décio pignatari (34 Ergebnisse)

Paperback. Ref. B51629. 20x13. 100 pág. Ilustr. B/n. Escrito lápiz. Colección: Punto y Línea. Pedagogía. 17-C Punto y Línea 100 pág. Pedagogía.

Rústica. figuras en el texto (illustrator). 98 pp 13x20.

Tapa Blanda. Zustand: Muy bien. Versión en español de Basilio Losada castro. Colección "Punto y línea". EXCELENTE ejemplar. 98pp + catálogo.

Soft cover. Zustand: Good. 19x13cm, 118p. Foxing nos cortes.[ling].

1ª. ed. 100 p. 20*13 cm. Rústica editorial. (84-252-0646-4) Fecha Impresión: 01/1980. Traducido del Portugués. Buen estado. IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío. Contrareembolso 6 eur.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Waldemar Cordeiro (illustrator). First Edition. First Edition, one of 2000 copies; Portuguese text only; vg (boards bowed and rubbed; spine ends bumped and worn; pages toned) in vg dj (scrape and light soiling to spine; spine toned; edgeworn). 193pp.

Soft cover. Zustand: New. Com o som e a forma das palavras, o poeta cria e recria a linguagem. Partindo desse princípio, é possível argumentar que a poesia está mais próxima das artes visuais e da música do que da prosa. Justamente por isso, a criação poética constitui uma fonte de imagens que são inesgotáveis produtoras de novas sensibilidades. Ao dar algumas chaves para ler esse tipo de literatura, o autor apresenta também questões para incentivar a criatividade e a competência poética do leitor.

Soft cover. Zustand: New. Em Contracomunicação, o leitor trava contato com o pensamento inquieto e provocante de Pignatari. O volume contém quatro entrevistas, seis ensaios sobre comunicação, cinco sobre literatura, três textos-tripé, onze crônicas futebolísticas e cinco reflexões sobre a arte. No decorrer da coletânea, o autor põe em evidência a capacidade de ver o novo no cotidiano. Para isso, ele trata de objetos como as vanguardas das décadas de 1960 e 1970, as artes plásticas, a televisão e a literatura.

Soft Cover. Zustand: Good. Coleção Debates, 44. Editora Perspectiva. São Paulo. 1971. De 20,5x12 cm. Com 269, [i] págs. Brochado. Ilustrado no texto com gravuras. Exemplar manuseado, com etiqueta comercial na folha de guarda posterior. Language: Português / Portuguese Location/localizacao: SACO MA574-08.

.- Barcelona . 1977. Gustavo Gili. 8º mayor. 1 tomos. 98 pgs. Rústica editorial . . . ISBN 10: 8425206464. Teoría de la Literatura.

Encuadernación de tapa blanda. Zustand: Bien. Librería Aves Del Paraíso. Descripción del libro. Título: Semiótica E Literatura Autor: Decio Pignatari Editorial: Perspectiva Lugar: Sao Paulo Año: 1974 Encuadernación: Rustica Páginas: 183 Estado General: Bueno Traducción: Ninguna Medidas: 20x11,5cm Peso: 205grs Idioma: Portugués Detalles: Colección Debates N°93. Mínimas anotaciones al margen con Lapicera. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS.

Zustand: Very good +. Printed foolscap sheet. Luis Ângelo Pinto, Décio Pignatari, Two Visual Poems, Fred Hunter, London, c.1965. 204x331 mm. Cream-coloured sheets printed offset-lithograph in black on rectos only, reproducing two visual poems. Both of these works have a Lexical Key, Pinto's poem involving shapes that say either 'yes' or 'no' and Pignatari's shapes say either 'now!' 'perhaps' or 'never!'. First published in Brazil as part of the manifesto on semiotic poetry by Pinto and Pignatari , Sao Paulo, 1964. The work by these two Brazilian poets is reminiscent of the style of the Poemo Processo movement (which began in 1967). An example of Pinto's Semiotic poetry was published in the catalogue of the first Concrete Poetry International exhibition in the United Kingdom in November 1964 (Cambridge). Fred Hunter published the British Concrete poet's John Sharkey's first book and also was considering other Concrete Poetry publications, but in fact moved towards more sound poetry-based releases. These sample prints were never realised as a publication, no editiion size given, thought to be less than 50 copies printed. Condition: light creasing to top left corner, otherwise fine. Overall: Very good +.

