Craig tom moore (17 Ergebnisse)
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Used-Very Good. Cloth, dj. Slight shelf-wear.
- Softcover
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Zustand: New. 2010. Paperback. . . . . . Books ship from the US and Ireland.
- Softcover
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Paperback. Zustand: Brand New. 128 pages. 9.50x6.75x0.25 inches. In Stock.
Upcountry South Carolina Goes to War Letters of the Anderson, Brockman, and Moore Families, 18531865
Craig, Tom Moore (Editor)/ Walker, Melissa A. (Introduction by)
- Softcover
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Paperback. Zustand: Brand New. reprint edition. 190 pages. 9.25x6.25x0.50 inches. In Stock.
- Hardcover
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Zustand: New.
- Hardcover
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Zustand: New. In English.
Upcountry South Carolina Goes to War Letters of the Anderson, Brockman, and Moore Families, 18531865
- Hardcover
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Hardcover. Zustand: Brand New. second edition edition. 190 pages. 9.10x6.00x1.00 inches. In Stock.
- Softcover
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Zustand: New. Über den AutorAuthor Richard Hoye, the Ojai Valley Museum s principal researcher, previously collaborated with coauthor Tom Moore on Images of America: Ojai. Coauthor Craig Walker revived the community s annual Ojai Day celebration.
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
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Zustand: New. KlappentextCivil War letters to and from Spartanburg rich with details on the battlefront and home front.
Sprache: Englisch
Verlag: University Of South Carolina Press Mär 2011, 2011
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - Upcountry South Carolina Goes to War chronicles the lives and concerns of the Anderson, Brockman, and Moore families of piedmont South Carolina during the late-antebellum and Civil War eras through 124 letters dated 1853 to 1865. The letters provide valuable firsthand accounts of evolving att…itudes toward the war as conveyed between battlefronts and the home front, and they also express rich details about daily life in both environments. As the men of service age from each family join the Confederate ranks and write from military camps in Virginia and the Carolinas, they describe combat in some of the war's more significant battles. Though the surviving combatants remain staunch patriots to the Southern cause until the bitter end, in their letters readers witness the waning of initial enthusiasm in the face of the realities of combat. The corresponding letters from the home front offer a more pragmatic assessment of the period and its hardships. Emblematic of the fates of many Southern families, the experiences of these representative South Carolinians are dramatically illustrated in their letters from the eve of the Civil War through its conclusion.
- Hardcover
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Zustand: New. Features Civil War letters to and from Spartanburg, South Carolina, with details on the battlefront and home front. This title chronicles through correspondence the lives and concerns of prominent families in piedmont South Carolina during the late-antebellum and Civil War eras. Editor(s): Craig, Tom Moore. Num Pag…es: 216 pages, 21 illustrations. BIC Classification: 1KBBFS; BJ; HBWJ. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 158 x 22. Weight in Grams: 494. . 2009. Second Edition. Hardcover. . . . . Books ship from the US and Ireland.
Verlag: Artists Space New York, NY, 1984
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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In den Warenkorb[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christmin…ster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.
Verlag: P.S.1 Institute for Art and Urban Resources New York, NY, 1980
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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In den Warenkorb2 vol. : vol. 1 : [4] pp. ; vol. 2: [4] pp.; 2 vol. : vol. 1: 35.5 x 21.6 cm. ; vol. 2 : 21.5 x 27.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Press release for a series of exhibitions held April 27 - June 15, 1980, curated by Alanna Heiss. Exhibitions include: "Image Into… Pattern," with paintings by Roger Brown, Robert Gordy and John Tweddle: "Special Projects Room," with work by Gigi Franklin, Paul Franklin, Peter Downsbrough, John Massey, Dennis Oppenheim, Howard Gross, Roberta Allen, Joy Walker, Tony Moore, Mikiya Matsuda, Cheryl Vicario Laemmle, Toshio Sasaki, Gloria Kish and Frances Hynes; "Poetry Reading," by Jaime Manrique Ardila, curated by Steve Hamilton, held April 27, 1980; "Photography," by Joel-Peter Witkin, curated by Sam Wagstaff; "Architecture;" with work by Bernard Tschumi, Robert Mangurian and Craig Hodgetts, curated by Lindsay Shapiro; "International Studio Program," with artists Wolf Kahlen, Catharina Cosin, John Hall, Jasper Halfmann, Franz Goebel and Elke Schmees; "Canadian Video," curated by Peggy Gale featuring work by Robert Hamon, General Idea, Tom Sherman, Susan Britton, Colin Campbell, Elizabeth Chitty, Noel Harding, Pierre Falardeau, Nancy Nicol, Clive Robertson and Lisa Steele; "Video Installation," curated by Bob Harris featuring Tony Martin; "Studio Workspace Program Exhibition 1979 - 1980," with artists Candida Alvarez, Rae Berolzheimer, Douglas Braswell, Marina Cappelletto, Efrain de Jesus, Natalie Dymnicki, Ron Edson, Darrel Ellis, Peter Fend and others "Outdoor Sculpture Show," featuring Allen Bertoldi, David Black, Barry Feurstein, Jene Highstein, Ray Kelly, Yoav Shapiro, Merle Temkin and Maura Sheehan. With performances by the Queens Symphony Orchestra. Includes exhibition floor map. Good. Folded into four as issued. Handwritten note in pen written by Frances Hynes. 4.5 cm. dog-ear to upper left corner and light edge-wear with wear at fold edges. 3 cm., 1.7 cm., and 1.5 cm. of yellow soiling to recto. Light overall rubbing and yellowing of verso.
