Washington, in 1987. TITLEPAGE WITH HALFPAGE BALLPEN-DRAWING BY THE ARTIST AND HIS HOLOGRAPH DEDICATION, signed and dated ''Zurich 1989''. - Best condition.

Hard Cover. Zustand: Fine. First Edition. This is a fine hardcover copy without dust jacket as issued with no wear at all. SIGNED by the artist, Dan Dailey, in ink and with an elaborate drawing on tan paper page facing the title-page. Inscribed warmly and dated 1987. Also signed on the title-page. The drawing is of the artist at his drawing board sketching a self portrait drawing what appears to be an ancient Greek vase form: the kylix. Otherwise completely clean. This monograph was prepared to accompany the exhibition at the Rosenwald-Wolf Gallery in Philadelphia. The exhibition then traveled to The Renwick Gallery in Washington, D. C. Essays by Henry Geldzahler and William Warmus. Checklist. Exhibition history. Numerous full-page color plates + black & white drawings of the pieces. 12" high X 9" wide, 63 pages. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.

Revised Final script for the 1951 film. Script belonging to an unknown crew member with their manuscriptic pencil annotation on the verso of some pages. An American soldier in occupied Japan after the conclusion of World War II joins his former love in putting on performances for the troops in an attempt to win her back. Red titled wrappers, noted as Revised Final on the front wrapper, rubber-stamped copy No. 5 and production No. 314, dated April 18, 1950. Title page present, dated April 18, 1950, noted as Revised Final, with credits for screenwriters Albert E. Lewin and Burt Styler. 134 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good, bound internally with three gold brads.

Final script for the 1948 film. With a single note on the verso of the last page in manuscript blue ink. Shot under the name "Off to Buffalo" as is presented here. Vaudeville is a fading form of entertainment and prospects are grim for the Norwick family, a juggling act struggling to find work. They are forced to find normal jobs and one daughter elopes with her boyfriend, leaving Albert's son forced to make a decision as to whether play professional baseball or join his father on a 16 week tour out west. Set in New York City. Blue titled wrappers, noted as Final on the front wrapper, rubber-stamped copy No. 152 and production No. 154, dated March 21, 1947. Distribution page present, with receipt removed. Title page present, dated March 21, 1947, noted as Final Script, with credits for screenwriters Samuel Hoffenstein, and Elizabeth Reinhardt. 131 leaves, with last page of text numbered 129. Mimeograph duplication. Pages Very Good with dampstaining, wrapper Very Good with dampstaining bound internally with two gold brads. Hirschhorn p. 293.

Three screenplays from the 1956 film, including two draft scripts dated 7-21-55 and one partial draft script dated 2-16-56. One script with manuscript pencil annotations to the inside rear wrapper, noting revisions, and one with manuscript pencil annotations on the front wrapper. Also included in the collection is a memo from technical advisor Admiral John Dale Price to producer Charles Schnee and an unknown crew member, bound in script format, addressing factual errors and questions, dated 2-15-56. Script dated 2-15-56 missing a number of pages, as shown below, likely as used or issued. A dramatization of the experiences of US Navy aviator-turned-screenwriter Frank "Spig" Wead, a rowdy and dedicated pilot who is forced to retire from the Navy after being paralyzed in an accident. Shot on location in Florida and Washington DC. Copy No. 28, dated 7-21-55: Blue titled wrappers, stamped VAULT COPY, MIMEOGRAPH FILE COPY, and TEMPORARY COMPLETE on the front wrapper, rubber-stamped copy No. 28 and production No. 5651, dated 7-21-55, with credits for screenwriter Frank Fenton. Title page integral with the front wrapper, as issued. 111 leaves, with last page of text numbered "111-113". Mimeograph duplication, rectos only, with white revision pages throughout, dated variously between 8-3-55 and 10-10-55. Pages and wrapper Very Good plus, with tide marks to the bottom and fore edges, bound with two gold brads. Copy No. 29, dated 7-21-55: Blue titled wrappers, VAULT COPY, MIMEOGRAPH FILE COPY, and TEMPORARY COMPLETE on the front wrapper, rubber-stamped copy No. 29 and production No. 5651, dated 7-21-55, with credits for screenwriter Frank Fenton. Title page integral with the front wrapper as issued. 154 leaves, with last page of text numbered "111-112". Mimeograph duplication, rectos only, with white revision pages throughout, dated variously between 7-22-55 and 10-10-55. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Script dated 2-16-56: Blue titled wrappers, dated 2-16-56 on the front wrapper, rubber-stamped VAULT COPY and production No. 5651, noted as Section of Script. Title page integral with the front wrapper as issued. Approximately 100 leaves, dated variously between 2-16-56 and 2-21-56. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Revised Draft script for the 1953 film. With screenwriter Daniel Fuchs' manuscript pencil and ink annotations throughout, most noting substantive revisions and deletions. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. Blue titled wrappers, noted as Revised and WRITER'S WORKING SCRIPT on the front wrapper, dated June 14, 1952, noted as production No. 473. Title page present, dated June 14, 1952, noted as Revised Writer's Working Script, with credits for screenwriter Daniel Fuchs. 116 leaves, with last page of text numbered 115. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, wrapper Very Good plus, with a small dampstain to the bottom edge of the front wrapper, bound internally with three gold brads.