Soft cover. Zustand: Very Good. 1st Edition. 23x15cm, 666p. With the most important names of Brazilian literary scene. [corr].

Soft cover. Zustand: Good. 2nd Edition. In Portuguese. 2a. edição em parte original, contém dois textos não presentes na 1a. edição de 1965. Capa com leves desgastes. Manifestos do concretismo. [esq 3 3].

Soft cover. Zustand: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Paperback. Zustand: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).

Zustand: Used: Like New. Broché, comme neuf. with CD "Verbivocovisual: a poesia concreta em musica",

Zustand: Very good/Very good+. Decio Pignatari (ed.), Atraves 1, Martins Fontes, Sao Paulo, 1983. 259 x 178mm. 180pp. magazine printed black and white, invisible bound in black, red and green printed wraps. Text in Portuguese. Illustrated in black and white throughout. Contributors include Regis Bonvicino, Edgar Braga, Lourdes Gabrielli and P. Leminski. Also includes translations (by Aurora Bernardini) of Marina Tsvetaeva's poetry. Condition: minor bump to top of spine; minor spotting to edge of first three pages and last three pages; no writing or tears. Overall: Very good/Very good+.

Zustand: Good. Salvador, Bahia, Brasil: Codigo, Dezembro 1981., 1981. Good. - Folio, 13 inches high by 9-1/2 inches wide. Softcover, 17 loose leaves laid into a cream pictorial portfolio with a "tooth" design by Decio Pignatari in purple & red and with a black border on the front cover. The edges of the portfolio covers are slightly chipped with an uneven tear to the head of the spine and wear to the corners. Of the 17 leaves designed by Pignatari, 16 are in black and white and the seventeenth is in color. A list of the illustrations is printed inside the rear cover of the portfolio. The initials of Oswald de Andrade [O. de A.] are printed on 15 of the sheets. A dedication on the rear cover celebrates poet friends and 25 years of concrete poetry. The top corners of the plates are bumped. Very good in a good portfolio. First edition, limited to 1,000 unnumbered copies. An example of the concrete poetry publications that were an outgrowth of the Noigandres movement. In 1952, Brazilian poets Decio Pignatari, Augusto de Campos, and Haroldo de Campos formed a group called "Noigandres." They published a magazine by the same name, in which they explored a new genre of poetry which they would later define as "concrete poetry." The text is in Portugese.

Soft cover. Zustand: Good. In Spanish and Portuguese. Lima, Centro de Estudios Brasileños, 1978. Edição não venal. Brochura, 20x20cm, 80p. Texto em azul. Capa com certo desgaste e um pouco escurecida. Margens amarelecidas. Exemplar completo, sem carimbos, anotações, assinaturas, grifos ou folhas soltas. Publicação em homenagem ao movimento concretista brasileiro. Apresentação de José de Souza Rodrigues. Com bibliografia, apresentação, antologia de textos e documentos. Apresentação e documentos em espanhol; os textos no original português. Com contribuições de poemas dos irmãos Campos, José Lino Grünewald, Ferreira Gullar, Ronaldo Azeredo, Pedro Xisto, Wladimir Dias Pino etc. Entre os documentos, contribuições teóricas dos irmãos Campos, o manifesto Ruptura, Theo Van Doesberg, Arden Quinn, Max Bill, o Manifesto Neoconcreto etc. Muito raro.

Zustand: Good +. 155 x 225 mm. 205pp. Printed black and white in wraps printed black and pink. Handling and rubbing to covers, ding to top right and bottom right corners of recto.

