cornell julien (27 Ergebnisse)

First edition. ix + 215 pp. Spine sunned, else near fine in near fine dust jacket with one short tear.

Zustand des Schutzumschlags: dj. First Edition. First British edition and first printing. Hardcover. 215 pages. A clean near fine copy in blue cloth boards and in a near fine dust jacket with some very minor wear.

Paperback. Zustand: Brand New. 368 pages. 5.25x8.50x0.75 inches. In Stock.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Octavo. 215pp. Owner name on front fly, topedge of boards modestly sunned, near fine in a somewhat worn and toned, very good or better dust jacket with tiny paint specks on the cover panel.

Zustand: Very Good. First edition copy. . Good dust jacket. (True Crime, Treason Case, Ezra Pound).

Hardcover. Zustand: Good. No Jacket. Natural cl., yellowed, o.w. Good. 174pp. incl. index.

Zustand: Good. 1967. First English edition. 215 pages. No dust jacket. Blue cloth covered boards with gilt. Pages remain bright and clean. Binding remains firm. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning.

Zustand: Good. 1966. No Edition Remarks. 215 pages. This is an ex-Library book. Black dust jacket over blue cloth. Library copy, with expected inserts, stamps and inscriptions. Pages are lightly tanned throughout. Binding remains firm. Paper residue to pastedowns. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Unclipped jacket has light edgewear with tears and creasing.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Very good with good dust jacket. Dust jacket is bumped and rubbed at spine tips and corners, has a horizontal crease across front and back panels, and has a 1/2 inch tear at top back edge. One inch stain on page fore edge.

Hardcover. Zustand: Fine. Dust Jacket Included. 1st Edition. pp.viii, 215 pages, a Fine hardback in a like dust-jacket. 1st Edition. True first British printing with original unclipped jacket (30s net).

Hardcover. Zustand: Very Good. 1971; New York; brown cloth covered boards with gold titles; light edge and corner wear; signed and inscribed by author on ffep; Interior is clean and unmarked; light foxing; 8vo; 178 pages. Signed by Author.

Zustand: Good. 1947. Hardcover. Clean copy in original cloth covers. Covers showing some age and shelf wear. Lacking dust wrapper but remains a good copy. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Fine in fine dustwrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 216pp. Bound in the publishers' Cambridge blue cloth and with gilt titles to the spine. Within an excellent unclipped dust-wrapper. The signature of a former owner the the head of the front free end-paper otherwise unmarked internally and free from annotation. Several letters from Pound are reproduced in facsimile. A smart copy.

First Edition. 1st edition, 1967. A bright, tidy copy in tight binding. Dust jacket not price-clipped; light wear. Used - Very Good. VG hardback in VG dust jacket.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. 216pp. Illustrated. Page edges slightly foxed, board edges lightly sunned, very good in a moderately rubbed about very good dust jacket with tanning, light foxing and edgewear. Contains the first appearance of numerous letters from Ezra Pound and documents relating to the trial. *Gallup* B83.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition. Octavo. 215pp. Light foxing on page edges, else fine in near fine dust jacket with foxing on rear flap, modest rubbing.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First English edition. 216pp. Illustrated. A bit musty, slight foxing on topedge, about near fine in a near fine dust jacket with modest edgewear. Contains the first appearance of numerous letters from Pound, and documents relating to the trial.

Hardcover. Zustand: Near Fine. First edition. Tall octavo. 82pp. Boards very slightly rubbed, else fine. Essays by Ezra Pound's lawyer, includes an essay on Pound's last years, an essay on making wine, an essay on the New York state history, and an essay about Frederick Law Olmsted suing the heirs of John Jacob Astor a claim to Captain Kidd's treasure. Very warmly Inscribed by the author.

Hardcover. Zustand: Fine. First edition thus. With a new introduction by Alan M. Dershowitz. Octavo. 215pp. Leather and gilt cloth over boards with page edges gilt and ribbon bookmark. A fine copy.

Zustand: Good. 1947. Hardcover. Clean copy in original cloth covers. Covers showing some age and shelf wear. Lacking dust wrapper but remains a good copy. . . . .

Hardcover. Zustand: Fine. DESCRIPTION: Quarter leather black cloth boards. Gilt lettering on spine and gilt stamped boards. Spine has 4 raised bands. All edges gilt. Marbled endpapers.----- CONDITION: Clean bright pages; no marks or annotations; binding is straight and tight. Uncracked as of a new book. ----- ABOUT THIS TITLE: The book recounts the trial of Ezra Pound, a famous poet who was charged with treason for his pro-fascist radio speeches during World War II. ----- ABOUT THE AUTHOR: Julien Cornell (1910 1994) was an American lawyer best known for defending conscientious objectors during World War II. He gained prominence as the attorney for Ezra Pound, the controversial poet who was charged with treason for his pro-Axis radio broadcasts during the war. Cornell advocated for Pound s commitment to a mental institution rather than a criminal trial, arguing that the poet was mentally unfit to stand trial.

