crossley george (28 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Softcover. Zustand: Very Good. Periodical. Octavo. 48pp. Stapled glossy wrapper. Very good with some edgewear and stain to the topedges, but NOT affecting the interior pages. A Canadian poetry anthology featuring contributions from Ted Hughes, Ian Hamilton, George MacBeth, Kevin Crossley-Holland, Peter Porter, and Alan Brownjohn, among many others.

Zustand: New. In.

Zustand: New. In.

Softcover. Zustand: Fine. Vol. 18, No. 1 (a typo stating No. 4 has been canceled and changed in ink). Octavo. 48pp. Stapled glossy wrappers. A couple of light creases at the spine else bright and fine in the original mailing envelope. A Canadian poetry magazine featuring contributions from Ted Hughes, Ian Hamilton, George MacBeth, Kevin Crossley-Holland, Peter Porter, and Alan Brownjohn, among many others.

Unbound. Zustand: Fine. Gate-folded broadsheet. Stiff card. Fine.

Softcover. Zustand: Near Fine. First edition, trade issue. Large single sheet printed on both sides folded twice to form six panels. Illustrated reproducing photographs from *Juicy Movie* a film by Barry Hall and Tom Raworth. Corners lightly bumped, few faint creases, else a near fine copy. Publisher's complimentary copy, stating "COMPLIMENTARY" in publisher's red ink holograph, on back cover. New Yorker artist, Claude Smith's copy, in original publisher's mailing envelope addressed to Smith. Prints poems by Christopher Logue, Kevin Crossley-Holland, George MacBeth, Jeff Nuttall, and Edward Lucie-Smith. Broadside; large single sheet (printed on both sides), folded twice to form six (narrow quarto) panels (measuring 11 by 5 inches), illustrated (reproducing black-and-white photographs from 'Juicy Movie' a film by Barry Hall & Tom Raworth). Prints poems by Christopher Logue, Kevin Crossley-Holland, George MacBeth, Jeff Nuttall, and Edward Lucie-Smith.

Hardcover. Zustand: Fair. 37th edition ; folio in pictorial boards ; ex-lib, stamps, remains of label ; knocked ; spines starting ; 532 pp. ; 33 x 24 cm ; 66 color photos, 798 b/w-photos ; as stated, numerous photographs, many in color ; FAIR. Book.

Unbound. Zustand: Fine. First edition, trade issue. Large single sheet printed on both sides folded twice to form six panels. Illustrated reproducing photographs from *Juicy Movie* a film by Barry Hall and Tom Raworth. A fine copy in unprinted tan envelope, presumably as issued. Prints poems by Christopher Logue, Kevin Crossley-Holland, George MacBeth, Jeff Nuttall, and Edward Lucie-Smith.

Kartoniert / Broschiert. Zustand: New. KlappentextrnrnChapter I is a character narration giving an introduction to the story, I began the story with these characters to introduce the readers to the primary character, (Simon Tupple) and used character narration to begin the story. I .

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Hardcover. Octavo, 72 pages. In Very Good condition. Bound in publisher's quarter navy blue cloth with grey, blue, and red paper boards and gilt lettering to spine. Mild general shelf wear. Top edge of textblock gilt. Fore and bottom edges of textblock deckled. Interior pages clean. Shelved in Folio Society. 1400690. Shelved Dupont Bookstore.

Hardcover. Zustand: Good. Hardback. No dust jacket. Photograph available on request.

Hardback. Zustand: Very Good. 77p hardback with blue cloth spine and patterned paper boards printed on Fabriano Ingres, introduction by Kevin Crossley-Holland and lithographs by Alan Powers. Lovely copy, as new Language: English.

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 152pp on various types of paper, including the colour photo fold-out by Richard Holden, colour plates, b/w illustrations in text, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers slightly tanned, minute speck of rub to cover corner tips) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Zustand: Fine. No Jacket. First Limited Edition. Fine single sheet light card item folded into three sections. Poems by each poet occupies the three inner sections. One of a LIMITED EDITION of 100 copies, NUMBERED AND SIGNED BY THE FIVE POETS [this being No.43] on the limitation section at the rear. P&P will be reduced to £1.00 on this item. Signed by the Poets.

Paperback. Zustand: Fine. English.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Alan Powers (illustrator). First Edition. This Folio Society edition "The "Poor of the Borough" consists of five poems constituting part of George Crabbe's long poem"The Borough" first published in 1810.Introduction by Kevin Crossley-Holland. and illustrated with seven two-colour lithographs by Alan Powers, printed at The Senecio Press, Oxfordshire, England. Bound by Legatoria Torriani, Milan, in quarter cloth and patterned paper sides printed on Fabriano Ingres. Pale blue-green end papers. Printed in Garamond type on Magnani mould-made paper at the Stamperia Valdonega, Verona, Italy. Typography by Martino Mardersteig. 79 pages plus the full page illustrations.Top edge gilt, deckled page edges.6.4 X 9.9 inches approx.Fine copy in newly fitted pristine clear acetate dustjacket.

Softcover. Zustand: Fine. Gate-folded broadsheet. Stiff card. Fine. Copy number 7 of 100 copies, Signed by all four poets.

Zustand: Near Fine. 280 x 137 mm. Folded card printed white on black. Produced on the Turret Poets poetry reading at the ICA London 21 February 1967. Includes poetry and illustrations alongside photographs from 'Juicy Movie' (a film by Barry Hall & Tom Raworth) printed black and white. This copy is no. 56 of 100 copies signed by the poets. Condition: very minor 30mm sunning strip to top edge of recto and minor ding to top right, overall near fine.

