coventry keith (19 Ergebnisse)

Zustand: New. pp. 96 Illus. (Col.).

Zustand des Schutzumschlags: dj. First Edition. First edition. Softcover. 39 pages. Exhibition catalog for a show that ran November 17 through December 23, 1994. Features an essay by Andrew Wilson. Includes 13 illustrations, list of previous exhibitions, and list of collections. A clean near fine copy in wrappers in a near fine dust jacket.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Zustand: Near fine in wraps. First Edition. 16 x 23cm near fine paperback exhibition catalogue with an essay, 'Vandal' by Iwona Blazwick plus colour reproductions.

Zustand: New. pp. 184 Illus.

Zustand: New. With this publication, Keith Coventry presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism.When advertising logos become abstract si.

256 S. 4°, Orig.-Leinenbd. m. Folienumschlag. Einleitung Norman Rosenthal. - Sehr gut erhaltenenes Expl. 2000 gr.

Hardcover. 4to. Pp: 112. First edition. White cloth boards with white lettering to front and spine. Illustrated throughout in colour. Signed to Norman Rosenthal, contemporary art historian and author of introduction, from artist.ISBN: 9789071848285 Near fine with marks on cover.

Kartoniert / Broschiert. Zustand: New. This concise, beautifully illustrated book provides a convenient introduction to the basic science of medical microbiology and how this relates to clinical practice. Expanded from the prize-winning first edition to cover virology and parasitology in addi.

Kartoniert / Broschiert. Zustand: New. Keith Redhead is Principal Lecturer in the Department of Economics, Finance and Accounting at Coventry University Business School. He is also the author of Introducing Investments: A Personal Finance Approach and Financial Derivatives.

Paperback. Zustand: Good in wraps. 13 x 17cm good paperback exhibition catalogue featuring works by British artist and curator, Keith Coventry, reproduced in colour, with texts by Matthew Matthew Collings. Covers a little browned.

Gebunden. Zustand: New. This concise, beautifully illustrated book provides a convenient introduction to the basic science of medical microbiology and how this relates to clinical practice. Expanded from the prize-winning first edition to cover virology and parasitology in addi.

Gebunden. Zustand: New. Keith Redhead is Principal Lecturer in the Department of Economics, Finance and Accounting at Coventry University Business School. He is also the author of Introducing Investments: A Personal Finance Approach and Financial Derivatives.

Buch. Zustand: Neu. Neuware - Explains the investment and financing strategies available to individual investors and includes various case studies and exercises. This book is suitable for students and researchers engaged with personal finance, investments, behavioural finance, financial derivatives and financial economics.

Hardback. Zustand: Very good. First Edition. 22 x 28cm 56pp very good hardback exhibition catalogue signed by the artist on the title page. Black and white reproductions throughout.

Folio. (515 x 380 mm) [7 leaves]. Leaf with title, 5 leaves with printed letterpress silhouettes of kebabs each with title in red beneath, each with guardleaf and signed and numbered by Coventry in pencil, final leaf with justification; sheet size: 520 x 378 mm. Loose as issued in original publisher's black cloth backed burgundy portfolio with ribbon tie, title and vignette in black to central paper label to front board. Keith Coventry's 'Kebab' portfolio. From the edition limited to 36 numbered copies on Somerset Satin, with each print signed and numbered by the artist in pencil. Depicting the archetypal British post-pub foodstuff, a confection of meat (of uncertain origin) on a skewer grilled vertically, Coventry's prints, each diminishing from the initial whole until only the skewer and support remain, are titled as follows: 'Fat Kebab,' 'Medium Kebab', 'Skinny Kebab,' 'Super Skinny Kebab' and 'Armature'.

Folio. (515 x 380 mm) [11 leaves]. Leaf with letterpress title in red, 9 leaves with monochrome letterpress silhouette in black, each with title in burgundy beneath, each signed and numbered in pencil and with tissue guardleaf, final leaf with justification. Loose as issued in original publisher's black cloth backed blue portfolio with ribbon tie, title and vignette in black to central paper label to front board. Keith Coventry's 'Crack Pipe' portfolio. From the edition limited to 36 copies on Somerset Satin signed and numbered by the artist, each print also signed and numbered in pencil. Keith Coventry (b. 1958), known for his 'White Abstracts' work and 'Estate Paintings' series has also been interested in the drug crack, those who smoke it and how. The present print series explores the latter theme with a series of silhouettes of the plastic bottles manipulated by the user for the purposes of smoking the drug. Coventry has explored the theme in a number of works, notably the 'Crack City' series which reference Morandi. The prints are titled as follows: 'Highland Spring Sparkling', 'Carrick Glen', 'Ventolin', 'Highland Spring Still', 'Badoit', 'Martell Miniature', 'Evian', 'Pure Life' and 'Spa'.

Zustand: Very good.

Screenprint in colours, 2014, signed, edition of 50, published by the artist and Shapero Modern, London, 54 x 42 cm. (21¼ x 16½ in.) MODIFY Coventry's Estate paintings and prints, examples of which are owned by many major museums including the Tate Modern, look like homages to Kasimir Malevich's suprematist masterpieces, however the simple, geometric shapes are in fact exact,scaled replicas of the maps showing the layout of buildings found outside British public housing estates. Coventry famously said: 'I look at the history of art, and I look at a social issue and I combine them.' He later said: 'the social issue re-empowers modernism. If you attach it to a piece of art history, it becomes alive again.' This trademark interest in the overlap between art, social issue and art history can be traced through this series above all others - Estate Paintings - which combines realist cartography of the specific social housing site in question - with contemporary abstraction/representation, and paying homage to older artists who have paved the way - Malevich - to find a meeting ground between these three primary concerns.