Zustand: Good. 4to. Single Sheet, Very Good with minor staining on verso. Form letter raising funds for ailing poet, Kenneth Patchen. Letter includes facsimile of signatures by writers W. H. Auden, T.S. Eliot, Archibald MacLeish, & Thornton Wilder. Julien Cornell was also the lawyer who defended Ezra Pound.

Zustand: Very Good. Very Good condition. Stamped on flyleaf. (Treason, Trials, Law).

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 8vo 8" - 9" tall; 158 pages; Description: x p. , 1 l. , 158 p. 20 cm. Subjects: Conscientious objectors --Legal status, laws, etc. --United States. Conscientious objectors --Great Britain 3 Kg.

HARDCOVER. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st printing. 8vo in bright blue cloth, gilt lettering to spine. 215pp . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (hint of tanning to leaves, faint signs of pencil price erasure to top corner tip of the front blank fly-leaf) in a FINE complete Dust Jacket (faintly tanned, minute specks of shelf rub to spine panel ends and flap fold corner tips, looks fine in its removable transparent protector). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Good. 4to. 19.5 x 24.1 cm. Original pictorial boards and plasic d-j. [4], 192pp. Bookplate of James Thrall Soby on free endpaper with presentation autograph of the author.Julien Levy (1906-1981) was one of the most influential art dealers of the twentieth century. The Julien Levy Gallery, which opened in New York in 1931 and closed in 1949, played an essential role in the shift of the cultural avant-garde from Paris to New York. It was the first American gallery to sponsor a show on Surrealism and to champion Neoromanticism, Magic Realism, and Machine Abstraction. Luis Buñuel's film Un Chien Andalou and Joseph Cornell's Rose Hobart were first screened in the gallery. Among the artists Levy exhibited were Eugene Atget, Constantin Brancusi, Henri Cartier-Bresson, Joseph Cornell, Salvador Dali, Walt Disney, Marcel Duchamp, Max Ernst, Walker Evans, Leonor Fini, Naum Gabo, Alberto Giacometti, Arshile Gorky, Frida Kahlo, Fernand Léger, René Magritte, Lee Miller, Man Ray, Ben Shahn, and Dorothea Tanning. Levy also initiated the cocktail opening.This book, which accompanies a retrospective exhibition on the Julien Levy Gallery in New York, includes reproductions of paintings, photographs, and film stills from museum and private collections, as well as of art and ephemera from Levy's own collection. The book offers recollections of Levy and his gallery from several angles. Dorothea Tanning reminisces about her lifelong friendship with her first dealer. Ingrid Schaffner surveys the evolution of Levy's enterprise from combination curiosity shop, exhibition space, and performance site into a model for the contemporary art gallery. Steven Watson discusses Levy's personal and professional affiliations with the "Harvard Moderns"?Alfred Barr, Jr., and A. Everett Austin among them. Carolyn Burke looks at Levy's complex relationship with his mother-in-law, poet and painter Mina Loy, who acted as his agent and mentor in Paris. Finally, Lisa Jacobs provides a chronology of the events of the gallery and of Levy's life. Published in conjunction with an exhibition at the Equitable Gallery, New York.James Thrall Soby (1906-1979) was an author, critic, connoisseur, collector and patron of the arts. He was born in Hartford, Connecticut, to Charles Soby (d. 1921) and Anna Hazelwood (1877-1956), and had one brother, Ralph Soby (1903-1956). He attended the Kingswood School, the Taft School (class of 1924) and Williams College (1924-26). In autumn 1925 he bought his first picture, a color reproduction of two nudes by Maxfield Parrish. While at Williams, Soby became interested in illustrated books, especially those by artists of the School of Paris. Leaving Williams in 1926 at the end of his sophomore year, he went to Paris, where he began collecting contemporary pictures. .Upon returning to Hartford he became interested in the activities of the Wadsworth Atheneum, working under A. Everett ("Chick") Austin from 1928 to 1938 when that museum, the oldest in America, was in the vanguard of the modern movement. During this period he continued to collect modern art and began to write articles and books about contemporary artists. Soby was married three times: in 1930, to Elmina N. Underwood; February 1938, to Eleanor ("Nellie") Howland, who is now Mrs. John L. Bunce and with whom he adopted a son, Peter Allyn; and in April 1952, to Melissa Wadley Childs. Minkoff, A-46OCLC Number / Unique Identifier:456663775.Provenance? Collection of Dr. Gregory R. Bonomo.