Ergebnisse werden angezeigt für: Christopher Wool (109 Ergebnisse)

paperback. Zustand: ACCEPTABLE. 143 mostly clean, unmarked, tight pages but there are instances of ink underlining and margin marks, and light tanning on edges; sturdy plastic wrap over paper cover.

Christopher Wool; Rosemarie Trockel (illustrator). 165 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Penis Plenty or Phallic Lack: Exit Mister Punch," by Marina Warner; "On Dennis Oppenheim," by G. Roger Denson; "Provocation and Poetic Enigma," by Véronique Bacchetta; "As Objects of," by Barrett Watten; "How feminist are Rosemarie Trockel's objects?," by Anne M. Wagner; "Cave Canem," by Jim Lewis; "Wool's Word Paintings," by Greil Marcus; "In the Shadow of Painting," by Jeff Perrone; "Here Is Something You Can't Understand," by Diedrich Diederichsen; "The Crooked Path," by Camiel Van Winkel; "Les Infos Du Paradis: Not Vital Interview," by Not Vital; "Cumulus Aus Europa," by Chris Dercon "Cumulus From America," by David Levi Strauss. Insert by Adrian Schiess. Text in German and English. Fine. Dust-jacket, covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Fine. 1st Edition. Published for the Christopher Wool exhibition, October 21 - November 27, 2010, Corbett vs. Dempsey, Chicago, IL. Fine contents and binding.

Zustand: Fine. Fine softcover, 201 pages, color & b/w ills. throughout. Very cool.

Soft cover. Zustand: Very Good. 1st Edition. Published for the Christopher Wool exhibition, November 9 - December 15, 2007, Skarstedt Gallery, New York, NY. Very slight stain and fading to the covers, otherwise near fine.

[32] pp.; 29.7 x 20 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with show held March 12 - April 23, 1989. Edited by Karen Marta with texts by Marta, Stephen Ellis, Glenn O'Brien, Ian Brunskill, Gary Garrels and acknowledgments by Susanne Ghez. Design by Georg Herold, Albert Oehlen, and Christopher Wool in collaboration with Michael Glass. Fine. As issued, clean and unmarked.

First edition. Hardcover. 78 pages. Exhibition catalog for a show that ran October 28 through December 17, 2011. Features text by Robert Storr along with a conversation between Joanna Pousette-Dart and Christopher Wool. Includes numerous color illustrations, a chronology, and a list of selected books and exhibition catalogs. A very near fine copy in red cloth boards and in a near fine dust jacket with some minor wear.

First edition. Softcover. Exhibition catalog for a show that ran February 8 through March 30, 2019. Features the text of a conversation between Christopher Wool and John Corbett. Includes numerous color illustrations. A fine copy in wrappers and with cd of music by Paul Nilssen-Love in a pocket affixed to the verso of the rear cover. Uncommon.

Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by The Galleries & The Artists, 1989. Octavo. Paperback. Book is very good. Great copy of this art book.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

First edition. Softcover. 32 pages. Exhibition catalog for a group show that ran March 12 through April 23, 1989. Acknowledgments by Susanne Ghez. Text by Karen Marta, Glenn O'Brien, Stephen Ellis, Ian Brunskill, and Gary Garrels. Includes numerous black and white illustrations of works by Georg Herold, Albert Oehlen, and Christopher Wool. A clean very near fine copy in stapled wrappers.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

München : Kunstverein 1989, 89 Seiten ; 25 cm, zahlreiche farbige Abbildungen, kart. ; aussen gut, innen sehr gut, keine Einträge.

München : Kunstverein 1989, 89 Seiten ; 25 cm, zahlreiche farbige Abbildungen, kart. ; guter bis sehr guter Zustand, keine Einträge.

Christopher Wool; Rosemarie Trockel (illustrator). First edition. Softcover. Text in English and German with illustrations and texts on the work of Christopher Wool and Rosemarie Trockel. Includes an insert on Adrian Schiess. A clean near fine copy in wrappers and in a near fine dust jacket with some minor wear.

