Craig hodgetts (20 Ergebnisse)

Paperback. Zustand: Used-Very Good. Pbk. Minor shelf wear. Else clean copy.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 328 pages. 8.25x5.87x8.27 inches. In Stock.

Stiff Wrappers. Zustand: Near Fine. 157 pages 77 illustrations in both black and white and color. Minor rubbing and wear to the cover and edges. Softcover edition, published with stiff paper covers on the occasion of the exhibition from 13 November 1985-9 February 1986. Edited by Julia Brown. Biography and Bibliography. Book. …

Hardcover. Zustand: Sehr gut. Z : 15,2 x 22,9 cm, 6 x 9 in, 256 pages, 194 illustrations - Catapulted to fame by the international media in and around the 1980s, a loosely affi liated cadre of architects the so-called L.A. Ten emerged to define the future of Los Angeles architecture. In this book, architects Neil Denari, Frederick Fisher, Ming Fung, Craig Hodgetts, Coy Howard, Wes Jones, Thom Mayne, Eric Owen Moss, Michael Rotondi, and former associates of the late Franklin Israel offer a casual, witty, and approachable retrospective on the characters, environment, and cultural history of L. A. architecture as they remember it. Architect, historian, and educator Stephen Phillips and the students of the Cal Poly L. A. Metro Program in Architecture and Urban Design, alongside Wim de Wit and Christopher Alexander of the Getty Research Institute, conduct the engaging series of oral history interviews. …

Paperback. Zustand: Brand New. 328 pages. 8.25x5.87x8.27 inches. In Stock.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware - In Reading Design, noted architect Craig Hodgetts sorts through the myriad of things that surround us with an eye trained by years of teaching at UCLA's world class School of ArchitectureIn Reading Design, noted architect Craig Hodgetts sorts through the myriad of things that surround us with an eye trained by years of teaching at UCLA's world class School of Architecture. Since the success of the precedent-setting Blueprints for Modern Living exhibition at the Los Angeles Museum of Contemporary Art (MOCA), Hodgetts has been immersed in the selection and appreciation of objects that are not only outstanding examples of contemporary design, but that exude an emotional connection to evolving lifestyles attributes that range from the sublime to the brutal. Consisting of over two hundred hand drawn sketches illuminating themes and bold departures from the norm, this book can change the way we look at things, and break down the barriers that markets and tastemakers erect by their recommendations.…

Buch. Zustand: Neu. Neuware -Syd Mead is one of the most accomplished and widely respected artists and industrial designers alive today. His career boasts an incredible array of projects from designing cars to drafting architectural renderings, but he is most famous for his work as a concept artist on some of the most visually arresting films in the history of cinema. Since working on Star Trek: The Motion Picture in 1978 as a production illustrator Syd Mead has always aimed to render 'reality ahead of schedule,' creating evocative designs that marry believable content with a neofuturistic form. It is this ability to predict technological potential that has helped Mead create such a distinctive and influential aesthetic. From his work with Ridley Scott on Blade Runner, to his striking designs for the light cycles in Tron, to his imposing concept art for the U.S.S. Sulaco in James Cameron's Aliens, Syd Mead has played a pivotal role in shaping cinema's vision of the future. The Movie Art of Syd Mead: Visual Futurist represents the most extensive collection of Mead's visionary work ever printed, compiling hundreds of images, sketches and concept arts from a career spanning almost 40 years, many of which have never been seen in print before. Each entry provides a unique insight into the processes involved in Mead's practice as well as illuminating the behind-the-scenes work involved in creating a fully realized, cinematic depiction of the future. With such a plethora of images from the many genre-defining films Mead has worked on, this is essential reading for film fans, artists and futurologists alike.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 256 pp. Englisch.…

Buch. Zustand: Neu. Neuware - Syd Mead is one of the most accomplished and widely respected artists and industrial designers alive today. His career boasts an incredible array of projects from designing cars to drafting architectural renderings, but he is most famous for his work as a concept artist on some of the most visually arresting films in the history of cinema. Since working on Star Trek: The Motion Picture in 1978 as a production illustrator Syd Mead has always aimed to render 'reality ahead of schedule,' creating evocative designs that marry believable content with a neofuturistic form. It is this ability to predict technological potential that has helped Mead create such a distinctive and influential aesthetic. From his work with Ridley Scott on Blade Runner, to his striking designs for the light cycles in Tron, to his imposing concept art for the U.S.S. Sulaco in James Cameron's Aliens, Syd Mead has played a pivotal role in shaping cinema's vision of the future.The Movie Art of Syd Mead: Visual Futurist represents the most extensive collection of Mead's visionary work ever printed, compiling hundreds of images, sketches and concept arts from a career spanning almost 40 years, many of which have never been seen in print before. Each entry provides a unique insight into the processes involved in Mead's practice as well as illuminating the behind-the-scenes work involved in creating a fully realized, cinematic depiction of the future. With such a plethora of images from the many genre-defining films Mead has worked on, this is essential reading for film fans, artists and futurologists alike.…

