cort cornelis (21 Ergebnisse)

La Haye, Martinus Nijhoff, 1948. XVI,249 pp. 64 b./w. ills. Softcover (pictorial wrappers). 8vo.Text in French.

Maarten van Heemskerck (illustrator). 'ET INGRESSUS EST NOE IN ARCAM, ET OMNE QUOD MOVEITUR SUPER TERRAM DUO ET DUO. GEN. 7'Noah boards the ark with his family. A large procession of animalselephants, horses, cattle, goats, birds, and moreclimbs the ramp. In the foreground, figures gesture toward the ark; on the right Noah's wife and daughters-in-law observe.Made by Cornelis Cort after Maarten van Heemskerck.Medium: Engraving on hand laid (verge) paper. Watermark: Pot.Sheet size: 30.4 x 24.5 cm (11.97 x 9.65 inch). Image size: 25 x 20.3 cm. (9.84 x 7.99 inch).NOAH, ARK, GENESIS 7, ANIMALS ENTERING ARK, BIBLICAL ENGRAVING, HEEMSKERCK, 16TH CENTURY PRINT, CORT, COCK, NOAH'S FAMILY, FLOOD STORY | PCO-A56-07BACKGROUND INFORMATIONNo. 2 from a series of 6 published by Hieronymus Cock, Antwerp, ca. 1559-1560. From the series "The History of Noah".State: 1 (3).Reference: New Hollstein Dutch 4-1(3); New Hollstein Dutch 3-1(3); Riggs 117.Early edition.Biography engraver: Cornelis Cort (c. 1533-1578) was a Dutch engraver and draughtsman known for his refined and powerful line work. He worked in Italy and the Netherlands and was associated with renowned publishers such as Hieronymus Cock and later the Medici in Rome.Biography artist: Maarten van Heemskerck (1498-1574) was a Dutch painter and draughtsman from Haarlem, famous for his designs for prints and religious works. He traveled to Italy and absorbed classical influences, which he merged with Northern traditions. Condition: very good, given age. Light foxing, creasing and soiling. Wide margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Engraving on watermarked laid paper. 28 x 20 cm (sheet). Very Good, sheet trimmed to the platemark, several small repairs, mostly along sheet edges.

Maarten van Heemskerck (illustrator). 'AEDIFIRAVIT NOE ALTARE DOMINO ET OBTULIT HOLORAUSTA SUPER EO. GEN. CAP. 8'Noah and his family make an offer of animals on an altar after the deluge. Made by Cornelis Cort after Maarten van Heemskerck.Medium: Engraving on hand laid (verge) paper. Watermark: Pot.Sheet size: 30.4 x 23.9 cm (11.97 x 9.41 inch). Image size: 24.3 x 20 cm. (9.57 x 7.87 inch).NOAH, GOD THE FATHER, ARK, BIBLICAL FLOOD, GENESIS 6, MAARTEN VAN HEEMSKERCK, CORNELIS CORT, HIERONYMUS COCK, FLEMISH ENGRAVING, 16TH CENTURY | PCO-A56-08BACKGROUND INFORMATIONNo. 1 from a series of 6 published by Hieronymus Cock, Antwerp, ca. 15581560. From the series "The History of Noah".Reference: New Hollstein Dutch 7-3(3). New Hollstein Dutch 6-3(3).Early edition.Biography engraver: Cornelis Cort (c. 1533-1578) was a Dutch engraver and draughtsman known for his refined and powerful line work. He worked in Italy and the Netherlands and was associated with renowned publishers such as Hieronymus Cock and later the Medici in Rome.Biography artist: Maarten van Heemskerck (1498-1574) was a Dutch painter and draughtsman from Haarlem, famous for his designs for prints and religious works. He traveled to Italy and absorbed classical influences, which he merged with Northern traditions. Condition: good, given age. Light foxing, creasing and soiling. Narrow margins. Small tear at top right, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

[Grabado] Roma, ANtonio Lafreri, 1566. (267 x 206). 1 grabado calcográfico después de Giulio Clovio. Primera edición, primer estado. Adoración de los Reyes Magos con la Sagrada Familia al completo según dibujo del pintor italiano del Renacimiento Giulio Clovio (1498-1578, grabado por Cornelis Cort e impreso en Roma en las famosas prensas del impresor y grabador Lafreri (1512-1577). Recortado, falto de 1 cms. del margen inferior con los datos de publicación, sin afectar al grabado ni el texto impreso. 267x206mm. (10½x8").