Soft cover. Zustand: Very Good. 1st Edition. The sole UK printing published by The Scolar Press for The Ilkley Literature Festival, Ilkley in April 1973. A collection of poems commissioned for the inaugural 'Ilkley Literature Festival' which had been opened by W.H. Auden during the last year of his life. The publication comprises a green card printed folder with some mild creasing and edge-west to the edges, a 24 page pamphlet giving the text of the poems (in fine condition) and 25 loose leaves of facsimile manuscript of the commissioned poems, including two leaves of Auden's 'Lullaby'. The Scolar Press printed facsimiles of these contributions on white laid paper. The paper is watermarked 'L'Amatruda' and originates from a paper mill in Amalfi, Salerno (Italy). These facsimile manuscripts are loosely contained within a pocket at the rear inside cover of the card folder and are all in Fine condition. The 10 contributing fellow-poets were commissioned 'to take a title or epigraph from one of Auden's published works as a starting point for an original composition'. Each of the 10 facsimile poems has been hand signed a second time by the poets themselves in addition to the facsimile signature already present in the production. It is highly likely that very few sets were signed by all contributors. Collectible. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Author(s).

An absorbing collection of accomplished portraits and location sketches by the Australian artist George Crossley (1919-1973), executed during the making of Tony Richardson's Ned Kelly (1970), which "appearedat thebeginningof what is considered a renaissance inAustralian cinema" and at a moment when Kelly was the cynosure of "related constructions of the Australian past and identity" (Basu, p. 131). The film starred Mick Jagger as the iconic bushranger and he is pictured in two drawings: "Mick Jagger as 'Ned Kelly' addressing the Jury, Braidwood Courthouse 27th Aug '69. Ned Kelly Location Rehearsals" and "Mick Jagger in the courtroom, Braidwood, Ned Kelly location. Aug '66". Approximately 54 drawings are finely executed close up portraits of cast members, extras, and crew (including Jagger's stuntman, Bill Peter), caught during breaks from filming, each meticulously captioned, giving the sitter's identity and the location. A group of half a dozen feature members of the folk band the Wild Colonial Boys, some of whom appear in the film and are pictured in performance. Kelly's final gun fight is recorded in an action sequence of looser pencil drawings: "Rehearsals for the Ambush of Kelly", "Kelly fights his way out of the cutting, emerging from the fog", and finally "Kelly, overcome with loss of blood, weakens and collapses". A single pencil drawing depicts Kelly's famous bulletproof armour. Richardson himself makes an appearance in "Kelly's collapse when wounded and identification - by Inspector Nicholson - Glenrowan location. Tony Richardson directing". Crossley was born in Perth and studied at the Melbourne National Gallery School under the renowned portraitist William Dargie. Afterwards, he worked as a television artist for the BBC in London. He held exhibitions in Europe, the Middle East, and Australia. His work is represented in a number of Australian institutions. Ned Kelly was filmed entirely in Australia, largely around Braidwood, New South Wales. The supporting cast of mainly Australians actors included Frank Thring as the colonial judge Sir Redmond Barry, who sentenced Kelly to hang. Thring remains best known for his unforgettable high camp performances in a string of Hollywood blockbusters: Ben-Hur, King of Kings, and El Cid. Ian McKellen was originally considered for the role of Kelly but the studio wanted a bankable "big personality" and it was offered to Mick Jagger. The film "garnered a lot of attention for the bushranger both at home and abroad, as well as causing a fracas for having as lead and director not only non-Australians but Britons Although none of the producers of Kelly products from this period was directly associated with the New Left, it is clear that, through Kelly, they were intervening in related constructions of the Australian past and identity. They situated their past firmly within the structural inequalities necessitated by colonialism, at a time when British colonies in Africa and the Caribbean were rapidly gaining independence, and affirmed a national identity not only separate from 'Britishness' but in opposition to it" (Basu, p. 122-25). "Ned Kelly was transformed with the help of the telegraph wire and the early mass media from a regional folk hero into a romanticised media celebrity [He] has progressed from outlaw to national hero. to international icon. The still-enigmatic, slightly saturnine and ever-ambivalent bushranger is the undisputed, if not universally admired, national symbol of Australia" (Seal, pp. 99-100). As the Australian Dictionary of Biography concludes, "The legend still persists and seemingly has a compelling quality that appeals to something deeply rooted in the character of the 'average' Australian". Laura Basu, Ned Kelly as Memory Dispositif: Media, Time, Power, and the Development of Australian Identities, 2012; Graham Seal, Outlaw Heroes in Myth and History, 2011. Together 99 drawings, most of them signed by the artist as "G. S. Crossley", the majority executed in black ink on paper, some with pencil under drawing and occasional watercolour wash, various sizes from 370 x 500 mm to 240 x 310 mm; all laid down on card and with detailed captioning, often with a first version jotted down in situ when the drawing were created, and a second, more formal caption. With a small quantity of research material compiled by a previous owner. Occasional marks but overall in very good condition.

Gate-folded broadsheet. Zustand: Fine. Number 25 of 100 signed by each of the 5 poet. Gate-folded broadsheet. ONE OF 100 SIGNED. Number 25 of 100 signed by each of the 5 poet. Signed.