Zustand: Very good +. Erthos Albino de Souza (ed.), 'Codigo 4', Salvador, Bahia, 1980. 245 x 220 mm. 40pp unpaginated, invisible bound printed black and orange on cream, printed black on white stock. Front cover by Regina Silveira with Codigo emblem top left, back cover by Julio Plaza. Contributors include: Aldo Fortes, Alice Ruiz, Augusto de Campos, Antonio Riserio, Caetano Veloso, Decio Pignatari, Duda Machado, Haroldo de Campos, Ines Oseki-Depre, Jose Lino Grunewald, Nelson Ascher, Paulo Leminski, Pedro Xisto, Pericles Cavalcante, Regis Bonvicino, Vinicius Dantas, translation and note on Allen Ginsberg poem by Duda Machado and Regis Bonvicino, E.E. Cummings translated also by Machado, translation of Yoko Ono poems by Monica Costa. Edited by Erthos Albino de Souza in Salvador, Brazil, 'Codigo' can be considered as a significant South American concrete poetry periodical. It was also one of the most long-standing, remaining in circulation from the late 1970s until 1990. Though not widely known the quality and importance of this periodical is apparent from its contributors and content. Codigo, as a Noigandres-based periodical can be seen as a natural progression from the earlier Noigandres and Invenção publications. In total 12 issues were published. All of issues feature the circular 'Codigo' logo designed by Augusto de Campos on cover or inside cover. Text in Portuguese. Condition: wear to spine, including 20mm closed tear(no paper missing), slight wear to edges of covers and minor toning to the edges of some pages. Very good+.

Zustand: Near fine. (eds.) Julio Plaza and Régis Bonvicino, Corpo Extranho: Revista de criação no. 3, Editora Alternativa, São Paulo, January-June 1982. 188pp. book printed black and white, invisible bound in orange, black and white printed wraps. Illustrated throughout. Text in Portuguese. Contributors include: Afonso Ávila, Alice Ruiz, Arrigo Barnabé, Carmela Gross, Décio Pignatari, Duda Machado, Edgard Braga, Erthos Albino de Souza, Frederico Barbosa, Hans Arp, Haroldo de Campos, João Alexandre Barbosa, John Lennon, Jorge Schwartz, Julio Plaza, Leon Ferrari, Mary Dritchel, Nelson Ascher, Oswald de Andrade, Paulo Leminski, Paulo Pedro (Pepeu), Pedro Kilkerry, Pérsio de Arruda, Rafael França, Regina Silveira, Régis Bonvincino, Rogério Duarte, Sebastião Uchoa Leite, Severo Sarduy, Tristan Corbière, Ulises Carrión, Waly Salomão and Yoko Ono. Condition: Near fine.

Zustand: Very good +. Erthos Albino de Souza (ed.), 'Codigo 8', Salvador, Bahia, 1983, 250 x 225 mm. 60pp unpaginated, red and black printed stapled wraps, printed black and red on cream stock. Features 'Vivientes & Vampiros', 1982 by Augusto de Campos on the front cover and work by Julio Plaza on the back cover. Contributors include: Erthos Albino de Souza, Edgar Braga, Decio Pignatari, Haroldo de Campos, Paulo Leminski, Lenora de Barros, Julio Plaza, Luciano Diniz, Sinai Sertao, Opusculo Goetheano, Antonio Riserio, Julio Bressane, Lenora de Barros, Almandrade, Lais Correa de Araujo, Avo Antonio Roberto, Jorge Alfredo, Haroldo Cajazeiras, Paul Celan, Waly Salomao, Regina Silveira, Duda Machado, Jules Laforgue, Arnaldo Baptista, Paulo Braun, Val Rodriguez. Translations of T.S. Eliot, texts by Marcus do Rio, Allen Ginsberg, Roland Barthes and Roman Jakobson. Edited by Erthos Albino de Souza in Salvador, Brazil, 'Codigo' can be considered as a significant South American concrete poetry periodical. It was also one of the most long-standing, remaining in circulation from the late 1970s until 1990. Though not widely known the quality and importance of this periodical is apparent from its contributors and content. Codigo, as a Noigandres-based periodical can be seen as a natural progression from the earlier Noigandres and Invenção publications. In total 12 issues were published. All of issues feature the circular 'Codigo' logo designed by Augusto de Campos on cover or inside cover. Text in Portuguese. Condition: small sticker to top left of front cover and slight fading to edges of front cover, general light wear to covers (overall vegy good/very good+. Internally very good+, small ownership stamp to one of the pages. This copy is without its folded colour printed poster loose insert. Very good+.

