Sprache: Englisch
Verlag: MH - Indiana University Press, 2016
ISBN 10: 0861967232 ISBN 13: 9780861967230
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 31,40
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 42,59
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 250.
Zustand: New. Num Pages: colour illustrations. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 156 x 229 x 27. Weight in Grams: 666. . 2016. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 51,95
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 250 pages. 9.00x6.10x1.00 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 42,20
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Über den AutorDafna Ruppin holds a PhD in Media and Performance Studies from Utrecht University, The Netherlands. Her research on the exhibition, consumption and production of early cinema in the Netherlands Indies forms part of .
Sprache: Englisch
Verlag: Indiana University Press Aug 2016, 2016
ISBN 10: 0861967232 ISBN 13: 9780861967230
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The Komedi Bioscoop traces the emergence of a local culture of movie-going in the Netherlands Indies (present-day Indonesia) from 1896 until the First World War in 1914. It outlines the introduction of the new technology by independent touring exhibitors, the constitution of a market for moving picture shows, the embedding of moving picture exhibitions within the local popular entertainment scene, and the Dutch colonial authorities' efforts to control film consumption and distribution. Focusing on the cinema as a social institution in which technology, race, and colonialism converged, moving picture venues in the Indies-ranging from canvas or bamboo tents to cinema palaces of brick and stone-are perceived as liminal spaces in which daily interactions across boundaries could occur within colonial Indonesia's multi-ethnic and increasingly polarized colonial society.