Zustand: Good. 8vo. Soft Cover [ca. 200 pp.], First Edition, B&W and Color Plates. Very Good.

Zustand: Good. 8vo. Soft Cover, [ca. 200 pp.] First Edition, B&W and Color Plates. Very good.

Hardcover. Zustand: Brand New. 256 pages. 11.22x8.78x0.87 inches. In Stock.

hardcover. Zustand: near fine. Zustand des Schutzumschlags: near fine. Christopher Wool (illustrator). Illustrated mainly in b/w photographs and paintings, few in color. 4to, red boards, d.w. New York: Guggenheim Museum, (2013). Fine in fine dust wrapper.

Zustand: Fine. Clean and unmarked. 42 pp.; 12.7 x 10.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition booklet published in conjunction with show held March 22 - April 27, 1996. Includes foreword by Thomas W. Sokolowski and historical epilogue by Adele Chatfield-Taylor. Artists include Drew Beattie, Daniel Davidson, Kristin Jones, Andrew Ginzel, Ann McCoy, Judith Shea, and Christopher Wool.

[10] pp.; 21.5 x 9.5 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Accordion fold exhibition brochure published in conjunction with show organized by Susan Inglett held at Christopher Middendorf, Washing, DC, October 24 - Noember 14, 1992. Traveled to Thea Westraich, New York, December 1 - December 19, 1992; Van Straaten Gallery, Chicago, January 8 - 30, 1993; Center for Contemporary Art, St. Louis, February 12 - March 6, 1993; Davis / McClain, Houston, March 19 - April 10, 1993; Richard Green, Santa Monica, April 23 - May 15, 1993 and Ellen Miller / Katie Block, Boston, June 4 - 26, 1993. Essay by Kirby Gookin. Artists included Ashley Bickerton, Barbara Ess, Victoria Gil, Felix Gonzalez-Torres, Federico Guzman, Ronald Jones, Robin Kahn, Liz Larner, Annette Lemieux, Richard Prince, Meg Webster and Christopher Wool. Fine. As issued, clean and unmarked.

Hardcover. Zustand: Brand New. 256 pages. 11.22x8.78x0.87 inches. In Stock.

Zustand: Good. 8vo. 90 pp. Very Good. Soft Covers. Minor shelf wear. Pages fine. B&W plates throughout.

Hardback. Zustand: Near fine. First Edition. 29 x 29cm 62pp near fine hardback exhibition catalogue with single page colour reproductions.

Superb, crisp copy of this uncommon and desired fashion and arts magazine, being issue number 6 of Purple Fashion, one of several offshoots of Purple magazine which still continues today. Features a very notable collection of contributors (see above) with Vincent Gallo gracing the cover. No damage to speak of, really. Binding is solid, interior is bright and crisp. Teeny tiny bits of wear at edges and corners of covers and ever so slightly bumped at one part of the top edge of the last two pages. Excellent.

Paperback. Zustand: Brand New. 400 pages. 8.90x1.34x11.42 inches. In Stock.

