cupperi walter (12 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

4°, Hardcover/Pappeinband. 376 S. Erschien anlässlich der gleichnamigen Ausstellung; Mit zahlreichen Abbildungen, gut erhalten Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: New. Looking at the production and reception of replicas and multiples before the nineteenth century, this book shows what happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not id.

Zustand: NEW.

Buch. Zustand: Neu. Neuware - In the last years replicated objects have gained an increasingly central position in the discourse about ancient, medieval and early modern art. 'Multiples', we are often told, lack uniqueness, invention, autonomy, and sometimes even authorship. Indeed, 'multiples' can be powerful multipliers - in that they enhance the 'aura of the originals' that they replicate - but they remain secondary indexes pointing to an 'original' imbued with significance. Yet, what happens if 'multiples' do not refer to other artifacts at all, or if they are associated with other 'multiples' rather than with a first version in the mind of their owners What happened when serially-made 'multiples' were not quite identical to each other, as was the rule with pre-modern artifacts What shaped their identity and the perception of them as identical This collection of essays explores different forms of interaction between the making of artifacts in more than one specimen and their reception before the nineteenth century. It addresses media such as metal, wax, plaster, terracotta, textiles, marble, ivory, porcelain, canvases and tables in an attempt to re-assess the current identification of the mediality of prints with that of pre-modern 'multiples' in general.

Buch. Zustand: Neu. Multiples in Pre-Modern Art | Bilder Diskurs, Bilder-Diskurs | Walter Cupperi | Buch | 303 S. | Deutsch | 2014 | DIAPHANES AG | EAN 9783037343746 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.

Hardcover. 376 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L15278 9783422072237 Sprache: Deutsch Gewicht in Gramm: 2010.

Zustand: Sehr gut. 304 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Deutsch Gewicht in Gramm: 795.

Hardback, 280 x 220 mm, 176 pages, Dutch (NL) ed. ISBN 9789085868514. De tentoonstelling Eeuwige Lente brengt voor het eerst in vijf eeuwen een bijzondere reeks wandtapijten uit de verzameling van Antoine Perrenot de Granvelle weer bij elkaar. De reeks, vandaag deel van de collectie van het Kunsthistorisch Museum in Wenen, vormt een allegorische tuin die de fascinatie voor het antieke en de idealen van de renaissance weerspiegelt. De tuinen zijn een reflectie van de toeschouwer die er naar kijkt en verkennen de diepgaande relatie tussen mens en natuur. 0 g.

4°, gebunden. Neu. Sprache: Deutsch Gewicht in Gramm: 0.

260 S.,63 s/w u. 7 farb. Abb. Kart. *neuwertig*Texte Italienisch, Englisch, Deutsch - Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity.