Verlag: Gallery Sri Parvati, 2008
Anbieter: Riverby Books, Fredericksburg, VA, USA
Soft cover. Zustand: Very Good. Stapled softcover. Pictorial covers with red lettering. Gallery Sri Parvati catalogue from the Exhibition of Drawings in honor of K. M. Adimoolam, April 2008. A light bit of rubbing to rear cover. Otherwise covers and interior are free of marks or tears. Color reproductions of the work of many artists throughout.
EUR 18,39
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 222 pages. 8.00x5.00x0.50 inches. In Stock.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 33,27
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 15,57
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 44,87
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 182 pages. 6.00x0.56x9.00 inches. In Stock.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'Divine Connections' offers a comprehensive and insightful exploration of Hindu gods and goddesses. This beautifully crafted book delves into the rich mythology, symbolism, and cultural significance of each deity, providing readers with a deeper understanding of Hinduism's divine pantheon.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - 'Divine Connections' offers a comprehensive and insightful exploration of Hindu gods and goddesses. This beautifully crafted book delves into the rich mythology, symbolism, and cultural significance of each deity, providing readers with a deeper understanding of Hinduism's divine pantheon.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - This book highlights the discovery, made for the first time after thirteen centuries, that the Pallava King Rajasimha immortalized himself in a dual sculpture at the Kailasanathar Temple in Kanchipuram. Sculptures featuring dual representations within a single figure are exceedingly rare in history. In this tradition, the book explores how King Rajasimha, seated at the entrance of the Kailasanathar Temple in Kanchipuram, ingeniously represented himself in a way that is difficult for others to perceive, akin to a figure within another. Using linguistic and sculptural grammar, the author confirms this unique interpretation of the king's self-portrait in the temple.