crane gregory (18 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: As New.

Paperback. Zustand: Brand New. 275 pages. 9.00x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good-. Ink and pencil notes and underlining throughout. DJ has some tears and chipping. ; 6 X 1.1 X 9 inches; 330 pages.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Minor edgewear to DJ. ; 8vo 8" - 9" tall; 330 pages.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 6 X 1.1 X 9 inches; 330 pages.

Ephemera. Signed gallery exhibition card. SIGNED. 11 cm x 15 cm. This exhibition was held at Cheryl Pelavin Fine Art Gallery in New York, November 7 to December 31, 1998. Fine condition. Gregory Crane has signed the front of the postcard.

Zustand: New. In.

Hardcover. Zustand: Very Good-. Zustand des Schutzumschlags: No Dust Jacket. Light pen underlining/notes to about 3-4 pages. Writing in red ink to rear inner cover and endpaper. Upper corners a bit bumped. ; 6.46 X 0.84 X 9.08 inches; 294 pages.

Paperback. Zustand: Brand New. 1st edition. 176 pages. 9.00x6.25x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 1st edition. 348 pages. 9.50x6.50x1.25 inches. In Stock.

Gebunden. Zustand: New. This text demonstrates how Thucydides History of the Peloponnesian War analyzes both the power and the dramatic weaknesses of realist thought. It discusses ideas of political realism and its limits, claiming that the political examples of the classical p.

Buch. Zustand: Neu. Neuware - 'Crane's approach is original and quite stimulating. He takes a set of old questions--Thucydides' objectivity, 'realism, ' and understanding of human nature--and gives them a new and exciting twist.'--J. Peter Euben, University of California, Santa Cruz.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 490 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Zustand: Brand New. 1st edition. 176 pages. 9.25x6.25x1.00 inches. In Stock.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

hardcover. Zustand: fine. Gregory Crane (illustrator). Limited. A slim volume of poetry with several in-text drawings and an original etching by Gregory Crane. 8vo, green cloth with paper spine label (small faint stain at head, else fine). New York: Chroma Press, 1986. Limited edition - from a total of 100 signed copies, this is number 1 of only 20 copies that include an etching by Gregory Crane, printed by Pelavin Editions, signed and numbered. An uncommon Press Book. Paul Bray was a lively presence on the New York art scene of the '70s and '80s, who Paul Aster called "an absolute original, a demon of brilliant erudition and pitch-perfect music .he produced poetry that simultaneously signs and tells and never fails to astonish.".