Hardcover. Zustand: Very Good. Limited Edition. Folio. This edition is limited to 100 copies, with 10 artist's proofs. Master printer Herbert A. Fox has printed the lithographs on acid-free Arches paper at Fox Graphics/Merrimac Editions. The typeface is Optima, handset & printed by Bruce Chandler at The Heron Press in 1997. This is no. 3. Burgundy cloth portfolio with red ties. This collection includes 4 limited, numbered lithographs signed by artist Dan Dailey. All are no. 3/100. Also signed by Dailey on the front cover in silver marker. The four plates are titled, Memorizing, Running in Debris, The Artist Trapped by the Vase and Scarecrow. The cloth a bit scuffed, fine otherwise. Signed by Author(s).

Revised Final script for the 1950 film. Bound presentation script belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout, four pages of retakes and added scenes tipped in at the rear, as well as a number of manuscript annotations, primarily denoting the titles of various musical numbers. Based on the short story "Stork Don't Bring Babies" by S.K. Lauren, Grable and Dailey play a showbiz couple who discover, in successive order, that they cannot have children, that they can adopt children, and that they aren't really fit to raise children. But things get better, with the help of several musical numbers scored by Harold Arlen. Bound in green faux leather boards with gilt titles and rule, and marbled endpapers. Title page present, dated Dec. 1, 1949, noted as Revised Final, with credits for screenwriters Trotti and Binyon. 191 leaves, with last page of text numbered 130. Mimeograph duplication, with blue revision pages throughout, dated variously between 12/21/19 and 1/5/50. Pages Very Good plus, photographs Near Fine, with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine, with a bump to the upper rear corner. Hirschhorn, The Hollywood Musical.

Unbound. Zustand: Very Good. Poster. Measuring approximately 30" x 41". Gently rolled with an old fold crease, faint creases with short tears at the edges, small dampstains on top half, writing and tape remnants on verso, very good. Advertising poster for the 1957 American film directed by Victor Vicas and starring Joan Collins, Jayne Mansfield, Dan Dailey and Rick Jason. Based on Steinbeck's novel of the same name.

Vintage banner poster for the 1958 film. Based on the 1957 nonfiction book, "The Naked Warriors" by Commander Francis Douglas Fane, about the evolution of the US Navy's Underwater Demolition Unit, beginning with its inception near the end of World War II through it's utilization in the Korean War. 82 x 24 inches. Very Good, with light soiling overall, foxing to the left margin, a 1.5 inch closed tear to the bottom center margin, several pinholes throughout, and a 1.5 inch closed tear to the center with corresponding rubbing and creasing (between the a and r of "Warrior"). Otherwise bright and unfaded.

Vintage reference photograph from the 1955 film musical, showing Gene Kelly, Michael Kidd, and Dan Dailey. Annotations in manuscript pencil on the verso. From the archive of film historian and author Joel Finler. Three former army friends meet for a reunion in New York after ten years apart, and find that they have little left in common. An uncommonly cynical, even unhappy musical with notably unusual dance routines?factors which granted it critical acclaim upon release, but confused audiences of the 1950s. Nominated for two Academy Awards including Best Screenplay. 10 x 8 inches. Near Fine.