Cropper elizabeth (90 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. 356 pp., paperback, NEW!!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Zustand: Good. Investigating the important cultural figures who were close to the painter Nicolas Poussin (1594-1665), this title allows the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. It also shows how Poussin introduced into his theory and practice of painting.…

Hardcover. Zustand: New. New, still sealed in the publisher's shrink-wrap. Never opened, never read. Heavy book, extra shipping costs to locations outside USA.

Original publisher's sewn paperback, pictorial frontcover, large 4to: 256pp., photographs / portraits, introduction, essays on 50 Mellon Lectures, biographies, index to essays, credits, table of contents. Very fine copy - as new. Very fine copy.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 255.

Zustand: New. The A.W. Mellon Lectures in the Fine Arts were begun in 1952 at the National Gallery of Art in order to bring the best in contemporary scholarship to the public. This illustrated documentary volume tells the story of the genesis of the lectureship, featuring essays by a variety of scholars. Editor(s): Cropper, Elizabeth. Num Pages: 255 pages, 63 illustrations. BIC Classification: ABA; AC; AF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 275 x 205 x 19. Weight in Grams: 1164. . 2003. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 1st edition. 138 pages. 9.75x7.50x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 50th edition. 256 pages. 10.50x8.25x0.75 inches. In Stock.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:0859678024. …

Softcover. Zustand: Very Good. No Jacket. First edition. 1st 1997. Slightly better than very good condition. Getty Museum Studies on Art series. Monograph. A masterpiece of Italian Mannerism, Pontormo's painting of the Halberdier is a poignant image of a heroic youth. But is this proud and beautiful youth the Florentine duke Cosimo I de' Medici, or is he Frencesco Guardi, unknown to history except for Vasari's mention that he was painted by Pontormo during the harrowing seige of Florence in 1529-302? The author examines the many problems surrounding this mysterious portrait, discovering new possibilities of meaning within the volatile politics of the period. Pictorial cardwraps. B/w & colour illustrations. 132 pages. A very nice copy. Packaged with care and promptly dispatched. Pontormo, Jacopo Carucci (illustrator).…

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780691050676. …

Zustand: BUONO USATO. Da revisionare INGLESE Catalogo arricchito da 21 tavole a colori, 32 illustrazioni in b-n, 1 tavola a colori ripiegata all'interno, autore E. Cropper. N. pag. 132. Brossura filo refe, copertina illustrata con risvolti segnata da minime tracce da manipolazione, leggero attrito da compressione alla pellicola protettiva, abrasioni lievi ai margini delle guardie, presenti etichette alla guardia e risguardia posteriore, i fogli conservano un buon aspetto seppure ossidati lievemente in cornice, pulviscolo ai tagli."Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria.…

Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. civ, 297 pages : illustrations ; 28 cm. "Shown at the Philadelphia Museum of Art, November 5-December 31, 1988, and the Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, January 21-March 19, 1989"--Title page verso. …

Hardcover. 4°, Original hardcover in original dust jacket. 297 (1) pages with numerous monochrome illustrations. In good condition. -- Original-Hardcover im Original-Schutzumschlag. 297 (1) Seiten mit zahlreichen einfarbigen Abbildungen. Gut erhalten. Ausstellungskatalog/Monographie zu Pietro Testa -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! KuPs.…

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; 424 pages : illustrations (some color), maps, music ; 29 cm. Summary; This spirited and challenging book presents dialogues between eminent art historians on current topics and dilemmas in the field. The essays consider world art of all periods, covering ancient Egypt, Mesopotamia, preconquest Mexico and Peru, Islam, China, Japan, Renaissance and baroque Italy, 18th- and 19th-century France, and the United States in the 20th century and today. The authors propose new readings as they challenge traditional systems of classification; interpret monuments in terms of their interaction with their environments; redefine the Italian Renaissance in light of the new vernacular sensibility that emerged in the Trecento; view portraiture both in close detail and in social and historical perspective; and point to the need to reconcile historical coherence with complexity in museum displays. Contributors include Svetlana Alpers, Elizabeth Hill Boone, Philippe Bordes, Betsy M. Bryan, C. Jean Campbell, Joseph Connors, Charles Dempsey, Marian H. Feldman, Finbarr Barry Flood, Hal Foster, Marc Gotlieb, Ewa Lajer-Burcharth, Michael Leja, Yukio Lippit, Joanne Pillsbury, Louise Rice, David J. Roxburgh, Jeffrey Weiss, Mariet Westermann, and Wu Hung. Subject; Art Congresses. 2 Kg.…

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; 424 pages : illustrations (some color), maps, music ; 29 cm. Summary; This spirited and challenging book presents dialogues between eminent art historians on current topics and dilemmas in the field. The essays consider world art of all periods, covering ancient Egypt, Mesopotamia, preconquest Mexico and Peru, Islam, China, Japan, Renaissance and baroque Italy, 18th- and 19th-century France, and the United States in the 20th century and today. The authors propose new readings as they challenge traditional systems of classification; interpret monuments in terms of their interaction with their environments; redefine the Italian Renaissance in light of the new vernacular sensibility that emerged in the Trecento; view portraiture both in close detail and in social and historical perspective; and point to the need to reconcile historical coherence with complexity in museum displays. Contributors include Svetlana Alpers, Elizabeth Hill Boone, Philippe Bordes, Betsy M. Bryan, C. Jean Campbell, Joseph Connors, Charles Dempsey, Marian H. Feldman, Finbarr Barry Flood, Hal Foster, Marc Gotlieb, Ewa Lajer-Burcharth, Michael Leja, Yukio Lippit, Joanne Pillsbury, Louise Rice, David J. Roxburgh, Jeffrey Weiss, Mariet Westermann, and Wu Hung. Subject; Art Congresses. 2 Kg.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. New York: The Metropolitan Museum of Art, 2021. Folio, in a pictorial dust-wrapper. New in the publisher's shrink-wrap. Portraits in Renaisance Florence (1512-1570) played a major role in the development of culture, politics and patronage. The paintings by Jacapo Pontormo, Agnolo Bronzino, Francesco Salviati and others provide likenesses, as well as social status, signs of ambition and power. While the Medici had ruled Florence since 1434, it was Cosimo I who became the second Duke of Florence in 1537 and wielded culture like a political tool. The volume accompanied a blockbuster exhibition at the Metropolitan Museum in 2021. Parmigianino's Allegorical Portrait of Charles V Receiving the World (ca. 1530), in the Arader collection, is featured in the catalogue. …

Taschenbuch. Zustand: Neu. Neuware - Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. …

civ, (2), 297pp. Prof. illus. 4to. Wraps. Published in conjunction with exhibitions at the Philadelphia Museum of Art, Nov.-Dec. 1988 and the Arthur M. Sackler Museum, Harvard University Art Museum, Cambridge, Jan.-March 1989.