384 pp.; 24.9 x 30.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, October 17, 1989 - February 18, 1990. Introduction by Richard Koshalek, with written contributions by Elizabeth A.T. Smith, Esther McCoy, Amelia Jones, Thomas S. Hines, Helen Searing, Kevin Starr, Reyner Banham, and Dolores Hayden. Architects and designers in the catalogue include Adèle Naudé Santos, Craig Hodgetts, Ming Fung, Eric Owen Moss, Itsuko Hasegawa, Toyo Ito, Robert Mangurian, Charles Eames, Craig Ellwood, A. Quincy Jones, Pierre Koenig, Richard Neutra, and Raphael Soriano. Includes biographies, chronology, bibliography, and index. Printed in color and black-and-white. New. As issued in publisher's shrink-wrap. Due to size and weight additional shipping charges will be required for international orders.…

Hardcover. Zustand: Brand New. 162 pages. 18.50x13.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware -Syd Mead is one of the most accomplished and widely respected artists and industrial designers alive today. His career boasts an incredible array of projects from designing cars to drafting architectural renderings, but he is most famous for his work as a concept artist on some of the most visually arresting films in the history of cinema. Since working on Star Trek: The Motion Picture in 1978 as a production illustrator Syd Mead has always aimed to render 'reality ahead of schedule,' creating evocative designs that marry believable content with a neofuturistic form. It is this ability to predict technological potential that has helped Mead create such a distinctive and influential aesthetic. From his work with Ridley Scott on Blade Runner, to his striking designs for the light cycles in Tron, to his imposing concept art for the U.S.S. Sulaco in James Cameron's Aliens, Syd Mead has played a pivotal role in shaping cinema's vision of the future. The Movie Art of Syd Mead: Visual Futurist represents the most extensive collection of Mead's visionary work ever printed, compiling hundreds of images, sketches and concept arts from a career spanning almost 40 years, many of which have never been seen in print before. Each entry provides a unique insight into the processes involved in Mead's practice as well as illuminating the behind-the-scenes work involved in creating a fully realized, cinematic depiction of the future. With such a plethora of images from the many genre-defining films Mead has worked on, this is essential reading for film fans, artists and futurologists alike. 256 pp. Englisch.…

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.…

2 vol. : vol. 1 : [4] pp. ; vol. 2: [4] pp.; 2 vol. : vol. 1: 35.5 x 21.6 cm. ; vol. 2 : 21.5 x 27.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Press release for a series of exhibitions held April 27 - June 15, 1980, curated by Alanna Heiss. Exhibitions include: "Image Into Pattern," with paintings by Roger Brown, Robert Gordy and John Tweddle: "Special Projects Room," with work by Gigi Franklin, Paul Franklin, Peter Downsbrough, John Massey, Dennis Oppenheim, Howard Gross, Roberta Allen, Joy Walker, Tony Moore, Mikiya Matsuda, Cheryl Vicario Laemmle, Toshio Sasaki, Gloria Kish and Frances Hynes; "Poetry Reading," by Jaime Manrique Ardila, curated by Steve Hamilton, held April 27, 1980; "Photography," by Joel-Peter Witkin, curated by Sam Wagstaff; "Architecture;" with work by Bernard Tschumi, Robert Mangurian and Craig Hodgetts, curated by Lindsay Shapiro; "International Studio Program," with artists Wolf Kahlen, Catharina Cosin, John Hall, Jasper Halfmann, Franz Goebel and Elke Schmees; "Canadian Video," curated by Peggy Gale featuring work by Robert Hamon, General Idea, Tom Sherman, Susan Britton, Colin Campbell, Elizabeth Chitty, Noel Harding, Pierre Falardeau, Nancy Nicol, Clive Robertson and Lisa Steele; "Video Installation," curated by Bob Harris featuring Tony Martin; "Studio Workspace Program Exhibition 1979 - 1980," with artists Candida Alvarez, Rae Berolzheimer, Douglas Braswell, Marina Cappelletto, Efrain de Jesus, Natalie Dymnicki, Ron Edson, Darrel Ellis, Peter Fend and others "Outdoor Sculpture Show," featuring Allen Bertoldi, David Black, Barry Feurstein, Jene Highstein, Ray Kelly, Yoav Shapiro, Merle Temkin and Maura Sheehan. With performances by the Queens Symphony Orchestra. Includes exhibition floor map. Good. Folded into four as issued. Handwritten note in pen written by Frances Hynes. 4.5 cm. dog-ear to upper left corner and light edge-wear with wear at fold edges. 3 cm., 1.7 cm., and 1.5 cm. of yellow soiling to recto. Light overall rubbing and yellowing of verso. …

4°, Softcover/Paperback. 168 Seiten mit zahl. Abbildungen, Sprache: englisch Einbanddeckel vorne innen und Titelblatt mit Aufkleber, sonst sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 800.