Gr. 8° , 201 S., 3 Bll. durchgehend mit s/w und farbigen Abbildungen, Orig.-Karton. Erschienen anläßlich der Ausstellung in der Gagosian Gallery, New York vom 17. Januar - 25. Februar 2017.- Rücken minimal knickspurig. Sonst gutes Exemplar.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Bien. Black prevails in this issue of Parkett. It is the gloomy, melancholy, existential black of Robert Frank's photographs and films; it is the cool, urbane, subterraneously agitated black of Christopher Wool's paintings; and it is the black of Wade Guyton's inkjet printer that seeks to link new and old. The black-and-white photocopy on the cover, an updated trompe l'oeil created by Guyton and Wool together, ironically plays to an antique gray. The photocopy symbolically underscores reproduction as a self-made product, especially since the key to this kind of reproduction is not industrial multiplication. Instead, the artists presented here investigate different forms of slow, self-reflecting reproduction: mental and manual work that is related to the machine and to recent picture-making tools (cameras, standard stencils, screens, computers, printers). Guyton and Wool, incidentally, both cultivate a distinctive relationship to books and book-making that not only underlies their collaborative project for the cover but also provides the point of departure for Liz Kotz's essay, "The Treachery of Images". The hand and doing things by hand also play a role in the photograph that introduces the pages devoted to Robert Frank. Hands conjure and invoke but they also hold things at bay. The photographer's largeformat pictures reproduced in this issue are film stills. Frank selected them specifically for Parkett and requested that no other works be reproduced alongside the texts. How many people are aware that the first edition of Robert Frank's extraordinarily influential photo essay, The Americans, which is half a century old this year, was not published in United States but in Paris as Les Américains? The climate of the Cold War in those days was not conducive to finding an American publisher. Analyzing Frank's significance today, in the light of the presidential campaign, Pamela M. Lee observes that "the book reads like an allegory of a lost highway, where the road is an endlessly shadowed one and each turn a leap of faith". In Christopher Wool's and Wade Guyton's art, painting has the appearance of being fraught with memory. The way in which Wool handles his work is, on the whole, ambivalent; it is evocative and yet also distanced, artfully plying the byways of authenticity between true and false. But a hint of truth keeps trickling out along the edges and through the cracks engendered by the tools of his art. On the surface of things, Wade Guyton's approach might appear to be more detached since he feeds the images and their supports directly into his Epson printer. The act of observation, the perception of the evolving work, and the potential of its evocative power are revealed with fascinating precision in Scott Rothkopf's study of Guyton's new "monochrome" works. Sculpture also features prominently in Guyton's oeuvre. Mirrors, steel tube chairs, parquet cubes, and U-shaped steel objects reflect space, stretching it and compressing it to extremes, while also directly addressing, if not even attacking viewers with a clearcut YOU. This volume also features an Insert project by Kerstin Brätsch. Is the fact that the collaboration artists in this issue are three male New Yorkers even worth mentioning? Yes, it is, inasmuch as the next issue of Parkett will be devoted to three women. As always, the collaborating artists for the next issue are listed on the inside flap of the back cover Table of Content Trembling Before Time: On the Drawings of Paul Sharits by Paul Chan Robert Frank Fifty Years Down the Road by Pamela M. Lee Reunion by Eileen Myles You Can't go Home by Tacita Dean Wade Guyton The New Black by Scott Rothkopf Double Negative by Suzanne Cotter Pictures Eating Pictures: Notes for Wade Guyton by Daniel Birnbaum Christopher Wool Syntax for Minor Mishaps by Fionn Meade Wool Gathering by Richard Flood Aequacy No! by Jutta Koether The Treachery of Images, Christopher Wool and Wa.

Zustand: New.

Chicago; The Renaissance Society at The University of Chicago, 1989. 30x20 cm. (32) pp. Illustrated. Original printed wrappers, stapled. A fine copy of the catalogue for the joint exhibition of recent works. The catalogue was designed by the artists in collaboration with Michael Glass Design. With a preface by Susanne Ghez, the essays "The Murder of Simple Art", by Karen Marta and Stephen Ellis, "I Like Georg Herold's Stuff", by Glenn O'Brien, and "A Process of Elimination", by Ian Brunskill. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Soft Cover. Zustand: Near Fine. This is a near fine softcover copy with virtually no wear. A bit of light soil to covers, completely clean inside. Back cover lightly sunned at edges. SIGNED by the artist, Christopher Wool, in ink on the colophon. Not inscribed to anyone just signed and dated. Illustrated with 68 duotone plaes. Limited to 1,200 copies. 15" high X 10" wide, 140 pages. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.