Cumming mark (24 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

Zustand: New. In.

Paperback. Zustand: Brand New. 112 pages. 10.00x7.00x10.00 inches. In Stock.

Hardcover. Zustand: Brand New. 256 pages. 13.25x10.25x1.00 inches. In Stock.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Broché. Zustand: Bon état. in-8 Description :337 pp. Collection "Cambridge Studies in Social and Emotional development". Couverture défraîchie. Langue : Anglais Nb de volumes : 1.

Zustand: New.

Gebunden. Zustand: New. No detailed description available for A Disimprisoned Epic . A well-written and thoughtful work, suggestive and very likely seminal to future study of Carlyle as historian and literary artist. --Journal of English and Germanic Philology.

Hardcover. Zustand: Brand New. 206 pages. 6.14x0.50x9.21 inches. In Stock.

Zustand: New. Adam Cumming, PhD, is Honorary Professor at the Edinburgh University School of Chemistry, UK, and a recognized world expert in the field of energetics. He has worked for the UK Ministry of Defence within their research organisations. Mark Johnson, PhD, DABT.

Zustand: New.

Zustand: New. In.

Buch. Zustand: Neu. Neuware - Thomas Carlyle's history of the French Revolution captured the Victorian imagination with vivid pictures of a society in conflict. A rich, brilliant, and arresting book, it defined a crucial epoch in modern European history for generations of British readers. Nevertheless, The French Revolution has lost not only its general readership but also its academic audience, for it is not history as history is commonly practiced, and it is not literature as literature is commonly understood. Only in the past few decades has this difficult yet rewarding text moved back to the central position it deserves. In A Disimprisoned Epic, Mark Cumming elucidates the formal genesis of the French Revolution in Carlyle's literary criticism and reestablishes it as an epic experiment in literary form. He discusses specifically how The French Revolution combines the myths of epic with the facts of history; the nobility of tragedy with the grotesque absurdity of farce; the devotion of elegy with the dismissive rancor of satire; and the didactic clarity of emblem and allegory with the confusion of symbol, fragment, and phantasmagory. A Disimprisoned Epic will be useful to scholars and students of Carlyle and of Victorian British and American literature. …

Hardcover. Zustand: Brand New. 112 pages. 10.00x7.00x10.00 inches. In Stock.

Hardcover. Zustand: Brand New. 2240 pages. 9.00x6.25x5.00 inches. In Stock.

Hardcover. Zustand: Brand New. 2240 pages. 9.00x6.25x5.00 inches. In Stock.

Hardcover. 1st edition. 255 p.; 23 cm. Errata sheet pasted to verso of last page. (American bibliography 45410) Worn x-l. Printed sage boards and outer pages loose. Untrimmed.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Buch. Zustand: Neu. Neuware - This is the first time that Thomas Carlyle's remarkable The French Revolution: A History has been published in a comprehensive scholarly form. The edition features an abundance of new critical features, including a critical text that presents the edition much as it appeared in the first edition of 1837, but with a detailed record of the emendations that Carlyle made in subsequent versions during his lifetime. These volumes also contain a variety of scholarly aids--literary, textual, historical, and photographic--to render The French Revolution more approachable and readable to twenty-first century readers. The edition takes seriously Carlyle's claim to have produced a history of the Revolution that is rooted in his primary French sources. The extensive annotations vividly testify to his deep engagement in a wide array of histories, pamphlets, memoirs, and biographies. The notes not only demonstrate his complex method of history, but they also shed fresh light on his artistry and his rich use of language. For the first time, readers will be provided with numerous samples of engravings that Carlyle used from Chamfort's Tableaux historiques and other sources to visualize the 'Flame Drama,' as it was conceived by revolutionary artists and printers. The appendices will also include an annotated version of Carlyle's essay, 'On the Sinking of the Vengeur' (1839), in which he offers a detailed response to controversy surrounding the events that occurred during the naval battle between France and Britain on 'the Glorious First of June,' 1794; an image and transcription of an unpublished MS holograph excerpt from The French Revolution located in the Harry Ransom Center, Texas; and a copy of a corrected proof of 'The Feast of Pikes' held in the Forster Collection of the National Art Library, Victoria and Albert Museum.…

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. 1976-1983. First edition, first printing. 29 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder 28) Frank Gillette 29) Wright Morris: Time Pieces. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin and Gillette catalogues which has creasing to the rear cover), and the Morris catalogue which has foxing to the front and rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19--September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976--February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14--May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14--May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976--February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24--November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24--November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19--September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21--June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978--February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21--September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10--December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979--February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982--January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4--July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7--November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21--June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9--March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980--January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24--November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21--June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24--November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4--December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19--August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15--June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3--March 26.…