A obra reunida de um dos fundadores da poesia concreta. Com supervisão editorial de Augusto de Campos e André Vallias. Autor de poemas emblemáticos como "beba coca cola", "LIFE" e "O lobisomem", Décio Pignatari se consagrou como uma das vozes mais inventivas, irreverentes e inquietas da cultura brasileira. Seu pensamento se desdobra em múltiplas formas, seja na poesia, nas traduções, nos ensaios críticos ou nas experimentações visuais e vocais. Poesia pois é poesia a reunião da obra poética de Décio Pignatari, tal como organizada pelo próprio poeta começa com Carrossel (1950), sua estreia em livro, e segue até poemas esparsos escritos no início dos anos 2000. O volume inclui traduções, poemas publicados nas revistas Noigandres e Invenção , além de uma adenda com obras que ainda não constavam da última edição: "Noosfera" e "Oswald psicografado por Signatari". Augusto de Campos assina a capa e o prefácio do volume, além de supervisionar o projeto editorial em parceria com André Vallias, responsável pelo projeto gráfico. A presente edição atesta a força da poesia de um dos mais notáveis pensadores brasileiros do século XX. "Multiescritor e multiartista, desacolhido pela academia, Décio adentrou o mundo da docência universitária por via da semiótica e da arquitetura, e isso por si só aponta para a multiplicidade do seu pensamento. Polígrafo, não há assunto que não tenha abrangido a sua inteligência, da cibernética ao futebol-arte. Mas tenho que me limitar à sua poesia inovadora, inquieta e inquietante, que rompe com todos os parâmetros artísticos." Augusto de Campos "O que o leitor tem em mãos agora é o non plus ultra de uma edição impecável que respeitou o conceito do poeta, fazendo intervenções pontuais que tornaram a organização mais clara e deixaram as notas mais acessíveis." Carlos Adriano.

Zustand: Very good +. Barnstone, Willis, ed, Artes Hispanicas / Hispanic Arts: Volume 1 Number 3 & 4, The Macmillan Company for Indiana University Press, Richmond, 1968. 254 x 216mm. 312pp with some colour illustrations and foldout. Cover by Augusto de Campos. An important survey of concrete poetry featuring Mary Ellen Solt's essay titled 'A World Look at Concrete Poetry' from pp. 7-66. Final section entitled 'English Spanish Word Gloss and Comments' gives short biographies of the poets and translations, as needed, of texts in their illustrated works. Heavy item, extra postage required. Condition: some wear and marks to cover and minor rubbing, slight ding to top right corner which faintly affects the first 125 pages, but overall a fresh clean copy. VG+.

Zustand: very good. First Edition (Rebound in hard covers). 155 x 238 mm. printed black and deep red on white stock. First edition. Original 1965 first edition rebound inside hard covers. Covers still in tact within the binding, spotting to the original covers and some tears and repairs to top edge of front cover. That spotting has continued to the first two pages of the rebound section. Small rubber stamp on first page of previous owner. Overall very good only. Good reference copy of the 1965 edition. Condition: interally very good +/near fine.

Soft cover. Zustand: Very Good. 1st Edition. Tokyo: The Association for Study of Arts, 1965. Staple-bound softcover. 52 pages. Text in Japanese with some English, French and Portuguese. Very good. Minor unobtrusive foxing to bottom cover and the next couple pages. Toning. A bit of soiling at staples. Slight edge wear. Scarce Japanese concrete poetry magazine edited by Seiichi Niikuni and published by his organization ASA (The Association for Study of Arts). Poetics for Visual and Phonic Poetry by Seiichi Niikuni. For The Poems to Come Around Us by Yasuo Fujitomi. Concrete Poetry by L.C. Vinholes, Toshihiko Shimizu, Seiichi Niikuni, and Pierre Garnier. Manifeste Pour Une Poésie Nouvelle, Visuelle et Phonique by Pierre Garnier. Dadaism and Avant-Garde Art of the Day by Toshihiko Shimizu. Brazil's Concrete Poetry by L.C. Vinholes with examples by Décio Pignatari, João Adolfo Moura, Edgard Braga, Haroldo de Compos, Pedro Xisto, and Kiyoshi Iwata. The Association of Study of Arts or ASA was founded in 1964 by Seiichii Niikuni and Yasuo Fujitomi with the objective of exploring and experimenting with concrete poetry. They published a namesake magazine ASA and published both Japanese and foreign concrete poetry.

Zustand: Very good +. Erthos Albino de Souza (ed.), 'Codigo 6', Salvador, Bahia, 1981. 330 x 240 mm. Printed folio with front cover 'tooth' design by Decio Pignatari printed in black, purple and red on cream. Back cover celebrates 25 years of Concrete Poetry. Containing 17 loose leaf pages printed black on cream stock, all contributions and graphics by Pignatari. Special issue dedicated to Oswald de Andrade. List of works is printed in the inside back of the folio. Edition of 1000 copies, unnumbered, unpaginated. Edited by Erthos Albino de Souza in Salvador, Brazil, 'Codigo' can be considered as a significant South American concrete poetry periodical. It was also one of the most long-standing, remaining in circulation from the late 1970s until 1990. Though not widely known the quality and importance of this periodical is apparent from its contributors and content. Codigo, as a Noigandres-based periodical can be seen as a natural progression from the earlier Noigandres and Invenção publications. In total 12 issues were published. All of issues feature the circular 'Codigo' logo designed by Augusto de Campos on cover or inside cover. Text in Portuguese. Condition: some wear and bruising to the spine of the portfolio, including soem small paper speration marks and knick to centre top. One of the internal sheets is printed in colour and due to the ink used this sheet has toning, also very slight toning to one of the black and white sheets and back of the portfolio cover. Very good+.

Zustand: very good +. First Edition. Augusto de Campos, Decio Pignatari, Haroldo de Campos, Jose Lino Grunewald, Ronaldo Azeredo, noigrandres 5: do verso a poesia concreeta 1949 - 1962, Massao Ohno Editora, Sao Paulo, 1962. 230 x 160mm, 206 pp. Softcovers in glossy rose red and blue wraps, pages printed in black with some printed black, red, green, purple and yellow on white paper. Text in Portugese. Includes a foldout sheet printed in black, tipped into back cover, folded three times. Fifth and final issue of the Brazilian avant-garde publication on the Noigandres and its five members, Augusto de Campos, Decio Pignatari, Haroldo de Campos, Jose Lino Grunewald, Ronaldo Azeredo. Published on the occassion of the Noigandres tenth anniversary, this issue is illustrated with visual and concrete poems showcasing the intention of poema/processo. The cover design features a reprodiction of a painting by Alfredo Volpi, and the issue includes an 8 page foldout by Decio Pignatari next to the last page. Inscribed and signed by Jose Lino Grunewald on the first page, dated 1965. Condition: 1cm closed tear to large foldout page at end of the book, general edgewear to covers, some indentation to front cover, spotting due to the moisture in the Brazilian climate mainly to end pages and edge of book. Overall very good/very good +.