Craig e clifford (26 Ergebnisse)

Hardback. Zustand: Good. Many books and essays have addressed the broad sweep of Texas music - its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as ruthlessly poetic.…

Zustand: New.

Paperback. Zustand: New.

Zustand: New. Num Pages: black & white illustrations. BIC Classification: 1KBB; HBJK. Category: (G) General (US: Trade). Dimension: 230 x 155 x 10. Weight in Grams: 272. . 2000. paperback. . . . .

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Num Pages: black & white illustrations. BIC Classification: 1KBB; HBJK. Category: (G) General (US: Trade). Dimension: 230 x 155 x 10. Weight in Grams: 272. . 2000. paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: New. Many books and essays have addressed the broad sweep of Texas music-its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as "ruthlessly poetic." All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were "folksingers." Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book's emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the "founders" got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets.…

Zustand: new.

Paperback. Zustand: Brand New. 280 pages. 9.25x6.12x0.67 inches. In Stock.

Zustand: New. 2023. paperback. . . . . .

Zustand: New.

Zustand: New. In English.

Zustand: New.

Zustand: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Neu. Neuware - Many books and essays have addressed the broad sweep of Texas musicits multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as "ruthlessly poetic." All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were "folksingers." Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book's emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the "founders" got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets.…

Hardback. Reprint. Quarto Size [approx 24cm x 30.5cm]. Near Fine copy in Very Good dustjacket. Dustjacket is now protected in our purpose-made clear archival plastic sleeve. A nice copy. Illustrated with Black and White Photographs. 220 pages. Robust, professional packaging and tracking provided for all parcels.…

Zustand: New. &Uumlber den AutorCRAIG CLIFFORD, author of In the Deep Heart s Core: Reflections on Life, Letters, and Texas and other titles, is a professor of philosophy and directs the Honors College at Tarleton State University in Stephenvi.

Paperback. Zustand: new. Paperback. Many books and essays have addressed the broad sweep of Texas musicits multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as ruthlessly poetic. All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were folksingers. Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the books emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the founders got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Many books and essays have addressed the broad sweep of Texas music. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as ruthlessly poetic. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Zustand: New.

Paperback. Zustand: New. Many books and essays have addressed the broad sweep of Texas music-its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as "ruthlessly poetic." All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were "folksingers." Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book's emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the "founders" got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

220pp. 4to. Original cloth in slightly worn dustwrapper. Inscription on rear of ffe. Some foxing to endpapers, otherwise a very good copy of this excellent study which contains over two hundred photographs by E. Graeme Robertson. First edition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Melbourne, Georgian House, 1972 (first edition). Quarto, viii, 220 pages with 223 illustrations (from photographs). Cloth; leading edge a little thumbed; top edge, inside surfaces of the flyleaves, and the first and last pages a little foxed; a very good copy with the dustwrapper a little cockled, and foxed on the underside). The half-title has been signed by Kevin Fahy, and inscribed and signed by Clifford Craig (as 'Cliff Craig'). Signed.…