Zustand: Bon. Beau tirage collé sur carton et coupé au trait d'encadrement. 28,2 x 20 cm.

Maarten van Heemskerck (illustrator). 'FAC TIBI ARCAM DE LIGNIS LEVIGATIS GEN. CAP. 6'Noah kneels in the foreground, receiving divine instruction from God appearing in the clouds holding a globe. Behind him, carpenters build the ark, which dominates the center background.Made by Cornelis Cort after Maarten van Heemskerck.Medium: Engraving on hand laid (verge) paper. Watermark: Pot.Sheet size: 30.4 x 23.9 cm (11.97 x 9.41 inch). Image size: 24.3 x 20 cm. (9.57 x 7.87 inch).NOAH, GOD THE FATHER, ARK, BIBLICAL FLOOD, GENESIS 6, MAARTEN VAN HEEMSKERCK, CORNELIS CORT, HIERONYMUS COCK, FLEMISH ENGRAVING, 16TH CENTURY | PCO-A56-07BACKGROUND INFORMATIONNo. 1 from a series of 6 published by Hieronymus Cock, Antwerp, ca. 15581560. From the series "The History of Noah".State: 1 (3).Reference: New Hollstein Dutch 2-1(3); New Hollstein Dutch 3-1(3); Riggs 117.Early edition.Biography engraver: Cornelis Cort (c. 1533-1578) was a Dutch engraver and draughtsman known for his refined and powerful line work. He worked in Italy and the Netherlands and was associated with renowned publishers such as Hieronymus Cock and later the Medici in Rome.Biography artist: Maarten van Heemskerck (1498-1574) was a Dutch painter and draughtsman from Haarlem, famous for his designs for prints and religious works. He traveled to Italy and absorbed classical influences, which he merged with Northern traditions. Condition: very good, given age. Light soiling and creasing. Fold in lower right corner. Wide margins. Three backed tears along the bottom edge. Small tear at op right margin. Paper separation along left plate edge, partly backed. Paper separation along right plate edge. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Maarten van Heemskerck (illustrator). 'EGRESSUS EST NOE CUM SUIS ET OMNIA ANIMANTIA EGRESSA SUNT DE ARCA. GEN. CAP. 8'Noah kneels in prayer surrounded by his family and animals, giving thanks to God who appears above in a cloud. Behind them, animals disembark the ark via a ramp. The ark is shown in left background.Made by Cornelis Cort after Maarten van Heemskerck.Medium: Engraving on hand laid (verge) paper. Watermark: Pot.Sheet size: 30.7 x 24.1 cm (12.09 x 9.49 inch). Image size: 24.9 x 20.2 cm. (9.8 x 7.95 inch).NOAH, GENESIS 8, THANKSGIVING, ARK, BIBLICAL ENGRAVING, POST-FLOOD, HEEMSKERCK, CORT, COCK, OLD TESTAMENT, ANIMALS LEAVING ARK | PCO-A56-07BACKGROUND INFORMATIONNo. 4 from a series of 6 published by Hieronymus Cock, Antwerp, ca. 1559-1560. From the series "The History of Noah".State: 1 (3).Reference: New Hollstein Dutch 5-1(3); New Hollstein Dutch 6-1(3); Riggs 117.Early edition.Biography engraver: Cornelis Cort (c. 1533-1578) was a Dutch engraver and draughtsman known for his refined and powerful line work. He worked in Italy and the Netherlands and was associated with renowned publishers such as Hieronymus Cock and later the Medici in Rome.Biography artist: Maarten van Heemskerck (1498-1574) was a Dutch painter and draughtsman from Haarlem, famous for his designs for prints and religious works. He traveled to Italy and absorbed classical influences, which he merged with Northern traditions. Condition: very good, given age. Light foxing, creasing and soiling. Wide margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

copper engraving. 215 x 152 mm. (image). laid paper. trimmed at or near neatline (image shaved on left). signed in the plate. A dark impression (repair to upper left corner with some loss, mounting tape on verso). Second State (of 3). Apparently 2 lines of Latin verses and Speccard's (Speckaert's) name have been cut off at the bottom. The Dutch engraver apprenticed with prolific print publisher Hieronymus Cock and spent the last twelve years of his life in Italy, where he lived for a time with the painter Titian in Venice, and where he produced engravings based on works by Titian, Raphael, Caravaggio and others. "In the use of a more open system of lines, contrasting with the closer hatching of Marcantonio and is followers, Cort was perhaps the pioneer in Italy, and the immediate inspirer of Agostino Carraci." (Hind, A History of Engraving and Etching, p. 119) Hollstein 138.

Incisione originale eseguita a bulino su lastra di rame con firma e data riportate su lastra in basso a destra \"Hieronymo Myciani inve - Corneli Cort fe 1573\". In basso in centro \"Priviligio . D Greg. PP XIII\". Scritta inferiore fuori a margine l`editore \"Bonefatio Breggi al. Melone doro in Roma\". La stampa raffigura l`apparizone del cervo miracoloso a San Eustachio in un paesaggio boschivo, soggetto tratto da un`opera del pittore Muziano Girolamo detto Girolamo da Brescia, facente parte di una serie sul tema \"Grandi paesaggi con santi eremiti\". Esemplare in discrete condizioni con alcune lacune e piccoli strappetti ai margini laterali. Al bordo inferiore lacuna risarcita all`angolo destro, altra lacuna risarcita con perdita del fregio centrale.

[Grabado] Países Bajos, 1571. (370 x 265)mm. 1 hoja con grabado calcográfico. Primer estado, temprana impresión antes del daño en forma de media luna en la esquina inferior izquierda. Extraordinario grabado calcográfico de Cornelius Cort sobre una pintura encargada por Tiziano para Felipe II (actualmente en Fitzwilliam, Cambridge). Inscripción "Cornelio Cort fe 1571" en la parte inferior izquierda y "Titianus Inven" en la parte inferior derecha. Al borde del margen inferior "Cum priv". Buen ejemplar con la impresión nítida; leve mancha en el margen inferior izquierdo, expertamente restaurado al verso. 370x265mm. (14½x10½").

Hardcover. (ca. 1560). überwiegend auf die Plattenkante beschnitten, stellenweise mit winzigem Rändchen. Etwas fleckig, verso stärker (leim-)fleckig. Geglättete horizontale Falten. Etwas wellig. Oben rechts auf ca. 5,5 cm Quetschfalte mit leichter Bräunung, wohl mit geschlossenem Riss. Verso am oberen Rand in den Ecken zwei Papierfalze. - Schöner, kräftiger Druck. - differenzbesteuert, daher kein Ausweis der Mehrwertsteuer.

Zustand: ACEPTABLE. Quid Christi mors? ut moriamur crimina fassi, Coraq scindantur, marmora scissa docent [.]. [C.Cort fe. / 1567] ; [Roma ex Typis Ant. / D. Salamaca] . Formato (cm): 40x27.

Original Kupferstich von ca. 1600. -- Platten-Maße: ca. 20 x 25 cm; mit schmalen Rändchen. -- gut erhalten. || Original copper engraving from c. 1600. --- With narrow margins. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 15.

Portrait of artist Rogier van der Weyden, sitting on a table facing right; a shadow is cast on the right wall; small niche with a scene depicting the Pietà and a scroll hanging on the wall in the upper left; first state.From the first edition published by the widow of Hieronymus Cock in Antwerp 'ROGERO BRUXELLENSI PICTORI. / Non tibi sit laudi, quod multa, et pulchra, Rogere, / Pinxisti ut poterant tempora ferre tua, / Digna tamen, nostro quicunque est tempore Pictor / Ad quae, si sapiat, respicere usque velit : / Testes picturae, quae Bruxellense tribunal / De recto Themidis cedere calle vetant : / Quam tua de partis pingendo extrema voluntas / Perpetua est inopum quod medicina fami. / Illa reliquisti terris iam proxima morti ; / Haec monumenta polo non moritura micant'. Numbered above right: '4'. For Frisius edition see 60079. Engraving, etching and letterpress with small margins; left margin trimmed on plate mark; pasted on thicker paper; plate mark: 210 x 121 mm; total: 220 x 125 mm; New Hollstein (Cort) 227, New Hollstein (Hondius) 86.

Coupé au tralt carré. Petits accidents aux angles. Très rare épreuve à la date de 1567 alors que Le Blanc (n° 60) décrit le 1er état à la date de 1568. Mise aux carreaux. 30,2 x 21,2 cm.

The young Virgin being presented at the Temple, after Taddeo Zuccaro. Inscriberd at the bottom:'Lumina conoscendens ultro petit ardua templi // Ipsa eadem templum Virgo futura Dei.' Address in lower margin:'Ant. Lanfre[rij]'; second address in margin at left:'Ioannes Orlandij formis romae 1602' l Engraving on paper, trimmed within platemark; total: 278 x 198 mm ; state III/3; some damages at the bottom repaired, some other not. New Hollstein 96; Bierens de Haan 21; Le Blanc 24; Wurzbach 86 OMP (Old Masters Prints Black Folders) C (5).

Possibly after Pauwels Franck (illustrator). 'HUNC MIHI FASCICULUS COLLIGARET ET INTER UBERA MEA COLLOCAR CURAUI / COLLECTUM EX OMNIBUS ANXIETATIBUS ET AMARITUDINIBUS DOMINI MEI / NEMO TOLLET EUM À ME INTER UBERA MEA COMMORABITUR. - LAURENTIUS VACARIUS FORMIS. ROMAE 1576'Saint Bernard of Clairvaux kneeling in a landscape, carrying the instruments of the Passion on his shoulder, including the cross, ladder, spear, and reed. The dice of the soldiers lie on the ground. Sun and moon appear above, with a village in the background.Made by Cornelis Cort after Possibly after Pauwels Franck.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 18 x 26.3 cm (7.09 x 10.35 inch). Image size: 16.8 x 26 cm. (6.61 x 10.24 inch).SAINT BERNARD, INSTRUMENTS OF THE PASSION, CORNELIS CORT, DEVOTIONAL PRINT, 16TH CENTURY, ROME, CHRISTIAN SYMBOLISM, PAUWELS FRANCK | PCO-E15-2-3BACKGROUND INFORMATIONPublished by Laurentius Vacarius, Rome.Biography engraver: Cornelis Cort (c.1533-1578) was a Dutch engraver and draughtsman known for his finely detailed engravings, often after major Italian and Flemish artists. He worked in Italy and was instrumental in spreading Italian Renaissance style through Northern Europe.Biography artist: Pauwels Franck (c.1540-1596), also known as Paolo Fiammingo, was a Flemish painter active in Venice. His works often featured mythological or allegorical subjects, and his style combined Flemish detail with Italianate composition. Condition: very good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Pentecost (Acts 2:1-4); above the Holy Spirit in the form of a dove appears through a gap in clouds surrounded by angels and putti; beneath in a room the Virgin and the apostles look up in awe. After a painting by Vasari made in 1568 for Santa Croce in Florence. The preparatory drawing is in the Pinacoteca Nazionale in Bologna (inv. 1651).Signed and dated on the bottom right: Corneli Cort sc. 1574.The plate was republished in 1602 by Giovanni Orlandi (fl.1590-1640).On verso collectors' marks: Kupferstich Kabinett Berlin (L. 1606, L. 5998), Graf von Leppel (L. 1672).Cut within the plate mark; bottom margin with the address of Lafrery and Orlandi not present.[NL] Pinksteren (Handelingen 2:1-4); boven verschijnt de Heilige Geest in de vorm van een duif door een spleet in de wolken, omringd door engelen en putti; beneden in een kamer kijken de Maagd en de apostelen vol ontzag omhoog. Naar een schilderij van Vasari gemaakt in 1568 voor Santa Croce in Florence. Engraving on paper, cut within plate mark, mounted on another sheet of paper with hand-drawn double frame; total (print): 437 x 287 mm; state II or III/3; some rubbing, some scratches in the middle part, otherwise in good condition. New Hollstein 77.

(1573). Blattmaß: ca. 37,1 x 49,1 cm, (Blattrand knapp beschnitten/etwas gebräunt/hinterlegte Läsuren)---- Das Bild zeigt: Einen betenden Mann vor einem Schrein in Berglandschaft, im Hintergrund zwei Löwen - 18 Gramm.

Rotterdam, Sound & Vision + Amsterdam, Rijksmuseum, 2000. 3 vols. XXXIV,253, 241, 295 pp. B./w.ills. Orig. uniform hardcovers, d./j. - As new.Complete set of the three volumes on Cornelis Cort. - - Original new price for three volumes is 1440,--.